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Pictured: The Only Ones’ Peter Perrett.
The new psychology—soon to be culturally interpreted as existentialism—privileged living in the moment and was materially oriented. The old world was dead and the best-placed group to flourish in the uncertain postwar era were the young—who had always been held to embody an auspicious future. “Their lives are lived principally in hope,” Aristotle had written, while for Stanley Hall, adolescence was nothing less than “a new birth.” In the act of forgetting necessary for the Western world to continue, youth was once again—as it had been after the Great War—exalted as a tabula rasa.
— Jon Savage, Teenage: The Prehistory of Youth Culture 1875 – 1945
Here’s what we played in Ep. 409 of No Condition Is Permanent:
The Philly Sound — “Waitin’ For The Rain” — Philadelphia Roots
The Funkees — “Abraka” — Point Of No Return: Afro Funk Music
The Emeralds — “Earthquake” — Strummin’ Mental! Part 2: Raw, Crude, Instrumental R&R!
Grazia — “Soyle Beni” — Saz Beat: Turkish Rock, Funk, And Psychedelic Music Of The 1960s And 1970s
Pink Floyd — “See Emily Play” — The First 3 Singles
Eric Valentine — “Jah Dub” — Rosso 45rpm
The Cobras — “Instant Heartache” — Teenage Shutdown, Vol. 14: Howlin’ For My Darlin’!
Jean Paul ‘El Troglodita’ — “Everything’s Gonna Change” — Peru Bravo: Funk, Soul & Psych from Peru’s Radical Decade

The Cramps — “All Women Are Bad” — Stay Sick!
Rachid & Fethi — “Habit En Ich” — 1970’s Algerian Folk And Pop
White Lightnin’ — “Joke’s on You” — White Lightnin’
Very Be Careful — “Mr Yozo” — Salad Buey
Maxwell — “Radiation Funk” — Movements Vol. 10
Charles Lembe Et Son Orchestra — “Quiero Wapatcha” — Cameroon Garage Funk 1964 – 1979
Cristina — “Disco Clone” — Mutant Disco: A Subtle Discolation of The Norm
The Aggrovators — “An Early Version” — Johnny In The Echo Chamber: Dubwise Selection 1975-1976
Wire — “Mannequin” — Pink Flag
Ennio Morricone — “Per Qualche Dollaro In Piu (Sequence #18)” — Per Qualche Dollaro in Più (For A Few Dollars More) OST
Marvin Holmes — “Ooh Ooh The Dragon” — Mojo Club Dancefloor Jazz Vol. 11: Right Now
Orquesta Akokán — “Pan con Tíbiri” — Caracoles
Starbuck — “Moonlight Feels Right” — Moonlight Feels Right
Verckys et l´Orchestre Vévé — “Zumbel” — Congolese Funk, Afrobeat & Psychedelic Rumba 1969-1978
The Mystic Moods — “Cosmic Sea” — What It Is! Funky Soul and Rare Grooves 1967-1977
Winston Heywood & The Hombres — “Africa” — Jah Lion Meets The Upsetter Inna Black Ark Studio (A Version Excursion)
The Five Du-Tones — “The Ghouster” — The Five Du-Tones
Ahmed Malek — “La Ville” — Musique Originale De Films
The Fleshtones — “Do You Swing?” — Do You Swing?
Nahid Akhtar — “Badami Nainon Wale” — I Am Black Beauty
The Isley Brothers — “The Drag” — Let’s Soul Dance: Black Dance Crazes 1957-1962
Winston Riley — “Marry Me” — Meditation Dub
The Only Ones — “No Solution” — Even Serpents Shine
Orchestra Super Mazembe — “Malaba D’amour” — Kaivaska
Bob Moore & The Temps — “Braggin’” — Las Vegas Grind Vol. 7
Pan Ron — “Rom Jongvak Twist (Dance Twist)” — Cambodian Rocks
Young-Holt Unlimited — “Doing the Thing” — The Definitive Young-Holt Unlimited
Pierre Blain Et Orchestre Murat Pierre — “Jouc Li Jou” — Haiti Direct: Big Band, Mini Jazz & Twoubadou Sounds 1960-1978

LORD BUCKLEY’S WEEKLY BENEDICTION…
The Jam Handy Organization — “Tractor Drivin’ Man” — The Wide New World With FORD

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Pictured: Gregory Isaacs.
Also known, for very good reason, as the Cool Ruler, [Gregory] Isaacs had been in the business since the early 1970s and recorded for Rupie Edwards, Niney, Gussie Clarke and G G Ranglin – he’s even supposed to have sung back-up vocals at the Black Ark, notably on Heart of the Congos – and founded his own African Museum label. Originally nothing more remarkable than an easy-rocking crooner, it wasn’t until he developed a distinctive style that he began to count for much. By the middle of the decade he’d evolved a style that was perfect on both sides of the divide as it shot his delivery through with an apparently desperate thread of disaffection. Either in love or in society at large, Gregory’s trademark approach to any sort of song was one of loneliness and rejection. Couched in terms clever enough for him to be singing about either the love of Jah or the love of a good woman, he’s either posing as an outcast from the community or he’s just been dumped; you decide. Women loved this apparent vulnerability, while the guys admired his mix of rude-boy style, dreadlocks attitude and lurrrve god way with the ladies. All of which comes together, plus a sense of the Cool Ruler’s charisma, on a live recording of “Border,” a session which also gives insight into his relationship with his fans. Apparently unprompted they sing, note perfect, each chorus of I’m leaving outta Babylon / I’m leaving outta Rome… we wan’, we wan’ go home, while he ends the song with a triumphant, smirking ‘Yuh like it?’
— Lloyd Bradley, Bass Culture: When Reggae Was King.
Here’s what we played in Ep. 408 of No Condition Is Permanent:
First Choice — “Yes, Maybe No” — Crème de la Crème: Philly Soul Classics & Rarities
Jude Bondeze — “Ndomo” — Africa Airways Six: Mile High Funk 1974-1981
The Star Tones — “The Chase” — Surfin’ in The Midwest Vol. 4
Hong Nam — “The Tenth Girl” — Taiwan & Singapore Disco
Hayes Cotton — “I’ll Be Waiting” — Exotica, Popcorn & Stompers!! Vol. 2
Gregory Isaacs — “Mr. Brown” — Front Line Presents Dub: 40 Heavyweight Dub Sounds
Baby Earl and the Trini-dads — “Back Slop” — Souvenirs of the Soul Clap Vol. 4
Blue Rhythm Combo — “Get Down” — B.R.C’s Groove

The Arrows — “Another Cycle in Detroit” — Devil’s Rumble: The Davie Allan & The Arrows Anthology
Los Destellos — “Para Elisa” — The Roots of Chicha: Psychedelic Cumbias from Peru
The Sequins — “He’s A Flirt” — Eccentric Northern Soul
Burning Spear — “Marcus Garvey” — Marcus Garvey
The Troggs — “I Can’t Control Myself” — You Can Walk Across It On the Grass: The Boutique Sounds of Swinging London
Joseito Mateo Y Su Orquesta — “Jardinera” — Merengue: Dominican Music And Identity
Captain Beefheart & His Magic Band — “Moonlight on Vermont” — Trout Mask Replica
Rita Chao — “The Boy Next Door” — Let’s A Go-Go! Singapore And Southeast Asian Pop Scene 1964-69
Buster Smith & His Heatwave — “Til Broad Daylight” — Stompin’ 34
Sharero Band feat. Faadumo Qaasim — “Qays Iyo Layla (Romeo & Juliet)” — Sweet As Broken Dates: Lost Somali Tapes From The Horn Of Africa
The Phantom — “Love Me” — The Roots of Psychobilly
Ros Sereysothea, Sinn Sisamouth and Friends — “Wooly Bully” — Cambodian Psych-Out
The Riot Squad — “I Take It That We’re Through” — It’s Hard To Believe It: The Amazing World Of Joe Meek
Bobby Valentin — “Use It Before You Lose It” — Explosivos: Deep-Soul From The Latin Heart 1966-70
The 20th Century — “Hot Pants (Part l)” — Beehive Breaks
Ferry Djimmy And His Dji-Kins — “A Were We Coco” — Rhythm Revolution
Eddie & The Hot Rods — “Teenage Depression” — Teenage Depression
Trinity — “Three Piece Suit” — Three Piece Suit
Dennis Coffey — “Wild Child” — Finger Lickin’ Good
Antibalas Afrobeat Orchestra — “Dub Je Je” — Government Magic
Pandemonium — “No Presents For Me” — Nuggets II: Original Artyfacts From The British Empire & Beyond 1964-1969
Elias Rahbani & Ziad Rahbani — “Bedouin Nights (Al Mahatta)” — Belly Dance Fever
Roxy Music — “Angel Eyes (7″ Version)” — Singles, B-Sides and Alternative Mixes
Joe Cuba — “Joe Cuba’s Latin Hustle” — El Barrio: The Ultimate Collection Of Latin Boogaloo, Disco, Funk & Soul
The Catalinas — “The Catalina Push” — Jukebox At Eric’s Vol. 1
King Tubby’s — “Fire Dub” — Yabby You: Jesus Dread 1972-1977

LORD BUCKLEY’S WEEKLY BENEDICTION…
Funk Factory — “Rien Ne Va Plus” — Funk Factory

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Pictured: Frank Zappa (l.) & the Mothers of Invention.
The function of the drums in a rock music ensemble is to keep the beat. (“It has a good beat … I give it 10 points, Dick.”) On early R&B records, the drum part was usually executed with brushes. All the arrangements required, generally, was a dull thud on the second and fourth pulse of the bar. There were very few “breaks” or “fills.” When the drum fill (a short percussion outburst, usually at a cadence or resting point of a musical phrase) became popular in rock arrangements, it most often took the form of groups of triplets (three-note rhythmic figures, squeezed into the space of two beats … sounding like: ya-da-da ya-da-da ya-da-da ya-da-da- whomp). For a while, during the mid-50s, it seemed like every record produced had one or more fills of this nature in it. Eventually, with the improvements in studios and recording techniques, the drummers began to use sticks on the sessions and the cadence fills became more elaborate but, before and after the fill, the drummer’s job was still to keep the beat … that same old crappy beat … the beat that made the kids hop around and scream and yell and buy records. A long process of rhythmic evolution has taken place since the early 50s. It is laughable now to think of that dull thud on the second and fourth as lewd and pulsating.
— Frank Zappa, “The Oracle Has It All Psyched Out,” Life, June 28th 1968.
Here’s what we played in Ep. 407 of No Condition Is Permanent:
Blue Magic — “Look Me Up (Album Version)” — Crème De La Crème Two: More Philly Soul Classics and Rarities From The Vaults Of Atlantic, Atco And Warner Bros. Records 1970-1980
Godwin Omabuwa & His Cassanova Dandies — “Do The Afro Shuffle” — Nigeria Afrobeat Special: The New Explosive Sound in 1970’s Nigeria
The Ghastly Ones — “Now Fear This” — Target: Draculon
Selda — “Ince Ince Bir Kar Yagar” — Love, Peace & Poetry: Turkish Psychedelic Music
Family — “Anyway” — Anyway

Tony Hernandez & the Latin-Liners — “Jo Tex” — Funky Crimes
Exuma — “Exuma, The Obeah Man” — Exuma
Mae Young — “Let’s Give Our Love A Try” — Local Customs: Burned At Boddie
Errol Dunkley & Ranking Dread — “Ranking Dub” — Burning Sounds 12” 45rpm
20/20 — “She’s An Obsession” — 20/20
Ahmed Malek — “Sans Titre” — Musique Originale De Films: Deuxième Tome
Frank Zappa & the Mothers of Invention — “Hungry Freaks, Daddy” — Live At The Whisky A Go Go 1968
Ernesto Djedje — “Anowah” — African Pearls 5 – Cote D’ivoire: West African Crossroads
Bull Moose Jackson — “Nosey Joe” — From The Ghetto: 29 Wild Rock ‘n’ Roll Movers
The Keyboys — “[Untitled]” — Steam Kodok: 26 A-Go-Go Ultrarities from the 60’s Singapore & Southeast Asia Underground
Mad Man Jones — “Snake Charmer” — Jukebox Mambo: Rumba and Afro-Latin Accented Rhythm & Blues 1949-1960
I-Roy — “Casmas Town” — Crisus Time – Extra Version
Angie — “Peppermint Lump” — Stiff 45rpm
Ali Hassan Kuban — “Hela Houb (Let’s Do It)” — Real Nubian: Cairo Wedding Classics
Gene Russell’s Trio — “Jet Set” — Eccentric Soul: Consolidated Productions Vol. 1
África Negra — “Beba Cu Toca Bojie” — Antologia Vol. 2
Marvin Gaye — “Got to Give It Up, Pt. 1” — The Master ‘61-‘84
Wganda Kenya — “An Naus Dansé Tumbelé” — Wganda Kenya
The Downliners Sect — “Why Don’t You Smile Now” — Nuggets II: Original Artyfacts From The British Empire & Beyond 1964-1969
King Tubby — “Channel Get Knockout” — King Tubby’s Hometown Hi-Fi Dubplate Specials 1975-1979
Durocs — “Saving It All Up for Larry” — Durocs
Les Quatre Étoiles — “Doly” — Sangonini

LORD BUCKLEY’S WEEKLY BENEDICTION…
Ennio Morricone — “Un bacio” — La Donna Invisibile OST

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Pictured: Polibio Mayorga.
The Negro was blind in one eye and one leg was shorter than the other; he wore an ancient felt hat and his ribs showed through his torn shirt like a ship’s under demolition. He walked at the edge of the pavement, beyond the yellow and pink pillars of a colonnade, in the hot January sun, and he counted every step as he went. As he passed the Wonder Bar, going up Virdudes, he had reached ‘1,369’. He had to move slowly to give time for so long a numeral. ‘One thousand three hundred and seventy.’ He was a familiar figure near the National Square, where he would sometimes linger and stop his counting long enough to sell a packet of pornographic photographs to a tourist. Then he would take up his count where he had left it. At the end of the day, like an energetic passenger on a trans-Atlantic liner, he must have known to a yard how far he had walked.
— Graham Greene, Our Man In Havana.
Here’s what we played in Ep. 406 of No Condition Is Permanent:
First Choice — “First Choice Theme (Single Version)” — Crème De La Crème Two: More Philly Soul Classics And Rarities From The Vaults Of Atlantic, Atco And Warner Bros. Records 1970-1980
El Rego et Ses Commandos — “Se Na Min” — African Scream Contest
Wadadli Riders — “The Killer Wave” — Made In Antigua
Los Revolucionarios — “Los Carasucias” — Los Revolucionarios
Jason Eddie & The Centremen — “Singing The Blues” — Joe Meek Freak Beat: You’re Holding Me Down
Majid Soula — “Netseweth Sifassan Nagh” — Chant Amazigh
Ralph Nielsen & The Chancellors — “Scream” — Back from the Grave # 2
Anandji Kalyanji — “Swami Safari” — Bombay The Hard Way: Guns, Cars & Sitars

Grace Jones — “She’s Lost Control (Single Version)” — Warm Leatherette (Deluxe Edition)
Polibio Mayorga — “Pañuelo De Seda” — Ecuatoriana: El Universo Paralelo de Polibio Mayorga 1969-1981
13th Floor Elevators — “Tried To Hide” — The Psychedelic Sounds of the 13th Floor Elevators [Mono]
Gregory Isaacs — “Leggo Beast” — Slum In Dub
International Kansas City Playboys — “Everybody’s Goin’ Wild” — All Night Soul Stomp! Dancefloor Boogaloo Romp!
Vaudou Game — “Pas Contente (feat. Roger Damawuzan)” — Apiafo
The Ramones — “Commando” — Leave Home
The Peace — “Peaceful Man” — Black Power
Mary Wells — “Can’t You See” — Mod Anthems: Original Northern Soul, R’N’B & Ska Classics
Abdul Hameed — “Catch Me If You Can (Mere Liye Harr Dil Hai Dewaana) (feat. Nahid Akhtar)” — “Life Is Dance” Plugged-In Sounds of Wonder at the Pakistani Picture House
The A-Bones — “The Bee” — The Life Of Riley
Los Zheros — “Meshkalina” — Peru Maravilloso: Vintage Latin, Tropical & Cumbia
Rupert’s People — “Dream On My Mind” — Acid Drops, Spacedust & Flying Saucers
Charanjit Singh — “Ek Din Bik Jayega – Transicord & Claviolin (Dharam Karam)” — Instrumental Film-Tunes
Lee & The Leopards — “Trying To Make It” — Motown Rhythm & Blues ’59-’62
Inner Circle & The Fatman Riddim Section — “Shaky Dub” — Killer Dub
Diane Renay — “Navy Blue” — Early Girls Vol. 5
Phương Tâm — “Tình Mơ (Dreamy Love)” — Saigon Surf Twist & Soul 1964-1966
Andre Williams w/The Don Juans — “Going Down To Tiajuana” — A Fortune of Hits 1955-1957
Pamelo Mounk’a — “Youyourou Nyoumba” — Pamelo Mounk’a
Kevin Ayers — “Didn’t Feel Lonely ‘Til I Thought Of You” — The Confessions Of Dr. Dream And Other Stories
Prince Jammy — “Swords Of Vengeance” — Kamikazi Dub
Guitar Red — “Disco From A Space Show” — Personal Space: Electronic Soul 1974-1984
Wrong Notes — “Oriental Tunes” — Waking Up Scheherazade Vol. 2: 60’s & 70’s Cross-Over Rock from North Africa & The Middle East

LORD BUCKLEY’S WEEKLY BENEDICTION…
Alice Coltrane — “Hari Narayan” — World Spirituality Classics 1: The Ecstatic Music of Alice Coltrane

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Pictured: Hasil Adkins.
Frederick heard Lyle smother a soft laugh but he would not share it. Lyle was invulnerable, but the stranger, like himself, was not, no matter how desperately she pretended. All these guests were Lyle’s people, a success clique; there was nothing about them he liked, understood or even cared to understand. The half-a-minute revelation of the young outsider showed that she belonged with him, never with them. She was on the outside and always would be. He was sorry for her, for wanting something she could never name, and for that painful moment of doubt in her own beauty. He watched her trying to recover her saucy confidence, lighting a cigarette with lips curved in mocking, jaunty smile, eyelids lowered to hide the torment of envy they might betray.
— Dawn Addams, The Locusts Have No King.
Here’s what we played in Ep. 405 of No Condition Is Permanent:
The Persuaders — “Hold On (Just a Little Bit Longer)” — Crème de la Crème: Philly Soul Classics & Rarities
Bola Johnson — “Lagos Sisi” — Man No Die
The Krontjong Devils — “Our Favorite Martian” — Romp Out With The Krontjong Devils EP
Sevis & Ayla — “Irgat” — Turkish Freakout 2: Psych-Folk 1970-1978
Pink Floyd — “Candy and a Currant Bun” — The First 3 Singles
Keith Hudson — “Barrabas Dub” — Brand
Paul Gayten — “Hot Cross Burns” — Sound of Detroit 2: Original Gems from The Motown Vaults
Carol Kim — “Cái Trâm Em Cài (Your Hair Clip)” — Saigon Rock & Soul: Vietnamese Classic Tracks 1968-1974

Funkadelic — “Sexy Ways” — Standing on the Verge of Getting It On
Pintura Roja — “Yo Soy La Cumbia” — Chicha Popular: Love & Social Political Songs from Discos Horoscopo 1977-1987
The Truth — “Hey Gyp (Dig the Slowness)” — British Mod Sounds Vol. 2: The Freakbeat and Psych Years
Malavoi — “Nou Pé Pa Kimbé” — Mano Césaire Et La Formation Malavoi (La Naissance De La World Music Antillaise En 1969)
Joe Lee — “Hang-Out” — Fernwood 45rpm
Hany Mehanna — “Ayni Betrif” — Music for Airplanes: A Collection of Instrumental Showpieces and Scores for Egyptian Films and TV-Series 1973-1980
The Four Tops — “It’s the Same Old Song” — Hitsville USA: The Motown Singles Collection 1959-1971
Anne Mari — “Wild Party” — Nippon Girls 2: Japanese Pop, Beat & Rock’n’roll 1965-70
Was (Not Was) — “Hello Operator” — Antilles / Ze 12″
Inner Circle & The Fatman Riddim Section — “Massacre” — Heavyweight Dub
Alvin Cash — “Twine Time” — Land Of 1000 Dances Vol. 2
Armand Pascal Lido & L’Ivoiro Star — “Dogbo Zo N’Wene” — Assalam Aleikoum Africa Vol. 1
T. Rex — “Raw Ramp” — Electric Warrior
Chai Mungpon — “Lady With the Big Eyes” — Molam: Thai Country Groove From Isan Vol. 2
The Savages — “The World Ain’t Round, It’s Square” — Teenage Shutdown, Vol. 10: The World Ain’t Round, It’s Square!
Dr. Alimantado — “Conscious Dub” — Kings Bread Dub
Hasil Adkins — “Shake With Me” — Chicken Walk
I Marc 4 — “The Trip” — Nelson Psychout: Original Italian Library Music From The Vaults Of Nelson Records
Tom Verlaine — “The Grip Of Love” — Tom Verlaine
Ry-Co Jazz — “Bonne Annee” — Bon Voyage!! Rhythme-Congolais from Africa Aux Antilles 1963-1977
Jan & Dean — “Summer Means Fun” — Gotta Take That One Last Ride
Lata Mangeshkar — “Inhi Logon Ne” — Golden Voices From The Silver Screen Vol. 1: Classic Indian Film Soundtrack Songs From The TV Series ‘Movie Mahal’
The Velvet Underground — “Rock ‘n’ Roll [live]” — The Bootleg Series Vol. 1: The Quine Tapes
Gussie Clarke & The Revolutionaries — “Bad Company” — Dread at The Controls Dub

LORD BUCKLEY’S WEEKLY BENEDICTION…
Donovan — “Cosmic Wheels” — Cosmic Wheels

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Pictured: Vadou Game.
That wine, the color of slightly burned onions, partaking of Malaga and Port, but with a specially luscious flavor, and an after-taste of grapes dried by fiery suns, had often comforted him, given a new energy to his stomach weakened by the fasts which he was forced to undergo. But this cordial, usually so efficacious, now failed. Then he thought that an emollient might perhaps counteract the fiery pains which were consuming him, and he took out the Nalifka, a Russian liqueur, contained in a bottle frosted with unpolished glass. This unctuous raspberry-flavored syrup also failed. Alas! the time was far off when, enjoying good health, Des Esseintes had ridden to his house in the hot summer days in a sleigh, and there, covered with furs wrapped about his chest, forced himself to shiver, saying, as he listened attentively to the chattering of his teeth: “Ah, how biting this wind is! It is freezing!” Thus he had almost succeeded in convincing himself that it was cold. Unfortunately, such remedies as these had failed of their purpose ever since his sickness became vital.
With all this, he was unable to make use of laudanum: instead of allaying the pain, this sedative irritated him even to the degree of depriving him of rest. At one time he had endeavored to procure visions through opium and hashish, but these two substances had led to vomitings and intense nervous disturbances. He had instantly been forced to give up the idea of taking them, and without the aid of these coarse stimulants, demand of his brain alone to transport him into the land of dreams, far, far from life.
— J.-K. Huysmans, Against Nature.
Here’s what we played in Ep. 404 of No Condition Is Permanent:
The Modulations — “Love At Last” — It’s Rough Out Here
Jo Tongo — “Jangolo” — African Funk Experimentals (1968-1982 + 2017)
The Rockin’ Continentals — “2-3-4” — Strummin’ Mental! Vol. 5
Ray Barretto — “Soul Drummers” — We Got Latin Soul
Mick Softley With The Summer Suns — “Am I The Red One (Alternative Mix)” — A Slight Disturbance In My Mind: The British Proto-Psychedelic Sounds Of 1966
Lee “Scratch” Perry & the Dub Syndicate/Soulettes — “Rub and Squeeze” — Ride Your Donkey
The Sugarplastic — “Skinny Hotrod” — Radio Jejune

Serge Gainsbourg — “Goodbye Emmanuelle” — Le Cinéma De Serge Gainsbourg
The Undertones — “Girls Don’t Like It” — The Undertones
Anandji Kalyanji — “Theme From Don” — Bombay The Hard Way: Guns, Cars & Sitars
Sandy Gaye — “Watch the Dog That Bring the Bone” — Beehive Breaks
Willie Songue et Les Showmen — “Moni Ngan” — Cameroon Garage Funk 1964-1979
The Electric Eels — “Jaguar Ride” — Die Electric Eels
Los Saicos — “Camisa de fuerza” — ¡Demolición! The Complete Recordings
Edwin Starr — “Stop Her On The Sight [S.O.S]” — Northern Soul 101 Hits
Ranking Joe — “Rent Man (feat. Black Uhuru)” — Zion High with Black Uhuru & Dennis Brown
Gene Vincent — “Temptation Baby” — The Road Is Rocky
P. Promdan — “Lung Dee Kee Mao” — Thai Pop Spectacular 1960s–1980s
Maxx Traxx — “Don’t Touch It!” — Maxx Traxx / Third Rail
Gazolinn’ — “Tafia” — Tafia
Small Faces — “(Tell Me) Have You Ever Seen Me” — Small Faces [mono]
Prince Dgibs — “Ogningwe” — Ivory Coast Soul: Afro Funk from Abidjan from 1972 To 1982
The Frantics — “The Whip” — Infamous Instro-Monsters of Rock ‘n’ Roll Vol. 2
Vaudou Game — “Need a Job” — Apiafo
Marvin Gaye — “Running from Love (Version 1 / Edit)” — Funky Nation: The Detroit Instrumentals
Nino Nardini — “Catch That Man [1967]” — Barry 7’s Connectors
Los Ovnis — “Corazón Herido” — Chicha Popular: Love & Social Political Songs From Discos Horoscopo 1977-1987
Pink Floyd — “Vegetable Man” — The Early Years: 1965-1972
Winston Riley — “Man of My Word” — Meditation Dub
The Attack — “Anymore Than I Do” — Decca UK FreakBeat Scene
Fela & Africa 70 — “Who’re You? (Original 45 Version)” — Nigeria Afrobeat Special: The New Explosive Sound in 1970’s Nigeria
Dr. Buzzard’s Original Savannah Band — “Mister Love” — …Meets King Pennett

LORD BUCKLEY’S WEEKLY BENEDICTION…
Ennio Morricone — “Profumo Della Tua Pelle (Ballata per Organo)” — L’Assoluto Naturale OST

Grab a 4-pak of genuine Purple Bat Lounge Coasters HERE.

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Pictured: Marc Bolan of Tyrannosaurus Rex.
Then came Tyrannosaurus Rex, an acoustic duo featuring [Marc] Bolan and the percussionist Steve Peregrin-Took, but with the former evidently calling all the shots. Perhaps noting that Bolan was less committed to flower power idealism than he was to becoming famous, some areas of London’s hippie counterculture regarded him with a jaundiced eye (“He was a cocky little shit,” complains one underground luminary in Jonathon Green’s definitive oral history of the era, Days in the Life), but the music Tyrannosaurus Rex made was frequently extraordinary. For an acoustic duo with a penchant for whimsy, they seldom sounded laid back: their songs charge along chaotically, fuelled by riffs and an energy closer to early rock’n’roll than folk.
— Alexis Petridis, “Why Marc Bolan Was The Perfect Pop Star,” The Guardian (09/04/20)
Here’s what we played in Ep. 403 of No Condition Is Permanent:
The Sisters Love — “Give Me Your Love” — Mojo Club: Dancefloor Jazz Vol. 07 Give Me Your Love
Livy Ekemezie — “Get It Down” — Friday Night
The Velvetones — “Doheny Run” — Sleazy Surf! Vol. 2
Golden Ring — “Bar Ay Dokhtar Ha” — Raks Raks Raks: 27 Golden Garage Psych Nuggets From The Iranian 60s Scene
The Montanas — “That’s When Happiness Begins” — Paisley Pop: Pye Psych (& Other Colors) 1966-1969
The Prophets — “Concord” — Loch Ness Monster
The Paley Brothers — “Too Good To Be True” — The Paley Brothers
Juan “El Matematico” — “La Hey Del Hielo” — Classicos Del Rock & Roll Mexicano

The Falcons — “Nightmare” — Devils, Monsters, Witches, Cobras, Zombies, Nightmares and Other Bad Luck
Tono y sus Sicodelicos — “Las Hojas Secas” — Mr. Boogaloo
Three Aces & A Joker — “Booze Party” — Sin Alley Vol. 2
Unknown Artist — “Unknown Title” — Cambodian Swing Machine
Mott the Hoople — “You Really Got Me” — Mott the Hoople
Pierre Didy Tchakounte — “Ma Fou Fou” — Cameroon Garage Funk 1964-1979
The Detroit Cobras — “Laughing at You” — Life, Love and Leaving
Inner Circle & The Fatman Riddim Section — “Too Much War” — Heavyweight Dub
Sonny Steveson — “Bessie Lou” — Dangerous Doo-Wop 4
Afrosound — “Banana de Queso” — Carruseles
Gene LaMarr — “That Crazy Little House On The Hill” — Wild Streak Vol. 2
Brigth Engelberts and the B.E. Movement — “Get Together” — Booniay!! A Compilation of West African Funk
Curtis Knight and The Squires — “U.F.O.” — Curtis Knight and The Squires Vol. 2: Studio
Ahmed Malek — “Un Autre Complot” — Musique Originale De Films: Deuxième Tome
Masters Of Reality — “High Noon Amsterdam” — Deep In The Hole
The Revolution of St. Vincent — “The Little You Say” — Calypsoul 70: Caribbean Soul & Calypso Crossover 1969-1979
Quartette Tres Bien — “Boss Tres Bien” — Boss Tres Bien
Les Gypsies De Pétion-Ville — “Deception” — Haiti
Aural Exciters — “Paradise” — Spooks In Space
Pamelo Mounk’a — “Ca ne se prête pas” — No. 1 Africain
The Velvet Underground — “Andy’s Chest” — VU
Ali Hassan Kuban — “Ya Nubiyyah” — Walk Like A Nubian
Tyrannosaurus Rex — “Elemental Child” — A Beard Of Stars

LORD BUCKLEY’S WEEKLY BENEDICTION…
Prince Far-I — “Psalm 95” — Psalms For I

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Pictured: The Nite-Liters.
When Robert Beck [a.k.a. Iceberg Slim] was released from prison for the last time in April 1962, he vowed to leave the pimp game behind him forever. Most of the pimps he once knew had either died or become drunken bums. His pimp mentor of many years, Albert “Baby” Bell, had walked over to Chicago’s Washington Park one day and shot himself in the temple, leaving a note that read: “Good-bye squares! Kiss my pimping ass!”1 Beck did not want to suffer the same fate. He was past forty now, practically a senior citizen for a pimp. He had blown his bottom woman, and he no longer possessed the necessary finery for luring young victims. “I was caught in the nightmare bind that an older pimp faces past the age of thirty-five,” Beck reflected. “He is then prone to many setbacks and disasters. Any one of them can put him on his uppers and without the basic gaudy bait, like an out-of-sight car, psychedelic wardrobe, the diamonds necessary to hook and enslave a fresh stable of humping young whores.”
— Justin Gifford, Street Poison: The Biography of Iceberg Slim
Here’s what we played in Ep. 402 of No Condition Is Permanent:
Zebra — “Simple Song” — AOTN 45rpm
Ice — “Racubah” — Darkest Light: The Best Of Lafayette Afro Rock Band
The Centures — “4th Dimension” — Strummin’ Mental! Part 2: Raw, Crude, Instrumental R&R!
Adnan Othman — “Doa Ku” — Bersyukor: A Retrospective of Hits by a Malaysian Pop Yeh Yeh Legend
Richard Lloyd — “(I Thought) You Wanted to Know” — Ork Records: New York, New York
Grupo Los Yoyi — “Paco La Calle” — Yoyi
Johnny Knight — “Rock And Roll Guitar” — Sin Alley Vol. 2
The Nitty Gritty Sextet — “Papel De Bambú” — The Nitty Gritty Sextet

The Nite-Liters — “Afro-Strut” — RCA 45rpm
Orchestre Negro Succes — “Talisman” — Succes Des Orchestres Du Congo/Zaire Des Années ‘60/’70
The Tarantulas — “Tarantula” — Atlantic ‘61/’62 Gems from the Vaults: Up On The Roof
Neli — “Ki Blood” — Khana Khana: Funk, Psychedelia And Pop From The Iranian Pre-Revolution Generation
Doctor Mix And The Remix — “I Can’t Control Myself (Version)” — Rough Trade 45rpm
Bill Doggett — “Stop That Twistin’ In Here” — Walk On The Wild Side: The Jazz Side Of Mod
Eiko Shuri — “Yé-Yé” — Nippon Girls 1: Japanese Pop, Beat & Bossa Nova 1966-70
Ford Hopkins — “Ya Fine Fine Fine” — Greasy Rock ‘N’ Roll Vol. 6
Inner Circle & The Fatman Riddim Section — “Fidel At The Control” — Heavyweight Dub
The “5” Royales — “Do the Cha Cha Cherry” — Monkey Hips and Rice: The “5” Royales Anthology
Willie Colon — “Che Che Cole” — Fania Records 1964-1980: The Original Sound of Latin New York
The Cramps — “Cramp Stomp” — Big Beat From Badsville
Akido — “Psychedelic Baby” — Akido
Wire — “Question Of Degree” — Chairs Missing
Harry Mudie Meets King Tubby’s — “Nineteen Love In Dub” — Dub Conference Vol. 3
The Soft Boys — “I Wanna Destroy You” — Underwater Moonlight
Mario Ortiz & His All Star Band Con Paquito Alvarez — “Tras Tres Tragos” — ¡Saoco! Vol. 2: Bomba, Plena & the Roots of Salsa in Puerto Rico 1955-1967
The Mariners — “Zindy Lou” — Cadence 45rpm
Wganda Kenya — “Tamba” — Homenaje A Los Embajadores
Billy Mitchell — “You Know I Do” — Jay-Gee Rock & Roll Party Vol. 1
Linval Thompson — “Rastafari Dub” — Strong Like Samson Dub
The Barracudas — “Saturn” — Sleazy Surf! Vol. 1
Los Zafiros — “Cuando Yo La Conoci” — Los Zafiros Story
The Stooges — “I Wanna Be Your Dog” — The Stooges
Adnan Othman — “Kau Ku Chari” — Bersyukor: A Retrospective of Hits by a Malaysian Pop Yeh Yeh Legend
James Brown & The Famous Flames — “Good Good Lovin’” — Soul Uprising: 50 Early Soul & R&B Nuggets

LORD BUCKLEY’S WEEKLY BENEDICTION…
Wha-ha-ha — “Nojari” — Getahaitekonakucha

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Pictured: Françoise Hardy.
Since his first record, I had liked the gifted young English singer and songwriter Nick Drake, to whom the media inexplicably gave the cold shoulder. For this reason, when I was in his country I spoke to every journalist I met with all the enthusiasm his work inspired in me, in hopes of getting him more attention. He heard of what I was doing and surprised me by coming to the London studio where I was recording. He visited me several times, but the language barrier prevented us from communicating, unless that was a convenient screen to disguise deeper blockages in each of us. He would sit in a corner of the studio and stay there for hours, without saying a word, as if it was enough for him to know I liked his songs.
— Françoise Hardy, The Despair of Monkeys and Other Trifles.
Here’s what we played in Ep. 401 of No Condition Is Permanent:
The Trammps — “Can We Come Together” — Crème De La Crème: Philly Soul Classics and Rarities
Momo Joseph — “Africain” — Africa Airways Four (Disco Funk Touchdown 1976-1983)
The Krontjong Devils — “The Lone Surfer” — Action!
The Twinkle Brothers — “Jah-Jah Gonna Get You” — Rasta Pon Top
Link Wray And The Raymen — “Run Chicken Run” — Mr. Guitar
Dengue Fever — “Escape from Dragon House” — Escape From Dragon House
Young Underground — “Dance to the Music” — 1st Annual Inner-City Talent Expo (1972)

The Emersons — “Hungry” — Newport 45rpm
Sharhabil Ahmed — “Kamar Dawa” — The King Of Sudanese Jazz
Dub Syndicate — “My Baby’s Barefoot” — Blow My Mind! The Doré-Era-Mira Punk & Psych Legacy
Willie Bobo — “Roots” — Mojo Club – Dancefloor Jazz Vol. 07 – Give Me Your Love
Mark IV’s — “If You Can’t Tell Me Something Good” — Brite Lite 45rpm
R. D. Burman Feat. Kishore Kumar & Asha Bhosle — “Ek Bottle Hogal Mein” — The Bombay Connection: Vol. 2 – Bouncin’ Nightclub Grooves From Bollywood Films 1959-1972
John Otway and Wild Willy Barrett — “If I Did” — John Otway and Wild Willy Barrett
Gregory Isaacs — “Bumping and Boring” — Soon Forward (deluxe edition)
The Chiffons — “Sweet Talkin’ Guy” — Golden Girl Groups
Exile One — “Funky Crookie” — Exile One
ESG — “My Street” — Step Off
Sonora Casino — “El Negro Javier” — Trompeteros
The Hollywood Hurricanes — “Beavershot” — Wildsville!!
Winston Riley — “Glambling” — Meditation Dub
Marvin Gaye — “Lucky Lucky Me” — Northern Soul 101 Hits
Cymbals — “This Year’s Gear” — Anthology
Roxy Music — “All I Want Is You” — Country Life
Wuta-May — “Malgré La Richesse” — Ole La Vie
The Modern Lovers — “Astral Plane” — The Modern Lovers
Manzanita — “Serrano con Orgullo” — Chicha for The Jet Set
The Pygmies — “Don’t Monkey With Tarzan” — Exotica, Popcorn & Stompers!! Vol. 2
Joe Gibbs & The Professionals — “Dub Three” — African Dub All-Mighty Chapter 3
Morine & The Zercons — “Let A Woman Through” — Talkin’ Trash
Littles — “4×8 Jadeed” — Raks Raks Raks: 27 Golden Garage Psych Nuggets from The Iranian ‘60s Scene

LORD BUCKLEY’S WEEKLY BENEDICTION…
Françoise Hardy — “Voilà” — The Vogue Years

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Pictured: The Stooges.
Today, Fun House is the Stooges album most consistently cited by musicians, for instance Jack White, of the White Stripes, who reckons, ‘In my mind, Fun House is the greatest rock ’n’ roll record ever made. I’ll always feel that.’ Eventually, this music would spawn the dark gothic rock of Nine Inch Nails or Jane’s Addiction, but for many contemporaries, Fun House seemed to prove the Stooges were simply deluded. There was impassioned support from Creem’s Lester Bangs, who wrote a huge feature on the album that was serialised over two issues, and many others. Even industry bible Billboard weighed in on their behalf, although the positive review must have irked the singer by crediting ‘Steve Mackay and his magic saxophone’ as the leader. Even so, the album was generally reviled, in particular by the radio industry. Steve Harris, senior vice president in charge of marketing at Elektra, was a fan of the Stooges and pushed the record hard, but received an unequivocal reaction: ‘Oh my God! Isn’t Elektra a company of beautiful and wonderful and classy music? What are they doing with this?’
— Paul Trynka, Iggy Pop: Open Up and Bleed.
Here’s what we played in Ep. 400 of No Condition Is Permanent:
The Isley Brothers — “Work To Do” — Brother, Brother, Brother
Jo Bisso — “Lovers Concerto” — African Disco Experimentals 1974 to 1978
The Premiers — “Firewater” — Jungle Exotica Vol. 1
Rene Grand — “Hey! Mr. Gil” — Merengue Mania! The Hip and Groovy 60’s Sound Of The Dominican Republic
The Sorrows — “You’ve Got What I Want” — Acid Drops, Spacedust & Flying Saucers: Psychedelic Confectionery 1965-1969
I Roy — “The Drifter” — Trojan Reggae Rarities Box Set
The Astors — “Candy” — Sock It To ‘Em Soul: 60’s Club Soul Classics from The Vaults Of Atlantic Atco, Loma Reprise, Stax & Warner Bros. 1963-1968
Tulio Enrique Leon — “Bimbóm” — Color De Trópico
The Pharoahs — “Looking for Girls” — Ho-Dad Hootenanny Too!

The Bostweeds — “Faster Pussycat Kill Kill” — Faster Pussycat Kill Kill OST
Anibal Velasquez y su Conjunto — “Carruseles” — Mambo Loco
Harvey & the Phenomenals — “Soul & Sunshine” — Midwest Funk
Al Massrieen — “Longa 79” — Habibi Funk 006: Modern Music
The Craig — “I Must Be Mad” — Nuggets II: Original Artyfacts From The British Empire & Beyond 1964-1969
Dara Puspita — “Hallo, Kawan (Hello, Friend)” — 1966-1968
Dave Hamilton — “Pisces Pace” — Dave Hamilton’s Detroit Funk
Pasteur Lappé — “Back To Funky” — African Funk Experimentals (1979 to 1981)
Prince Jammy — “His Imperial Majesty” — Prince Jammy Presents Uhuru In Dub
Wire — “Sand In My Joints” — Chairs Missing
Ray Barretto — “The Soul Drummers” — Acid
The Funk Brothers Feat. Earl Van Dyke — “Tell Me It’s Just A Rumor Baby” — Cellarful of Motown Vol. 1
Elvis Phương — “Kho Tàng Của Chúng Ta (Our Treasures)” — Saigon Rock & Soul: Vietnamese Classic Tracks 1968-1974
The Stooges — “Down On The Street [Take 10]” — 1970: The Complete Fun House Sessions
The Aggrovators and King Tubby’s — “Lifetime Dub (That’s Life – Ronnie Davis)” — Jackpot Dub: Rare Dubs From Jackpot Records 1974-1976
The Only Ones — “The Happy Pilgrim” — Baby’s Got A Gun
Les Difficiles de Petion-Ville — “Fe’m Confiance (Tropical Treats Edit)” — Sofrito: International Soundclash
The Vibes — “Come Back Baby” — Rock’n’Roll Dance Party Volume Two
Junior Byles & Rupert Reid — “Remember Me (Extended)” — Junior Byles & Friends: 129 Beat Street Ja-Man Special 1975-1978
The Cramps — “She’s Got Balls” — Fiends of Dope Island
Franco et OK Jazz — “Azda” — Congo 70: Rumba Rock
Velvet Underground — “Run Run Run (Different Mix)” — Norman Dolph Acetate

LORD BUCKLEY’S WEEKLY BENEDICTION…
S.P. Balasubramaniam & S. Janaki — “Chittu Kuruvi (Little Sparrow)” — Fire Star: Synth-Pop & Electro-Funk from Tamil Films 1985-1989

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"The compensation for the loss of innocence, of simplicity, of unselfconscious energy, is the classic moment... It's there on record. You can play it any time."
- George Melly, Revolt Into Style
"Reciprovocation ees the spites of life, M'sieur"
- Mlle. Hepzibah, Pogo


