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Pictured: Marc Bolan of Tyrannosaurus Rex.
Then came Tyrannosaurus Rex, an acoustic duo featuring [Marc] Bolan and the percussionist Steve Peregrin-Took, but with the former evidently calling all the shots. Perhaps noting that Bolan was less committed to flower power idealism than he was to becoming famous, some areas of London’s hippie counterculture regarded him with a jaundiced eye (“He was a cocky little shit,” complains one underground luminary in Jonathon Green’s definitive oral history of the era, Days in the Life), but the music Tyrannosaurus Rex made was frequently extraordinary. For an acoustic duo with a penchant for whimsy, they seldom sounded laid back: their songs charge along chaotically, fuelled by riffs and an energy closer to early rock’n’roll than folk.
— Alexis Petridis, “Why Marc Bolan Was The Perfect Pop Star,” The Guardian (09/04/20)
Here’s what we played in Ep. 403 of No Condition Is Permanent:
The Sisters Love — “Give Me Your Love” — Mojo Club: Dancefloor Jazz Vol. 07 Give Me Your Love
Livy Ekemezie — “Get It Down” — Friday Night
The Velvetones — “Doheny Run” — Sleazy Surf! Vol. 2
Golden Ring — “Bar Ay Dokhtar Ha” — Raks Raks Raks: 27 Golden Garage Psych Nuggets From The Iranian 60s Scene
The Montanas — “That’s When Happiness Begins” — Paisley Pop: Pye Psych (& Other Colors) 1966-1969
The Prophets — “Concord” — Loch Ness Monster
The Paley Brothers — “Too Good To Be True” — The Paley Brothers
Juan “El Matematico” — “La Hey Del Hielo” — Classicos Del Rock & Roll Mexicano

The Falcons — “Nightmare” — Devils, Monsters, Witches, Cobras, Zombies, Nightmares and Other Bad Luck
Tono y sus Sicodelicos — “Las Hojas Secas” — Mr. Boogaloo
Three Aces & A Joker — “Booze Party” — Sin Alley Vol. 2
Unknown Artist — “Unknown Title” — Cambodian Swing Machine
Mott the Hoople — “You Really Got Me” — Mott the Hoople
Pierre Didy Tchakounte — “Ma Fou Fou” — Cameroon Garage Funk 1964-1979
The Detroit Cobras — “Laughing at You” — Life, Love and Leaving
Inner Circle & The Fatman Riddim Section — “Too Much War” — Heavyweight Dub
Sonny Steveson — “Bessie Lou” — Dangerous Doo-Wop 4
Afrosound — “Banana de Queso” — Carruseles
Gene LaMarr — “That Crazy Little House On The Hill” — Wild Streak Vol. 2
Brigth Engelberts and the B.E. Movement — “Get Together” — Booniay!! A Compilation of West African Funk
Curtis Knight and The Squires — “U.F.O.” — Curtis Knight and The Squires Vol. 2: Studio
Ahmed Malek — “Un Autre Complot” — Musique Originale De Films: Deuxième Tome
Masters Of Reality — “High Noon Amsterdam” — Deep In The Hole
The Revolution of St. Vincent — “The Little You Say” — Calypsoul 70: Caribbean Soul & Calypso Crossover 1969-1979
Quartette Tres Bien — “Boss Tres Bien” — Boss Tres Bien
Les Gypsies De Pétion-Ville — “Deception” — Haiti
Aural Exciters — “Paradise” — Spooks In Space
Pamelo Mounk’a — “Ca ne se prête pas” — No. 1 Africain
The Velvet Underground — “Andy’s Chest” — VU
Ali Hassan Kuban — “Ya Nubiyyah” — Walk Like A Nubian
Tyrannosaurus Rex — “Elemental Child” — A Beard Of Stars

LORD BUCKLEY’S WEEKLY BENEDICTION…
Prince Far-I — “Psalm 95” — Psalms For I

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Pictured: The Nite-Liters.
When Robert Beck [a.k.a. Iceberg Slim] was released from prison for the last time in April 1962, he vowed to leave the pimp game behind him forever. Most of the pimps he once knew had either died or become drunken bums. His pimp mentor of many years, Albert “Baby” Bell, had walked over to Chicago’s Washington Park one day and shot himself in the temple, leaving a note that read: “Good-bye squares! Kiss my pimping ass!”1 Beck did not want to suffer the same fate. He was past forty now, practically a senior citizen for a pimp. He had blown his bottom woman, and he no longer possessed the necessary finery for luring young victims. “I was caught in the nightmare bind that an older pimp faces past the age of thirty-five,” Beck reflected. “He is then prone to many setbacks and disasters. Any one of them can put him on his uppers and without the basic gaudy bait, like an out-of-sight car, psychedelic wardrobe, the diamonds necessary to hook and enslave a fresh stable of humping young whores.”
— Justin Gifford, Street Poison: The Biography of Iceberg Slim
Here’s what we played in Ep. 402 of No Condition Is Permanent:
Zebra — “Simple Song” — AOTN 45rpm
Ice — “Racubah” — Darkest Light: The Best Of Lafayette Afro Rock Band
The Centures — “4th Dimension” — Strummin’ Mental! Part 2: Raw, Crude, Instrumental R&R!
Adnan Othman — “Doa Ku” — Bersyukor: A Retrospective of Hits by a Malaysian Pop Yeh Yeh Legend
Richard Lloyd — “(I Thought) You Wanted to Know” — Ork Records: New York, New York
Grupo Los Yoyi — “Paco La Calle” — Yoyi
Johnny Knight — “Rock And Roll Guitar” — Sin Alley Vol. 2
The Nitty Gritty Sextet — “Papel De Bambú” — The Nitty Gritty Sextet

The Nite-Liters — “Afro-Strut” — RCA 45rpm
Orchestre Negro Succes — “Talisman” — Succes Des Orchestres Du Congo/Zaire Des Années ‘60/’70
The Tarantulas — “Tarantula” — Atlantic ‘61/’62 Gems from the Vaults: Up On The Roof
Neli — “Ki Blood” — Khana Khana: Funk, Psychedelia And Pop From The Iranian Pre-Revolution Generation
Doctor Mix And The Remix — “I Can’t Control Myself (Version)” — Rough Trade 45rpm
Bill Doggett — “Stop That Twistin’ In Here” — Walk On The Wild Side: The Jazz Side Of Mod
Eiko Shuri — “Yé-Yé” — Nippon Girls 1: Japanese Pop, Beat & Bossa Nova 1966-70
Ford Hopkins — “Ya Fine Fine Fine” — Greasy Rock ‘N’ Roll Vol. 6
Inner Circle & The Fatman Riddim Section — “Fidel At The Control” — Heavyweight Dub
The “5” Royales — “Do the Cha Cha Cherry” — Monkey Hips and Rice: The “5” Royales Anthology
Willie Colon — “Che Che Cole” — Fania Records 1964-1980: The Original Sound of Latin New York
The Cramps — “Cramp Stomp” — Big Beat From Badsville
Akido — “Psychedelic Baby” — Akido
Wire — “Question Of Degree” — Chairs Missing
Harry Mudie Meets King Tubby’s — “Nineteen Love In Dub” — Dub Conference Vol. 3
The Soft Boys — “I Wanna Destroy You” — Underwater Moonlight
Mario Ortiz & His All Star Band Con Paquito Alvarez — “Tras Tres Tragos” — ¡Saoco! Vol. 2: Bomba, Plena & the Roots of Salsa in Puerto Rico 1955-1967
The Mariners — “Zindy Lou” — Cadence 45rpm
Wganda Kenya — “Tamba” — Homenaje A Los Embajadores
Billy Mitchell — “You Know I Do” — Jay-Gee Rock & Roll Party Vol. 1
Linval Thompson — “Rastafari Dub” — Strong Like Samson Dub
The Barracudas — “Saturn” — Sleazy Surf! Vol. 1
Los Zafiros — “Cuando Yo La Conoci” — Los Zafiros Story
The Stooges — “I Wanna Be Your Dog” — The Stooges
Adnan Othman — “Kau Ku Chari” — Bersyukor: A Retrospective of Hits by a Malaysian Pop Yeh Yeh Legend
James Brown & The Famous Flames — “Good Good Lovin’” — Soul Uprising: 50 Early Soul & R&B Nuggets

LORD BUCKLEY’S WEEKLY BENEDICTION…
Wha-ha-ha — “Nojari” — Getahaitekonakucha

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Pictured: Françoise Hardy.
Since his first record, I had liked the gifted young English singer and songwriter Nick Drake, to whom the media inexplicably gave the cold shoulder. For this reason, when I was in his country I spoke to every journalist I met with all the enthusiasm his work inspired in me, in hopes of getting him more attention. He heard of what I was doing and surprised me by coming to the London studio where I was recording. He visited me several times, but the language barrier prevented us from communicating, unless that was a convenient screen to disguise deeper blockages in each of us. He would sit in a corner of the studio and stay there for hours, without saying a word, as if it was enough for him to know I liked his songs.
— Françoise Hardy, The Despair of Monkeys and Other Trifles.
Here’s what we played in Ep. 401 of No Condition Is Permanent:
The Trammps — “Can We Come Together” — Crème De La Crème: Philly Soul Classics and Rarities
Momo Joseph — “Africain” — Africa Airways Four (Disco Funk Touchdown 1976-1983)
The Krontjong Devils — “The Lone Surfer” — Action!
The Twinkle Brothers — “Jah-Jah Gonna Get You” — Rasta Pon Top
Link Wray And The Raymen — “Run Chicken Run” — Mr. Guitar
Dengue Fever — “Escape from Dragon House” — Escape From Dragon House
Young Underground — “Dance to the Music” — 1st Annual Inner-City Talent Expo (1972)

The Emersons — “Hungry” — Newport 45rpm
Sharhabil Ahmed — “Kamar Dawa” — The King Of Sudanese Jazz
Dub Syndicate — “My Baby’s Barefoot” — Blow My Mind! The Doré-Era-Mira Punk & Psych Legacy
Willie Bobo — “Roots” — Mojo Club – Dancefloor Jazz Vol. 07 – Give Me Your Love
Mark IV’s — “If You Can’t Tell Me Something Good” — Brite Lite 45rpm
R. D. Burman Feat. Kishore Kumar & Asha Bhosle — “Ek Bottle Hogal Mein” — The Bombay Connection: Vol. 2 – Bouncin’ Nightclub Grooves From Bollywood Films 1959-1972
John Otway and Wild Willy Barrett — “If I Did” — John Otway and Wild Willy Barrett
Gregory Isaacs — “Bumping and Boring” — Soon Forward (deluxe edition)
The Chiffons — “Sweet Talkin’ Guy” — Golden Girl Groups
Exile One — “Funky Crookie” — Exile One
ESG — “My Street” — Step Off
Sonora Casino — “El Negro Javier” — Trompeteros
The Hollywood Hurricanes — “Beavershot” — Wildsville!!
Winston Riley — “Glambling” — Meditation Dub
Marvin Gaye — “Lucky Lucky Me” — Northern Soul 101 Hits
Cymbals — “This Year’s Gear” — Anthology
Roxy Music — “All I Want Is You” — Country Life
Wuta-May — “Malgré La Richesse” — Ole La Vie
The Modern Lovers — “Astral Plane” — The Modern Lovers
Manzanita — “Serrano con Orgullo” — Chicha for The Jet Set
The Pygmies — “Don’t Monkey With Tarzan” — Exotica, Popcorn & Stompers!! Vol. 2
Joe Gibbs & The Professionals — “Dub Three” — African Dub All-Mighty Chapter 3
Morine & The Zercons — “Let A Woman Through” — Talkin’ Trash
Littles — “4×8 Jadeed” — Raks Raks Raks: 27 Golden Garage Psych Nuggets from The Iranian ‘60s Scene

LORD BUCKLEY’S WEEKLY BENEDICTION…
Françoise Hardy — “Voilà” — The Vogue Years

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Pictured: The Stooges.
Today, Fun House is the Stooges album most consistently cited by musicians, for instance Jack White, of the White Stripes, who reckons, ‘In my mind, Fun House is the greatest rock ’n’ roll record ever made. I’ll always feel that.’ Eventually, this music would spawn the dark gothic rock of Nine Inch Nails or Jane’s Addiction, but for many contemporaries, Fun House seemed to prove the Stooges were simply deluded. There was impassioned support from Creem’s Lester Bangs, who wrote a huge feature on the album that was serialised over two issues, and many others. Even industry bible Billboard weighed in on their behalf, although the positive review must have irked the singer by crediting ‘Steve Mackay and his magic saxophone’ as the leader. Even so, the album was generally reviled, in particular by the radio industry. Steve Harris, senior vice president in charge of marketing at Elektra, was a fan of the Stooges and pushed the record hard, but received an unequivocal reaction: ‘Oh my God! Isn’t Elektra a company of beautiful and wonderful and classy music? What are they doing with this?’
— Paul Trynka, Iggy Pop: Open Up and Bleed.
Here’s what we played in Ep. 400 of No Condition Is Permanent:
The Isley Brothers — “Work To Do” — Brother, Brother, Brother
Jo Bisso — “Lovers Concerto” — African Disco Experimentals 1974 to 1978
The Premiers — “Firewater” — Jungle Exotica Vol. 1
Rene Grand — “Hey! Mr. Gil” — Merengue Mania! The Hip and Groovy 60’s Sound Of The Dominican Republic
The Sorrows — “You’ve Got What I Want” — Acid Drops, Spacedust & Flying Saucers: Psychedelic Confectionery 1965-1969
I Roy — “The Drifter” — Trojan Reggae Rarities Box Set
The Astors — “Candy” — Sock It To ‘Em Soul: 60’s Club Soul Classics from The Vaults Of Atlantic Atco, Loma Reprise, Stax & Warner Bros. 1963-1968
Tulio Enrique Leon — “Bimbóm” — Color De Trópico
The Pharoahs — “Looking for Girls” — Ho-Dad Hootenanny Too!

The Bostweeds — “Faster Pussycat Kill Kill” — Faster Pussycat Kill Kill OST
Anibal Velasquez y su Conjunto — “Carruseles” — Mambo Loco
Harvey & the Phenomenals — “Soul & Sunshine” — Midwest Funk
Al Massrieen — “Longa 79” — Habibi Funk 006: Modern Music
The Craig — “I Must Be Mad” — Nuggets II: Original Artyfacts From The British Empire & Beyond 1964-1969
Dara Puspita — “Hallo, Kawan (Hello, Friend)” — 1966-1968
Dave Hamilton — “Pisces Pace” — Dave Hamilton’s Detroit Funk
Pasteur Lappé — “Back To Funky” — African Funk Experimentals (1979 to 1981)
Prince Jammy — “His Imperial Majesty” — Prince Jammy Presents Uhuru In Dub
Wire — “Sand In My Joints” — Chairs Missing
Ray Barretto — “The Soul Drummers” — Acid
The Funk Brothers Feat. Earl Van Dyke — “Tell Me It’s Just A Rumor Baby” — Cellarful of Motown Vol. 1
Elvis Phương — “Kho Tàng Của Chúng Ta (Our Treasures)” — Saigon Rock & Soul: Vietnamese Classic Tracks 1968-1974
The Stooges — “Down On The Street [Take 10]” — 1970: The Complete Fun House Sessions
The Aggrovators and King Tubby’s — “Lifetime Dub (That’s Life – Ronnie Davis)” — Jackpot Dub: Rare Dubs From Jackpot Records 1974-1976
The Only Ones — “The Happy Pilgrim” — Baby’s Got A Gun
Les Difficiles de Petion-Ville — “Fe’m Confiance (Tropical Treats Edit)” — Sofrito: International Soundclash
The Vibes — “Come Back Baby” — Rock’n’Roll Dance Party Volume Two
Junior Byles & Rupert Reid — “Remember Me (Extended)” — Junior Byles & Friends: 129 Beat Street Ja-Man Special 1975-1978
The Cramps — “She’s Got Balls” — Fiends of Dope Island
Franco et OK Jazz — “Azda” — Congo 70: Rumba Rock
Velvet Underground — “Run Run Run (Different Mix)” — Norman Dolph Acetate

LORD BUCKLEY’S WEEKLY BENEDICTION…
S.P. Balasubramaniam & S. Janaki — “Chittu Kuruvi (Little Sparrow)” — Fire Star: Synth-Pop & Electro-Funk from Tamil Films 1985-1989

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Pictured: Los Shapis.
I decided to try some Yage prepared Vaupes method. The Indian and I started scraping off bark with machetes (the inner bark is the most active). This is white and sappy at first but almost immediately turns red on exposure to air. The landlady’s daughters watched us pointing and giggling. This is strictly against Putumayo protocol for the preparation of Yage. The Brujo of Macoa told me if a woman witnesses the preparation the Yage spoils on the spot and will poison anyone who drinks it or at least drive him insane. The old us routine. I figured this was a chance to test the woman pollution myth once and for all with seven female creatures breathing down my neck, poking sticks in the mixture, fingering the Yage and giggling.
The cold water infusion is a light red color. That night I drank a quart of infusion over a period of one hour. Except for blue flashes and slight nausea – though not to the point of vomiting – the effect was similar to weed. Vividness of mental imagery, aphrodisiac results, silliness and giggling. In this dosage there was no fear, no hallucinations or loss of control. I figure this dose as about one third the dose that Brujo gave me.
— William S. Burroughs, The Yage Letters.
Here’s what we played in Ep. 399 of No Condition Is Permanent:
Love Unlimited Orchestra — “Strange Games And Things” — Strange Games And Things
Gboyega Adelaja — “Adua (Prayer)” — Colourful Environment
Wadadli Riders — “Kawaramachi” — Made In Antigua
John Holt — “Stealing Stealing” — Rocksteady Soul: The Original Cool Sound Of Duke Reid’s Treasure Isle
The Undertones — “Family Entertainment” — The Undertones
Devil’s Anvil — “Shisheler” — Saz Beat: Turkish Rock, Funk, And Psychedelic Music Of The 1960s And 1970s
Roy Montrell — “(Everytime I Hear) That Mellow Saxophone” — Blowing The Fuse: 1956
Tito Chicoma Y Su Orquesta — “La Contamanina” — Gozalo! Bugalu Tropical Vol. 2
Bobby Parker — “Watch Your Step” — V-Tone 45prm

Oceanliners — “Funky Pants” — Funky Crimes
Junior Murvin — “Roots Train (Previously Unreleased Dub Plate Mix)” — Black Art from the Black Ark
The Detroit Cobras — “He Did It” — Life, Love and Leaving
M.B.T’s — “M.B.T’s Sound” — Congo Funk! Sound Madness from The Shores Of The Mighty Congo River (Kinshasa/Brazzaville 1969-1982)
New York Dolls — “Personality Crisis” — New York Dolls
Los Shapis — “Como Un Errante” — Los Auténticos
Dave Hamilton — “Pisces Pace” — Dave Hamilton’s Detroit Funk
Sơn Ca — “Khi Tình Yêu Đến” — Saigon Supersound Vol. 2
Jack Starr — “Crazy Rock” — Born Petrified
Black Truth Rhythm Band — “Asprire” — Ifetayo
The Slits — “Earthbeat” — Return Of The Giant Slits
Lloyd Terrell — “I Did It” — Jamaican Funk Experience
Roxy Music — “The Thrill of It All” — Country Life
Cortijo Y Su Combo (con Ismael Rivera) — “Déjalo Que Suba” — ¡Saoco! The Bomba And Plena Explosion In Puerto Rico 1954-1966
The Olympics — “The Stomp” — West Coast Sock Hop: The Arvee Records Story
Ikebe Shakedown — “The Viking” — Ikebe Shakedown
Aural Exciters — “Maladie D’Amour” — Spooks In Space
Johnny’s Guitar — “Klongyao” — Thai Beat A Go Go Vol. 1: Groovy 60’s Sounds from the Land of Smile!
Ambitious Lovers — “Copy Me” — Greed
U Brown — “Hard Time Dub” — DJ Jamaica: Inna Fine Dub Style
Suicide (Alan Vega and Martin Rev) — “Mr. Ray” — Suicide (Second Album)
Kalyanji-Anandji — “Johnny Mera Naam (Title Music)” — Bollywood Funk: 15 Funk-Fuelled Grooves From The Bollywood Classics

LORD BUCKLEY’S WEEKLY BENEDICTION…
Mr Acker Bilk — “Acka Raga” — Metronome 45rpm

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Pictured: Tim Buckley.
As unsettling and foreign as Starsailor had been two years before, Greetings from L.A., as the new work was called, is as close to a conventional rock record as Tim [Buckley] had ever made. Starting with “Move with Me,” which sports a juke-joint sax solo and honky-tonk piano, most of the songs find him and the band vamping over relatively direct chord changes and rhythms. “Nighthawkin’” started as a lyric excerpt from Larry Beckett, inspired by a night he walked into a convenience store and overheard a cab driver telling a clerk about a deranged passenger. [Producer Jerry] Goldstein, [guitarist/arranger Joe] Falsia, and Tim turned it into a boogie, complete with slippery lead guitars. (The reference to “a combat paratrooper daddy” could have been inserted by Tim, possibly referring to his father.) “Sweet Surrender,” the album’s most aching ballad, has a cascade of strings that undercuts Tim’s macho cheating-song lyric (“I had to be a hunter again/This little man had to try to make love feel new again”).
— David Browne, Dream Brother: The Lives & Music of Jeff & Tim Buckley.
Here’s what we played in Ep. 398 of No Condition Is Permanent:
The O’Jays — “This Time Baby” — Philly Freedom: 70s Dance Floor Anthems From The City Of Brotherly Love
Jo Bisso — “Lovers Concerto” — African Disco Experimentals 1974 to 1978
The Royal Jokers — “Vibrations” — Swing For A Crime
Anandji Kalyanji — “Ganges A Go-Go” — Bombay The Hard Way: Guns, Cars & Sitars
Lil’ Buck & The Top Cats — “Cat Scream” — Feeling Nice Vol. 2: A Collection Of Super Rare & Super Heavy Funk 45s From The Late ‘60s & Early ‘70s
Bilo y sus Típicos — “La Negra” — Merengue Típico: Nueva Generación!
B.B. King — “Poontwangie” — Kent 45rpm
Karl Bryan — “Red Ash” — Dancehall ’69: 40 Skinhead Reggae Rarities

Edie & Robin with Six Feet Under — “Chocolate Sugar” — LeCam 45rpm
Omar Khorshid — “Ya Dalaa” — Omar Khorshid With Love
Lil Buck & The Top Cats — “Monkey In A Sack” — Quantic Presents The World’s Rarest Funk 45s Vol.2: Sixteen Heavy-Weight Super-Tough Deep-Funk Ultra-Rarities By Quantic
Keith Hudson — “Musicology Dub” — Brand
The Downliners Sect — “Glendora” — A Slight Disturbance In My Mind: The British Proto-Psychedelic Sounds Of 1966
La Retreta Mayor — “Zambo” — Color De Trópico
Captain Beefheart & The Magic Band — “Nowadays a Woman’s Gotta Hit a Man” — Clear Spot
Bokoor Band — “You Can Go” — Ghana Special: Modern Highlife, Afro Sounds & Ghanaian Blues 1968-1981
Junior Wesley & Band — “Go Wesley Go” — Orbit 45rpm
Charlie and His Go-Go Boys — “Let’s A’ Go-Go” — Let’s A Go-Go! Singapore And Southeast Asian Pop Scene 1964-69
The Jewels — “Opportunity” — Dimension 45rpm
Los Saicos — “Demolición” — ¡Demolición! The Complete Recordings
Dennis Coffey — “Finger Lickin Good” — Finger Lickin Good
Lucas Tala — “Woman Be Fire” — Cameroon Garage Funk 1964-1979
The Pretty Things — “We’ll Play House” — Get the Picture?
Prince Jammy — “Waterfront Gang War” — Kamikazi Dub
The Contessas — “Gimme Gimme” — Barefootin’
Mehrpouya — “Soul Raga” — Persian Funk
Tony Alan — “Holy Smoke” — ‘Black’ Rock ‘N’ Roll / Savage Kick Vol. 1
Somo Somo — “Mosese 2000” — Womad Talking Book: Africa
Winston’s Fumbs — “Real Crazy Apartment” — Nuggets II: Original Artyfacts From The British Empire & Beyond 1964-1969
Watty Burnett — “Rainy Night In Portland (7” Single Mix)” — The Black Ark Years
The Shandells — “Gorilla” — Teenage Shutdown Vol.1: Jump, Jive & Harmonize
Tabou Combo de Petion-Ville — “No Me Dejes” — Tabou Combo de Petion-Ville

LORD BUCKLEY’S WEEKLY BENEDICTION…
Tim Buckley — “Sweet Surrender” — Greetings from L.A.

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Pictured: Augustus Pablo.
The [melodica] now, everyone portraying it as nothing, but the instrument itself is something because it’s just like a keyboard, the same scales and notes. The only thing is that … it’s [a] blowing instrument. And music travel within the wind and no one can hold it or catch it. It’s just like the breeze — can anyone catch the breeze or touch the sun?
— Augustus Pablo, as quoted in More Axe (Ray Hurford & Tero Kaski).
Here’s what we played in Ep. 397 of No Condition Is Permanent:
Barbara Acklin — “I’ll Bake Me a Man” — A’s & B’s: The Brunswick Singles
Amas — “Slow Down” — Brand New Wayo: Funk, Fast Times & Nigerian Boogie Badness 1979-1983
The Ventures — “War Of The Satellites” — Ventures In Space
Nemours Jean-Baptiste — “Chaise” — A Visit To Haiti
The A-Bones — “Sorry” — Ears Wide Shut
The Aggravators — “Soldering Version” — Trojan Dub Box Set Volume 2
Jack McVea With Al Smith & The Savoys — “Chop Chop Boom” — Great Googly Moo (And More Undisputed Truths)
Lashio Thein Aung — “You Got What You Got” — Guitars of the Golden Triangle: Folk and Pop Music of Myanmar Vol. 2

The Wildtones — “King Cobra” — TeeCee 45rpm
Ricardo Marrero & The Group — “Babalonia” — A Taste
Big Jay Mercer — “Bermudas” — Lookey Dookey!
Keith Paul and the GT Boom Band — “My Life, My Music and Me” — Tropical Disco Hustle Volume Two
The Who — “Jaguar (Original Mono Mix)” — The Who Sell Out
Santa Nguessan — “Manny Nia” — Ivory Coast Soul: Afro Funk From Abidjan From 1972 To 1982
Early Zell — “Aunt Woo-Wa” — Beat Jazz: Pictures from The Gone World Vol. 2
Takeshi Terauchi And The Blue Jeans — “Dan No Ura (The Story Of The Heishi)” — B-Music: Drive In, Turn On, Freak Out
Martha Reeves & The Vandellas — “Show Me The Way” — 20 Original Mod Classics
Ennio Morricone — “Inseguimento Terzo” — Il Successo – Agent 505 Todesfalle Beirut OST
Najib Al Housh — “Ya Aen Daly” — Habibi Funk 015: An Eclectic Selection Of Music From The Arab World, Part 2
The Pat Holben Trio — “Monkey Jerk” — Fortune 45rpm
Betico Salas Y Su Sonora — “Cactus” — Mag All Stars Vol. 1 : The Best Of The Peruvian Orquestras Of The 50’s & 60’s
The Real Kids — “Solid Gold (Thru and Thru)” — The Real Kids
Dennis Bovell — “Physics Of Dub” — Dub 4 Daze
The Moonlighters — “Little Indian Girl” — Dangerous Doo-Wop 4
Ilaiyaraaja ft. Vani Jairam And Chorus — “Thanimayil” — Psych Funk Sa-Re-Ga!
James Brown — “Give It Up Or Turnit A Loose” — Funk Power 1970: A Brand New Thang
Santrofi-Ansa — “Shakabula” — Essiebons Special 1973 – 1984: Ghana Music Power House
Otis Riley — “Little Miss Bibbitty Bobbitty Boom” — Stompin’ 7
Ali Hassan Kuban — “Leila” — Nubian Magic
Gran Am — “Get High” — Chains & Black Exhaust
Rockers All Stars — “Jah Strength Ital Step” — King David’s Melody (Classic Instrumentals & Dubs)
ESG — “Erase You” — A South Bronx Story

LORD BUCKLEY’S WEEKLY BENEDICTION…
Kevin Ayers — “After the Show (Bonus Track)” — Sweet Deceiver

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Pictured: The Velvet Underground.
After the Velvets opened, a lot of people wondered if they could last the full three weeks, and critics wrote things like “The Velvet Underground should go back underground and practice.” But the Velvets in their wraparound shades and tight striped pants went right on playing their demented New York music, even though the easygoing L.A. people just didn’t appreciate it; some of them said it was the most destructive thing they’d ever heard. On opening night, a couple of the Byrds were in the audience, and Jim Morrison, who looked really intrigued, and Ryan O’Neal and Mama Cass were there, kicking up their heels. We read a great comment by Cher Bono the next day in one of the newspapers, and we picked it up for our ads—“It will replace nothing, except maybe suicide.” But Sonny seemed to like it all—he stayed on after she left.
— Andy Warhol & Pat Hackett, POPism: The Warhol ’60s.
Here’s what we played in Ep. 396 of No Condition Is Permanent:
Blue Magic — “Welcome To The Club” — Crème De La Crème: Philly Soul Classics And Rarities
Remi Kabaka — “Follow Your Needs” — Son of Africa
The Vaqueros — “Jonah” — Surfin’ The Great Lakes: Kay Bank Studio Surf Sides Of The 1960s
Patrina With Maurice Patton & The Melodians — “Lipstick On Your Collar” — Singapore Nuggets: The Ladies
Mouse & The Traps — “Maid Of Sugar – Maid Of Spice” — Nuggets: Original Artyfacts From The First Psychedelic Era 1965-1968
Horace Andy — “Man Next Door” — Tape Rolling! …With Bunny Lee & Friends – On Wax and In The Studio 1971-74
The Astors — “Candy” — Sock It To ‘Em Soul: 60’s Club Soul Classics from The Vaults Of Atlantic Atco, Loma Reprise, Stax & Warner Bros. 1963-1968
Ángel Luis Torruellas Y Su Conjunto Pleneros De Borinquen — “Olvídalo” — ¡Saoco! The Bomba And Plena Explosion In Puerto Rico 1954-1966

The Pretty Things — “L.S.D.” — Get the Picture?
Trio Bydoli — “Lalia” — Congo Funk! Sound Madness From The Shores Of The Mighty Congo River (Kinshasa/Brazzaville 1969-1982)
Spyder Turner & The Fortune Bravos — “Ride in My 225” — Whip! Wobble & Grind! 1962-1964
Attarazat Addahabia & Faradjallah — “Aflana” — Al Hadaoui
John Cale — “You & Me (bonus track)” — Helen Of Troy
Elias Rahbani — “Ya Nassini” — Omar Khorshid with Love
The Flying Burrito Brothers — “Close Up The Honky-Tonks” — Sleepless Nights
U-Roy — “Peace And Love In The Ghetto” — Jah Son Of Africa
The Cadillacs — “Cool It Fool” — The Cadillacs Rock
Ray Barretto — “The Soul Drummers” — Acid
Little Jewel — “I Want To” — Music To Get Smart By… Vol. 3 – Workin’ Out!
The Sunshot Band — “Wonder Woman Dub” — Dial M For Murder In Dub Style
The Neanderthals — “Twinkle Toes” — I Hate CDs: Norton Records 45 RPM Singles Collection Vol. 1
Lệ Thu — “Mừng Nắng Xuân Về” — Saigon Supersound Vol. 2
Mick Ronson — “Only After Dark” — Slaughter On 10th Avenue
Esin Engin Orkestrası — “Sis Kebap” — Psych Funk À La Turkish Vol. 1
Akim — “Voodoo Drums” — Pan World 45rpm
Los Camaroes — “Esele Mulema Moam” — Cameroon Garage Funk 1964-1979
Procol Harum — “Long Gone Geek” — A Salty Dog
Margaret with Bunnys — “Aeba Suki Suki” — Nippon Girls 1: Japanese Pop, Beat & Bossa Nova 1966-70
The Velvet Underground — “Booker T.” — White Light White Heat: Live at the Gymnasium NYC April 30th,1967
Joe Gibbs & The Professionals — “Six Foot Six” — No Bones For The Dogs
Hasil Adkins — “No More Hot Dogs” — Out to Hunch
Chollo Rivera & The Latin Soul Drives — “I Got The Feeling (Tengo Sentimiento)” — El Barrio: The Ultimate Collection Of Latin Boogaloo, Disco, Funk & Soul

LORD BUCKLEY’S WEEKLY BENEDICTION…
Emmanuelle Brown — “La Voix Psychedelique” — Mindexpanders Vol. 1

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Pictured: John Martyn (w. Beverly Martyn in background).
[Jamaican producer Lee “Scratch”] Perry collaborated on the dub-rock number ‘Big Muff’, a double homage to the distortion pedal and the female anatomy, written after [John] Martyn saw Perry playing ribald games with [Island Records’ chief] Chris Blackwell’s animal-shaped breakfast crockery. The track appears on 1977’s One World, the final bright bloom in the garden of British folk-rock. With its luminous, glassy production – credited to Blackwell himself – and contemporary flourishes such as drum machines, Moog synthesizer and Yamaha organ, plus tablas and a couple of orchestral backings courtesy of Harry Robinson, it’s a signpost towards a possible future for Martyn’s music that never quite materialised. Martyn’s Echoplex guitar is used almost symphonically in places, in an ‘infinite’ repeat that would resurface in later post-punk guitar groups like The Durutti Column and Felt. As foils to Martyn’s kaleidoscopic echo guitar, Steve Winwood’s gum-pot synths and John Stevens’s muscular funk drumming are the record’s lifeblood, but despite the sonic vitality, the theme of the record is exhaustion.
— Rob Young, Electric Eden: Unearthing Britain’s Visionary Music.
Here’s what we played in Ep. 395 of No Condition Is Permanent:
Instant Funk — “Philly Jump” — Philadelphia International Records: 40th Anniversary
Gboyega Adelaja — “Colourful Environment” — Colourful Environment
Motivations — “The Birds” — Strummin’ Mental! Pt. 2: Raw, Crude, Instrumental R & R!
Les Loups Noirs D’Haiti — “Pile ou Face” — Haiti
Sharon Tandy — “Hold On” — British Mod Sounds Of The 1960s
Lee Scratch Perry & The Upsetters — “Popcorn” — Eastwood Rides Again

Charles Glass with Orch. — “Screamin’ & Dyin’ (And Rollin’ On The Floor)” — Magnet 45rpm
Ricardo Eddy Martinez — “Expreso Ritmico” — Cuba: Music and Revolution – Culture Clash in Havana Cuba – Experiments in Latin Music 1973-85 Vol. 2
Wire — “Two People In A Room” — 154
Keith Hudson — “Darkness Dub” — Brand
Larry Trider — “Carbon Copy” — Coral 45rpm
Phương Tâm — “Bước Giang Hồ (My Wonderful Journey)” — Saigon Surf Twist & Soul (1964-1966)
Champion Jack Dupree — “Shim, Sham, Shimmy” — Lookey Dookey!
Ros Sereysothea, Sinn Sisamouth and Friends — “Power Of Her Eye” — Cambodian Psych-Out
Millionaires — “Arkansas Jane” — The Michigan Box: 1950s & 1960s Oddball Labels
Abdou El Omari — “Zifaf Filfada” — Nuits D’été avec Naima Samih
Captain Beefheart & His Magic Band — “Bills Corpse” — Trout Mask Replica
The Generation — “เรสซิ่ง (Racing)” — Thai Funk ZudRangMa Vol. 2
Family — “Hung Up Down” — Family Entertainment
Los Cisnes — “Safari En La Selva” — Perú Selvático – Sonic Expedition into The Peruvian Amazon 1972-1986
Sir Stanley — “I Believe I Found Myself” — Chains & Black Exhaust
The Upsetters — “Version Train (aka Roots Dub Train)” — Police & Thieves
Larry & The Blue Notes — “In and Out” — Fort Worth Teen Scene Vol. 1
Joseph Nemnom — “Rasputin” — Egypt & Lebanon: Cosmic Arabic Disco & Searing Dance Floor Bangers 1974-1985
Family Of Swede — “Everybody Must Pay” — Pop-A-Groove: ’70s Rare Soul & Funk Collide on the Dancefloor
Steve Black — “Precious Time” — Village Boogie!
The Birds — “Say Those Magic Words” — Nuggets II: Original Artyfacts From The British Empire & Beyond 1964-1969
Γιάννης Φλωρινιώτης — “Τσιγγανάκι” — Saz Beat Vol. 3: Turkish Rock, Funk, And Psychedelic Music Of The 1960s And 1970s
The Rolling Stones — “Have You Seen Your Mother, Baby, Standing In the Shadow?” — Singles Collection: The London Years
Junior Byles & Rupert Reid — “Remember Me (Extended)” — Junior Byles & Friends: 129 Beat Street Ja-Man Special 1975-1978

LORD BUCKLEY’S WEEKLY BENEDICTION…
John Martyn — “Big Muff” — One World

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Pictured: Burning Spear.
‘This time was the beginning for Rasta on a big scale. Well of course it had been around in Jamaica for years, but having people start looking for culture now meant that Rasta was coming out much more. Now its philosophies were becoming something that made sense to a much larger number of people than were actually dreadlocks, so it began to spread like fire. Rasta was only one light that sprang up at the time, but it was the brightest light as far as black consciousness in Jamaica went. And of course musicians benefited from it, they drew from it. This looking for Africa and culture meant the music’s rhythm patterns changed and it became faster – nothing like ska, but not like rocksteady either. The whole thought and the feeling of the artists and songwriters seemed to change as we were singing about Africa and culture and that. Not that we weren’t singing it before, but it became more prominent.’
— Burning Spear, quoted in Lloyd Bradley’s Bass Culture.
Here’s what we played in Ep. 394 of No Condition Is Permanent:
The Delfonics — “I Told You So” — Philly Freedom: 70s Dance Floor Anthems From The City Of Brotherly Love
Geraldo Pino — “African Hustle” — Lagos Disco Inferno
The Ghastly Ones — “Dimension 66” — Target: Draculon
Afrosound — “Ponchito de Colores” — Carruseles
The Move — “Tonight” — UA 45rpm
The Soul Twins — “Pound Get A Blow” — The Complete UK Upsetter Singles Collection Vol. 1
The No-Na-Mees — “Just Wanna Be Myself” — Blow My Mind! The Doré-Era-Mira Punk & Psych Legacy

The Mello Decisions — “Mello Decision” — Reel 45rpm
Charanjit Singh — “Aayega Aanewala” — Instrumental Film-Tunes
The Ba-roz — “Come Back Boy” — Beehive Breaks
Tono y sus Sicodelicos — “Borinquen Bella” — Mr. Boogaloo
John’s Children — “But She’s Mine” — Looking Back: Mod, Freakbeat & Swinging London Nuggets
Verckys et l´Orchestre Vévé — “Matinda Comono” — Congolese Funk, Afrobeat & Psychedelic Rumba 1969-1978
Amen Corner — “Hello Susie” — MOJO Presents… Small Faces & Friends
Hassan Abu Al Saoud — “Tigy Ya Hawa” — Egypt & Lebanon: Cosmic Arabic Disco & Searing Dance Floor Bangers 1974-1985
Roxy Music — “Street Life” — Stranded
The Congos — “Open Up The Gate” — Heart Of The Congos
Creations Unlimited — “Chrystal Illusion” — Boddie Recording Company: Cleveland, Ohio
Viparat Piengsuwan — “Rak Tong Rorn (Love Passion)” — Thai Beat A Go Go Vol. 2: Groovy 60’s Sounds from the Land of Smile!
Chris Spedding — “Lone Rider” — Hurt
Joe Gibbs & The Professionals — “Social Justice” — Majestic Dub
Marvin Gaye — “Shake Well (Instrumental)” — Let’s Get It On
Eye Q — “Making Life Out of Music” — Can’t You Hear Me? 70’s African Nuggets & Garage Rock from Nigeria, Zambia, and Zimbabwe
The Only Ones — “The Happy Pilgrim” — Baby’s Got A Gun
Deg Dos — “The End Of All” — Togo Soul 2
The Velvet Underground — “Guess I’m Falling in Love” — White Light White Heat: Live at the Gymnasium NYC April 30th,1967
Burning Spear — “The Ghost (Marcus Garvey)” — Garvey’s Ghost
The Cramps — “Fissure of Rolando” — Fiends Of Dope Island
Sorn Petch Pinyo — “Laek Laow Deum Nom” — Siamese Soul: Thai Pop Spectacular Vol. 2
The Twisters — “Run Little Sheba” — Gemini 45rpm
Henri Guédon — “Laisse Yo Pale” — Rétrospective 1972-1992
Thurston Harris — “One Scotch, One Bourbon, One Beer” — Music To Get Smart By… Vol. 2 – Do The Dive

LORD BUCKLEY’S WEEKLY BENEDICTION…
The Tokens — “He’s In Town” — A Gerry Goffin & Carole King Song Collection 1961-1967

Grab a 4-pak of genuine Purple Bat Lounge Coasters HERE.

Get your CHARMING DEVIATIONIST lapel pin (& Purple Bat Lounge membership card) HERE.









"The compensation for the loss of innocence, of simplicity, of unselfconscious energy, is the classic moment... It's there on record. You can play it any time."
- George Melly, Revolt Into Style
"Reciprovocation ees the spites of life, M'sieur"
- Mlle. Hepzibah, Pogo


