No Condition Is Permanent

Pictured: Barry White.

Barry White formed Love Unlimited—a girl group that featured Diane Taylor, Linda James, and Glodean James plus a forty-piece backing orchestra—in 1969, and the band recorded its first chart hit in the spring of 1972 with “Walkin’ in the Rain with the One I Love.” The following summer, the Texas-born White released the group’s second album, Under the Influence of…, deploying a lush, orchestrated aesthetic that suggests that, in tandem with the material emerging from Philadelphia International, the sonic symphonic had become a national phenomenon. Even though it was recorded as an album filler, “Love’s Theme” provided a particularly stunning example of the new aesthetic, but 20th Century had other promotional priorities for the six-foot-three-inch, 270-pound White, who was simultaneously establishing himself as a major independent recording artist in his own right, having notched up hits with “I’m Gonna Love You Just a Little More Baby,” “I’ve Got So Much to Give,” and “Never, Never Gonna Give You Up.” Then, however, David Rodriguez and Nicky Siano paid a visit to Billy Smith, the label’s East Coast promotion under-assistant. “We went down into the basement and saw the Love Unlimited album on the shelf,” says Siano. “Billy said, ‘These are dead albums waiting to be trashed,’ and David replied, ‘They’ve got black people on the cover—give them to us!’ David and I started playing ‘Love’s Theme’ and it took off from there.” Realizing he had nothing to lose, Smith distributed free copies of the LP to New York’s leading DJs, and, when demand spiraled, “Love’s Theme” was released as a single by the renamed Love Unlimited Orchestra. By February 1974 it had reached number one.” ‘Love’s Theme’ was in the top twenty before it even got any airplay,” says Siano. “The power we had was phenomenal!”

— Tim Lawrence, Love Saves The Day: A History of American Dance Music Culture, 1970-1979.

LISTEN TO EPISODE 411 OF NO CONDITION IS PERMANENT:

DOWNLOAD EPISODE 411 OF NO CONDITION IS PERMANENT BY CLICKING ON THE THREE DOTS /\

Here’s what we played in Ep. 411 of No Condition Is Permanent:

FIRST SLICE O’SCHEIßE…

The Love Unlimited Orchestra — “Love’s Theme” — Under the Influence of Love Unlimited

Segun Bucknor — “La La La (Hard Version) (Part1)” — Poor Man No Get Brother: Assembly & Revolution 1969-1975

Johnny Barakat And The Vestells — “Surf Madness” — Rare Surf Vol. 3: Johnny Fortune & Johnny Barakat And The Vestells

The Hornets — “Jelingan Mu” — Psyche Oh! A Go Go: Lost Gems Of Malaysia/Singapura Pop Music ’64-’74

Gregory Dee and the Avanties — “Olds-Mo-William” — The Big Hits Of Mid-America: The Soma Records Story 1963-1967

Lee Perry & The Upsetters — “Jungle Lion” — The Complete UK Upsetter Singles Collection Vol. 4

The Charles Blackwell Orchestra — “Midnight In Luxembourg” — From Taboo To Telstar: 1962 A Year In The Life Of 304 Holloway Road (Joe Meek’s Tea Chest Tapes)

Afrosound & Wilson Saoko — “Ponchito de Colores” — Homenaje a Polibio Mayorga Vol. 6

IT’S MADISON TIME…

Amilcar — “Wargasm In Pornotopia” — Jubilee OST

SECOND SLICE O’SCHEIßE…

Esquires Ltd — “Theme From Shaft” — Cult Cargo: Grand Bahama Goombay

The Trashmen — “A-Bone” — Garrett 45rpm

Orquesta Akokán — “Doña Felipa” — Caracoles

Jack Bruce — “Never Tell Your Mother She’s Out of Tune” — Songs For A Tailor

Ahmed Malek — “La La La” — Musique Originale De Films: Deuxième Tome (Habibi Funk 027)

The Undertones — “Really Really” — The Undertones

The Revolutionaries — “Garvey Dub” — Dub Explosion: 22 Roots Classics

Gene Russell’s Trio — “Doin’ The Snake Hips” — Eccentric Soul: Consolidated Productions Vol. 1

Los Wembler’s De Iquitos — “El Intutero” — La Danza Del Petrolero

THIRD SLICE O’SCHEIßE…

Varetta Dillard — “Scorched” — Exotica, Popcorn & Stompers!! Vol. 2

Jack Costanzo — “Bei Mir Bist Du Schoen” — Mr. Bongo

The Personals — “Dance All Night” — Ho-Dad Hootenanny Too!

Los Shains — “Tirando Dedo” — Sons Of Yma: A Collection of Peruvian Garage and Instrumental Bands from the ’60s!

The Kinks — “Till The End Of The Day” — The Kinks EP’s [mono]

Masao Yagi — “Zenka Onna Koroshibushi M-12” — Killing Melody: Instrumental Music From Japanese Pinky Violence Movies

The Gories — “Hidden Charms” — House Rockin’

Rico Rodriguez — “Japanese Invasion” — Full Up: Bunny “Striker” Lee – Early Reggae Productions 1968-72

The High Numbers — “I’m the Face” — Having a Rave-Up! The British R&B Sounds of 1964

Goblin — “La Via Della Droga” — Beretta 70: Roaring Themes from Thrilling Italian Police Films

THE FINAL SLICE O’SCHEIßE…

The Red Callender Sextet — “Voodoo” — Jukebox Mambo: Rumba and Afro-Latin Accented Rhythm & Blues 1949-1960

Horace Andy — “Good Vibes / Dub Vibes” — Good Vibes (1975-1979)

The Velvet Underground — “Guess I’m Falling In Love [Instrumental Version]” — Another View

Fela Ransome-Kuti & His Koolalobitos — “Se E Tun De” — Lagos Baby 1963-1969

Tony Alvon & The Belairs — “Sexy Coffee Pot” — Soulin’ Vol. 3

Very Be Careful — “El Escape” — Salad Buey

The Only Ones — “This Ain’t All  (It’s Made To Be)” — Even Serpents Shine

LORD BUCKLEY’S WEEKLY BENEDICTION…

Anandji Kalyanji — “Bombay 405 Miles” — Bombay The Hard Way: Guns, Cars & Sitars

Grab a 4-pak of genuine Purple Bat Lounge Coasters HERE.

Get your CHARMING DEVIATIONIST lapel pin (& Purple Bat Lounge membership card) HERE.

Pictured: The doyenne of Bollywood playback singers, Asha Bhosle.

For the party nights, we were all dressed in Indian costumes. Michael Howard, the creative director for Dior, must have worked for weeks. The lighting and décor of the fort and the events were amazing: up along the internal ramps leading to the courtyard were dozens of drummers, horses, camels caparisoned in mirrors and tassels, dancers, acrobats, fire-eaters, ladies throwing rose petals; great posters painted by people from the Indian film industry. Vlad was Bond and Naomi [Campbell] was his Bond girl, the title ‘Bond is Back’. Part of the attraction of their romance must be the idea of the glamorous couple. And, because of the thronging festivities, we felt like we were in a film set. Diana Ross took a fancy to Andreas [Kronthaler] and he politely got on stage with her for a minute or two.

Naomi mentioned that she’s going to do some charity work in India about waste recycling. I talked to David X Prutting, who was the official photographer. He told me that when he first visited India, he went to photograph and meet the lowest class, who clean up the shit. He loved them; they were the only people who never asked him for money. Like everyone, he found it hard to cope with the poverty. David said, ‘The way to deal with it is to accept it for yourself, to take it into yourself, to say yes, this is a life, to respect.’ 

— Vivienne Westwood, Get A Life.

LISTEN TO EPISODE 410 OF NO CONDITION IS PERMANENT:

DOWNLOAD EPISODE 410 OF NO CONDITION IS PERMANENT BY CLICKING ON THE THREE DOTS /\

Here’s what we played in Ep. 410 of No Condition Is Permanent:

FIRST SLICE O’SCHEIßE…

The O’Jays — “992 Arguments” — Back Stabbers

Tala Am — “Sugar Lump (Edit)” — Africa Airways Five: Brace Brace Boogie 1976 – 1982

Slacktone — “Rosarito 3-Day” — Warning, Reverb Instrumentals

The Gladiators — “Baldhead Dub” — Studio 1 Singles

The Yardbirds — “Rack My Mind (Mono Mix)” — Roger The Engineer (a.k.a. Over Under Sideways Down)

Koes Plus — “Kelelawar (The Bats)” — Dheg Dheg Plas Vols. 1 & 2

The Fanatics — “I Will Not Be Lonely” — Born Bad Vol. 7

The Flowers — “Meekshi Manoo” — Raks Raks Raks: 27 Golden Garage Psych Nuggets from The Iranian ‘60s Scene

IT’S MADISON TIME…

The Executioners — “Guillotine” — It’s Monster Surfing Time!

SECOND SLICE O’SCHEIßE…

Lizzy Mercier Descloux — “Bim Bam Boum” — Mambo Nassau

Reigning Sound — “We Repel Each Other” — Too Much Guitar

Dr. Alimantado — “I Killed The Barber” — Best Dressed Chicken In Town

Bracey Everett — “Lover’s Curse” — Desperate Rock ‘N’ Roll, Vol. 5

Los Camaroes — “Ma Wde Wa” — Cameroon Garage Funk 1964 – 1979

Jeff Simmons — “I’m in the Music Business” — Lucille Has Messed My Mind Up

Ahmed Malek — “Casbah” — Habibi Funk 015: An Eclectic Selection of Music from The Arab World Pt. 2

The Nocturnes — “Night Owl” — Rare Mod 2

S. D. Burman feat. Asha Bhosle — “Sambhalo Sambhalo Apna Dil” — The Bombay Connection Vol. 2: Bouncin’ Nightclub Grooves from Bollywood Films 1959-1972

THIRD SLICE O’SCHEIßE…

Brother JT — “T. Rex Blues” — The Svelteness of Boogietude

Tono y sus Sicodelicos — “El Basurero” — Mr. Boogaloo

JD McPherson — “Lust For Life / Sixteen” — New West 45rpm

Lý Ngụ́a Ô — “Vợ Chồng Làm Being” — Hồ! #1 Roady Music from Viêtnam

Johnny Zoro — “Coesville” — Frolic Diner Vol. 3

Orchestre Poly-Rythmo de Cotonou — “Akoue We Gni Gan” — The Skeletal Essences of Afro Funk 1969-1980 Vol.3

Funkadelic — “Alice in My Fantasies” — Standing on the Verge of Getting It On

The Aggrovators — “Black Trap” — Jammies in Lion Dub Style

THE FINAL SLICE O’SCHEIßE…

The Avalons — “Malanese” — Mad Mike Monsters: A Tribute To Mad Mike Petrovich Vol. 3

Vaudou Game — “Be My Wife” — Noussin

Orgone — “Don’t Say Stop” — New You, Part 1

The Upsetters — “Freedom [Dub]” — Trojan Dub Box Set

The Sparkles — “Oh Girls, Girls” — Las Vegas Grind! Vol. 3

Orchestra Makassy — “Mambo Bado” — Agwaya

LORD BUCKLEY’S WEEKLY BENEDICTION…

Courtland Pickett — “You Don’t Grow Old” — Fancy Dancer

Grab a 4-pak of genuine Purple Bat Lounge Coasters HERE.

Get your CHARMING DEVIATIONIST lapel pin (& Purple Bat Lounge membership card) HERE.

Pictured: The Only Ones’ Peter Perrett.

The new psychology—soon to be culturally interpreted as existentialism—privileged living in the moment and was materially oriented. The old world was dead and the best-placed group to flourish in the uncertain postwar era were the young—who had always been held to embody an auspicious future. “Their lives are lived principally in hope,” Aristotle had written, while for Stanley Hall, adolescence was nothing less than “a new birth.” In the act of forgetting necessary for the Western world to continue, youth was once again—as it had been after the Great War—exalted as a tabula rasa.

— Jon Savage, Teenage: The Prehistory of Youth Culture 1875 – 1945

LISTEN TO EPISODE 409 OF NO CONDITION IS PERMANENT:

DOWNLOAD EPISODE 409 OF NO CONDITION IS PERMANENT BY CLICKING ON THE THREE DOTS /\

Here’s what we played in Ep. 409 of No Condition Is Permanent:

FIRST SLICE O’SCHEIßE…

The Philly Sound — “Waitin’ For The Rain” — Philadelphia Roots

The Funkees — “Abraka” — Point Of No Return: Afro Funk Music

The Emeralds — “Earthquake” — Strummin’ Mental! Part 2: Raw, Crude, Instrumental R&R!

Grazia — “Soyle Beni” — Saz Beat: Turkish Rock, Funk, And Psychedelic Music Of The 1960s And 1970s

Pink Floyd — “See Emily Play” — The First 3 Singles

Eric Valentine — “Jah Dub” — Rosso 45rpm

The Cobras — “Instant Heartache” — Teenage Shutdown, Vol. 14: Howlin’ For My Darlin’!

Jean Paul ‘El Troglodita’ — “Everything’s Gonna Change” — Peru Bravo: Funk, Soul & Psych from Peru’s Radical Decade

IT’S MADISON TIME…

The Cramps — “All Women Are Bad” — Stay Sick!

SECOND SLICE O’SCHEIßE…

Rachid & Fethi — “Habit En Ich” — 1970’s Algerian Folk And Pop

White Lightnin’ — “Joke’s on You” — White Lightnin’

Very Be Careful — “Mr Yozo” — Salad Buey

Maxwell — “Radiation Funk” — Movements Vol. 10

Charles Lembe Et Son Orchestra — “Quiero Wapatcha” — Cameroon Garage Funk 1964 – 1979

Cristina — “Disco Clone” — Mutant Disco: A Subtle Discolation of The Norm

The Aggrovators — “An Early Version” — Johnny In The Echo Chamber: Dubwise Selection 1975-1976

Wire — “Mannequin” — Pink Flag

Ennio Morricone — “Per Qualche Dollaro In Piu (Sequence #18)” — Per Qualche Dollaro in Più (For A Few Dollars More) OST

THIRD SLICE O’SCHEIßE…

Marvin Holmes — “Ooh Ooh The Dragon” — Mojo Club Dancefloor Jazz Vol. 11: Right Now

Orquesta Akokán — “Pan con Tíbiri” — Caracoles

Starbuck — “Moonlight Feels Right” — Moonlight Feels Right

Verckys et l´Orchestre Vévé — “Zumbel” — Congolese Funk, Afrobeat & Psychedelic Rumba 1969-1978

The Mystic Moods — “Cosmic Sea” — What It Is! Funky Soul and Rare Grooves 1967-1977

Winston Heywood & The Hombres — “Africa” — Jah Lion Meets The Upsetter Inna Black Ark Studio (A Version Excursion)

The Five Du-Tones — “The Ghouster” — The Five Du-Tones

Ahmed Malek — “La Ville” — Musique Originale De Films

The Fleshtones — “Do You Swing?” — Do You Swing?

THE FINAL SLICE O’SCHEIßE…

Nahid Akhtar — “Badami Nainon Wale” — I Am Black Beauty

The Isley Brothers — “The Drag” — Let’s Soul Dance: Black Dance Crazes 1957-1962

Winston Riley — “Marry Me” — Meditation Dub

The Only Ones — “No Solution” — Even Serpents Shine

Orchestra Super Mazembe — “Malaba D’amour” — Kaivaska

Bob Moore & The Temps — “Braggin’” — Las Vegas Grind Vol. 7

Pan Ron — “Rom Jongvak Twist (Dance Twist)” — Cambodian Rocks

Young-Holt Unlimited — “Doing the Thing” — The Definitive Young-Holt Unlimited

Pierre Blain Et Orchestre Murat Pierre — “Jouc Li Jou” — Haiti Direct: Big Band, Mini Jazz & Twoubadou Sounds 1960-1978

LORD BUCKLEY’S WEEKLY BENEDICTION…

The Jam Handy Organization — “Tractor Drivin’ Man” — The Wide New World With FORD

Grab a 4-pak of genuine Purple Bat Lounge Coasters HERE.

Get your CHARMING DEVIATIONIST lapel pin (& Purple Bat Lounge membership card) HERE.

Pictured: Gregory Isaacs.

Also known, for very good reason, as the Cool Ruler, [Gregory] Isaacs had been in the business since the early 1970s and recorded for Rupie Edwards, Niney, Gussie Clarke and G G Ranglin – he’s even supposed to have sung back-up vocals at the Black Ark, notably on Heart of the Congos – and founded his own African Museum label. Originally nothing more remarkable than an easy-rocking crooner, it wasn’t until he developed a distinctive style that he began to count for much. By the middle of the decade he’d evolved a style that was perfect on both sides of the divide as it shot his delivery through with an apparently desperate thread of disaffection. Either in love or in society at large, Gregory’s trademark approach to any sort of song was one of loneliness and rejection. Couched in terms clever enough for him to be singing about either the love of Jah or the love of a good woman, he’s either posing as an outcast from the community or he’s just been dumped; you decide. Women loved this apparent vulnerability, while the guys admired his mix of rude-boy style, dreadlocks attitude and lurrrve god way with the ladies. All of which comes together, plus a sense of the Cool Ruler’s charisma, on a live recording of “Border,” a session which also gives insight into his relationship with his fans. Apparently unprompted they sing, note perfect, each chorus of I’m leaving outta Babylon / I’m leaving outta Rome… we wan’, we wan’ go home, while he ends the song with a triumphant, smirking ‘Yuh like it?’

— Lloyd Bradley, Bass Culture: When Reggae Was King.

LISTEN TO EPISODE 408 OF NO CONDITION IS PERMANENT:

DOWNLOAD EPISODE 408 OF NO CONDITION IS PERMANENT BY CLICKING ON THE THREE DOTS /\

Here’s what we played in Ep. 408 of No Condition Is Permanent:

FIRST SLICE O’SCHEIßE…

First Choice — “Yes, Maybe No” — Crème de la Crème: Philly Soul Classics & Rarities

Jude Bondeze — “Ndomo” — Africa Airways Six: Mile High Funk 1974-1981

The Star Tones — “The Chase” — Surfin’ in The Midwest Vol. 4

Hong Nam — “The Tenth Girl” — Taiwan & Singapore Disco

Hayes Cotton — “I’ll Be Waiting” — Exotica, Popcorn & Stompers!! Vol. 2

Gregory Isaacs — “Mr. Brown” — Front Line Presents Dub: 40 Heavyweight Dub Sounds

Baby Earl and the Trini-dads — “Back Slop” — Souvenirs of the Soul Clap Vol. 4

Blue Rhythm Combo — “Get Down” — B.R.C’s Groove

IT’S MADISON TIME…

The Arrows — “Another Cycle in Detroit” — Devil’s Rumble: The Davie Allan & The Arrows Anthology

SECOND SLICE O’SCHEIßE…

Los Destellos — “Para Elisa” — The Roots of Chicha: Psychedelic Cumbias from Peru

The Sequins — “He’s A Flirt” — Eccentric Northern Soul

Burning Spear — “Marcus Garvey” — Marcus Garvey

The Troggs — “I Can’t Control Myself” — You Can Walk Across It On the Grass: The Boutique Sounds of Swinging London

Joseito Mateo Y Su Orquesta — “Jardinera” — Merengue: Dominican Music And Identity

Captain Beefheart & His Magic Band — “Moonlight on Vermont” — Trout Mask Replica

Rita Chao — “The Boy Next Door” — Let’s A Go-Go! Singapore And Southeast Asian Pop Scene 1964-69

Buster Smith & His Heatwave — “Til Broad Daylight” — Stompin’ 34

Sharero Band feat. Faadumo Qaasim — “Qays Iyo Layla (Romeo & Juliet)” — Sweet As Broken Dates: Lost Somali Tapes From The Horn Of Africa

The Phantom — “Love Me” — The Roots of Psychobilly

THIRD SLICE O’SCHEIßE…

Ros Sereysothea, Sinn Sisamouth and Friends — “Wooly Bully” — Cambodian Psych-Out

The Riot Squad — “I Take It That We’re Through” — It’s Hard To Believe It: The Amazing World Of Joe Meek

Bobby Valentin — “Use It Before You Lose It” — Explosivos: Deep-Soul From The Latin Heart 1966-70

The 20th Century — “Hot Pants (Part l)” — Beehive Breaks

Ferry Djimmy And His Dji-Kins — “A Were We Coco” — Rhythm Revolution

Eddie & The Hot Rods — “Teenage Depression” — Teenage Depression

Trinity — “Three Piece Suit” — Three Piece Suit

Dennis Coffey — “Wild Child” — Finger Lickin’ Good

THE FINAL SLICE O’SCHEIßE…

Antibalas Afrobeat Orchestra — “Dub Je Je” — Government Magic

Pandemonium — “No Presents For Me” — Nuggets II: Original Artyfacts From The British Empire & Beyond 1964-1969

Elias Rahbani & Ziad Rahbani — “Bedouin Nights (Al Mahatta)” — Belly Dance Fever

Roxy Music — “Angel Eyes (7″ Version)” — Singles, B-Sides and Alternative Mixes

Joe Cuba — “Joe Cuba’s Latin Hustle” — El Barrio: The Ultimate Collection Of Latin Boogaloo, Disco, Funk & Soul

The Catalinas — “The Catalina Push” — Jukebox At Eric’s Vol. 1

King Tubby’s — “Fire Dub” — Yabby You: Jesus Dread 1972-1977

LORD BUCKLEY’S WEEKLY BENEDICTION…

Funk Factory — “Rien Ne Va Plus” — Funk Factory

Grab a 4-pak of genuine Purple Bat Lounge Coasters HERE.

Get your CHARMING DEVIATIONIST lapel pin (& Purple Bat Lounge membership card) HERE.

Pictured: Frank Zappa (l.) & the Mothers of Invention.

The function of the drums in a rock music ensemble is to keep the beat. (“It has a good beat … I give it 10 points, Dick.”) On early R&B records, the drum part was usually executed with brushes. All the arrangements required, generally, was a dull thud on the second and fourth pulse of the bar. There were very few “breaks” or “fills.” When the drum fill (a short percussion outburst, usually at a cadence or resting point of a musical phrase) became popular in rock arrangements, it most often took the form of groups of triplets (three-note rhythmic figures, squeezed into the space of two beats … sounding like: ya-da-da ya-da-da ya-da-da ya-da-da- whomp). For a while, during the mid-50s, it seemed like every record produced had one or more fills of this nature in it. Eventually, with the improvements in studios and recording techniques, the drummers began to use sticks on the sessions and the cadence fills became more elaborate but, before and after the fill, the drummer’s job was still to keep the beat … that same old crappy beat … the beat that made the kids hop around and scream and yell and buy records. A long process of rhythmic evolution has taken place since the early 50s. It is laughable now to think of that dull thud on the second and fourth as lewd and pulsating.

— Frank Zappa, “The Oracle Has It All Psyched Out,” Life, June 28th 1968.

LISTEN TO EPISODE 407 OF NO CONDITION IS PERMANENT:

DOWNLOAD EPISODE 407 OF NO CONDITION IS PERMANENT BY CLICKING ON THE THREE DOTS /\

Here’s what we played in Ep. 407 of No Condition Is Permanent:

FIRST SLICE O’SCHEIßE…

Blue Magic — “Look Me Up (Album Version)” — Crème De La Crème Two: More Philly Soul Classics and Rarities From The Vaults Of Atlantic, Atco And Warner Bros. Records 1970-1980

Godwin Omabuwa & His Cassanova Dandies — “Do The Afro Shuffle” — Nigeria Afrobeat Special: The New Explosive Sound in 1970’s Nigeria

The Ghastly Ones — “Now Fear This” — Target: Draculon

Selda — “Ince Ince Bir Kar Yagar” — Love, Peace & Poetry: Turkish Psychedelic Music

Family — “Anyway” — Anyway

IT’S MADISON TIME…

Tony Hernandez & the Latin-Liners — “Jo Tex” — Funky Crimes

SECOND SLICE O’SCHEIßE…

Exuma — “Exuma, The Obeah Man” — Exuma

Mae Young — “Let’s Give Our Love A Try” — Local Customs: Burned At Boddie

Errol Dunkley & Ranking Dread — “Ranking Dub” — Burning Sounds 12” 45rpm

20/20 — “She’s An Obsession” — 20/20

Ahmed Malek — “Sans Titre” — Musique Originale De Films: Deuxième Tome

Frank Zappa & the Mothers of Invention — “Hungry Freaks, Daddy” — Live At The Whisky A Go Go 1968

Ernesto Djedje — “Anowah” — African Pearls 5 – Cote D’ivoire: West African Crossroads

Bull Moose Jackson — “Nosey Joe” — From The Ghetto: 29 Wild Rock ‘n’ Roll Movers

THIRD SLICE O’SCHEIßE…

The Keyboys — “[Untitled]” — Steam Kodok: 26 A-Go-Go Ultrarities from the 60’s Singapore & Southeast Asia Underground

Mad Man Jones — “Snake Charmer” — Jukebox Mambo: Rumba and Afro-Latin Accented Rhythm & Blues 1949-1960

I-Roy — “Casmas Town” — Crisus Time – Extra Version

Angie — “Peppermint Lump” — Stiff 45rpm

Ali Hassan Kuban — “Hela Houb (Let’s Do It)” — Real Nubian: Cairo Wedding Classics

Gene Russell’s Trio — “Jet Set” — Eccentric Soul: Consolidated Productions Vol. 1

África Negra — “Beba Cu Toca Bojie” — Antologia Vol. 2

Marvin Gaye — “Got to Give It Up, Pt. 1” — The Master ‘61-‘84

THE FINAL SLICE O’SCHEIßE…

Wganda Kenya — “An Naus Dansé Tumbelé” — Wganda Kenya

The Downliners Sect — “Why Don’t You Smile Now” — Nuggets II: Original Artyfacts From The British Empire & Beyond 1964-1969

King Tubby — “Channel Get Knockout” — King Tubby’s Hometown Hi-Fi Dubplate Specials 1975-1979

Durocs — “Saving It All Up for Larry” — Durocs

Les Quatre Étoiles — “Doly” — Sangonini

LORD BUCKLEY’S WEEKLY BENEDICTION…

Ennio Morricone — “Un bacio” — La Donna Invisibile OST

Grab a 4-pak of genuine Purple Bat Lounge Coasters HERE.

Get your CHARMING DEVIATIONIST lapel pin (& Purple Bat Lounge membership card) HERE.

Pictured: Polibio Mayorga.

The Negro was blind in one eye and one leg was shorter than the other; he wore an ancient felt hat and his ribs showed through his torn shirt like a ship’s under demolition. He walked at the edge of the pavement, beyond the yellow and pink pillars of a colonnade, in the hot January sun, and he counted every step as he went. As he passed the Wonder Bar, going up Virdudes, he had reached ‘1,369’. He had to move slowly to give time for so long a numeral. ‘One thousand three hundred and seventy.’ He was a familiar figure near the National Square, where he would sometimes linger and stop his counting long enough to sell a packet of pornographic photographs to a tourist. Then he would take up his count where he had left it. At the end of the day, like an energetic passenger on a trans-Atlantic liner, he must have known to a yard how far he had walked.

— Graham Greene, Our Man In Havana.

LISTEN TO EPISODE 406 OF NO CONDITION IS PERMANENT:

DOWNLOAD EPISODE 406 OF NO CONDITION IS PERMANENT BY CLICKING ON THE THREE DOTS /\

Here’s what we played in Ep. 406 of No Condition Is Permanent:

FIRST SLICE O’SCHEIßE…

First Choice — “First Choice Theme (Single Version)” — Crème De La Crème Two: More Philly Soul Classics And Rarities From The Vaults Of Atlantic, Atco And Warner Bros. Records 1970-1980

El Rego et Ses Commandos — “Se Na Min” — African Scream Contest

Wadadli Riders — “The Killer Wave” — Made In Antigua

Los Revolucionarios — “Los Carasucias” — Los Revolucionarios

Jason Eddie & The Centremen — “Singing The Blues” — Joe Meek Freak Beat: You’re Holding Me Down

Majid Soula — “Netseweth Sifassan Nagh” — Chant Amazigh

Ralph Nielsen & The Chancellors — “Scream” — Back from the Grave # 2

Anandji Kalyanji — “Swami Safari” — Bombay The Hard Way: Guns, Cars & Sitars

IT’S MADISON TIME…

Grace Jones — “She’s Lost Control (Single Version)” — Warm Leatherette (Deluxe Edition)

SECOND SLICE O’SCHEIßE…

Polibio Mayorga — “Pañuelo De Seda” — Ecuatoriana: El Universo Paralelo de Polibio Mayorga 1969​-​1981

13th Floor Elevators — “Tried To Hide” — The Psychedelic Sounds of the 13th Floor Elevators [Mono]

Gregory Isaacs — “Leggo Beast” — Slum In Dub

International Kansas City Playboys — “Everybody’s Goin’ Wild” — All Night Soul Stomp! Dancefloor Boogaloo Romp!

Vaudou Game — “Pas Contente (feat. Roger Damawuzan)” — Apiafo

The Ramones — “Commando” — Leave Home

The Peace — “Peaceful Man” — Black Power

Mary Wells — “Can’t You See” — Mod Anthems: Original Northern Soul, R’N’B & Ska Classics

Abdul Hameed — “Catch Me If You Can (Mere Liye Harr Dil Hai Dewaana) (feat. Nahid Akhtar)” — “Life Is Dance” Plugged-In Sounds of Wonder at the Pakistani Picture House

The A-Bones — “The Bee” — The Life Of Riley

THIRD SLICE O’SCHEIßE…

Los Zheros — “Meshkalina” — Peru Maravilloso: Vintage Latin, Tropical & Cumbia

Rupert’s People — “Dream On My Mind” — Acid Drops, Spacedust & Flying Saucers

Charanjit Singh — “Ek Din Bik Jayega – Transicord & Claviolin (Dharam Karam)” — Instrumental Film-Tunes

Lee & The Leopards — “Trying To Make It” — Motown Rhythm & Blues ’59-’62

Inner Circle & The Fatman Riddim Section — “Shaky Dub” — Killer Dub

Diane Renay — “Navy Blue” — Early Girls Vol. 5

Phương Tâm — “Tình Mơ (Dreamy Love)” — Saigon Surf Twist & Soul 1964-1966

Andre Williams w/The Don Juans — “Going Down To Tiajuana” — A Fortune of Hits 1955-1957

THE FINAL SLICE O’SCHEIßE…

Pamelo Mounk’a — “Youyourou Nyoumba” — Pamelo Mounk’a

Kevin Ayers — “Didn’t Feel Lonely ‘Til I Thought Of You” — The Confessions Of Dr. Dream And Other Stories

Prince Jammy — “Swords Of Vengeance” — Kamikazi Dub

Guitar Red — “Disco From A Space Show” — Personal Space: Electronic Soul 1974-1984

Wrong Notes — “Oriental Tunes” — Waking Up Scheherazade Vol. 2: 60’s & 70’s Cross-Over Rock from North Africa & The Middle East

LORD BUCKLEY’S WEEKLY BENEDICTION…

Alice Coltrane — “Hari Narayan” — World Spirituality Classics 1: The Ecstatic Music of Alice Coltrane

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Pictured: Hasil Adkins.

Frederick heard Lyle smother a soft laugh but he would not share it. Lyle was invulnerable, but the stranger, like himself, was not, no matter how desperately she pretended. All these guests were Lyle’s people, a success clique; there was nothing about them he liked, understood or even cared to understand. The half-a-minute revelation of the young outsider showed that she belonged with him, never with them. She was on the outside and always would be. He was sorry for her, for wanting something she could never name, and for that painful moment of doubt in her own beauty. He watched her trying to recover her saucy confidence, lighting a cigarette with lips curved in mocking, jaunty smile, eyelids lowered to hide the torment of envy they might betray.

— Dawn Addams, The Locusts Have No King.

LISTEN TO EPISODE 405 OF NO CONDITION IS PERMANENT:

DOWNLOAD EPISODE 405 OF NO CONDITION IS PERMANENT BY CLICKING ON THE THREE DOTS /\

Here’s what we played in Ep. 405 of No Condition Is Permanent:

FIRST SLICE O’SCHEIßE…

The Persuaders — “Hold On (Just a Little Bit Longer)” — Crème de la Crème: Philly Soul Classics & Rarities

Bola Johnson — “Lagos Sisi” — Man No Die

The Krontjong Devils — “Our Favorite Martian” — Romp Out With The Krontjong Devils EP

Sevis & Ayla — “Irgat” — Turkish Freakout 2: Psych-Folk 1970-1978

Pink Floyd — “Candy and a Currant Bun” — The First 3 Singles

Keith Hudson — “Barrabas Dub” — Brand

Paul Gayten — “Hot Cross Burns” — Sound of Detroit 2: Original Gems from The Motown Vaults

Carol Kim — “Cái Trâm Em Cài (Your Hair Clip)” — Saigon Rock & Soul: Vietnamese Classic Tracks 1968-1974

IT’S MADISON TIME…

Funkadelic — “Sexy Ways” — Standing on the Verge of Getting It On

SECOND SLICE O’SCHEIßE…

Pintura Roja — “Yo Soy La Cumbia” — Chicha Popular: Love & Social Political Songs from Discos Horoscopo 1977-1987

The Truth — “Hey Gyp (Dig the Slowness)” — British Mod Sounds Vol. 2: The Freakbeat and Psych Years

Malavoi — “Nou Pé Pa Kimbé” — Mano Césaire Et La Formation Malavoi (La Naissance De La World Music Antillaise En 1969)

Joe Lee — “Hang-Out” — Fernwood 45rpm

Hany Mehanna — “Ayni Betrif” — Music for Airplanes: A Collection of Instrumental Showpieces and Scores for Egyptian Films and TV-Series 1973-1980

The Four Tops — “It’s the Same Old Song” — Hitsville USA: The Motown Singles Collection 1959-1971

Anne Mari — “Wild Party” — Nippon Girls 2: Japanese Pop, Beat & Rock’n’roll 1965-70

Was (Not Was) — “Hello Operator” — Antilles / Ze 12″

Inner Circle & The Fatman Riddim Section — “Massacre” — Heavyweight Dub

THIRD SLICE O’SCHEIßE…

Alvin Cash — “Twine Time” — Land Of 1000 Dances Vol. 2

Armand Pascal Lido & L’Ivoiro Star — “Dogbo Zo N’Wene” — Assalam Aleikoum Africa Vol. 1

T. Rex — “Raw Ramp” — Electric Warrior

Chai Mungpon — “Lady With the Big Eyes” — Molam: Thai Country Groove From Isan Vol. 2

The Savages — “The World Ain’t Round, It’s Square” — Teenage Shutdown, Vol. 10: The World Ain’t Round, It’s Square!

Dr. Alimantado — “Conscious Dub” — Kings Bread Dub

Hasil Adkins — “Shake With Me” — Chicken Walk

I Marc 4 — “The Trip” — Nelson Psychout: Original Italian Library Music From The Vaults Of Nelson Records

THE FINAL SLICE O’SCHEIßE…

Tom Verlaine — “The Grip Of Love” — Tom Verlaine

Ry-Co Jazz — “Bonne Annee” — Bon Voyage!! Rhythme-Congolais from Africa Aux Antilles 1963-1977

Jan & Dean — “Summer Means Fun” — Gotta Take That One Last Ride

Lata Mangeshkar — “Inhi Logon Ne” — Golden Voices From The Silver Screen Vol. 1: Classic Indian Film Soundtrack Songs From The TV Series ‘Movie Mahal’

The Velvet Underground — “Rock ‘n’ Roll [live]” — The Bootleg Series Vol. 1: The Quine Tapes

Gussie Clarke & The Revolutionaries — “Bad Company” — Dread at The Controls Dub

LORD BUCKLEY’S WEEKLY BENEDICTION…

Donovan — “Cosmic Wheels” — Cosmic Wheels

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Pictured: Vadou Game.

That wine, the color of slightly burned onions, partaking of Malaga and Port, but with a specially luscious flavor, and an after-taste of grapes dried by fiery suns, had often comforted him, given a new energy to his stomach weakened by the fasts which he was forced to undergo. But this cordial, usually so efficacious, now failed. Then he thought that an emollient might perhaps counteract the fiery pains which were consuming him, and he took out the Nalifka, a Russian liqueur, contained in a bottle frosted with unpolished glass. This unctuous raspberry-flavored syrup also failed. Alas! the time was far off when, enjoying good health, Des Esseintes had ridden to his house in the hot summer days in a sleigh, and there, covered with furs wrapped about his chest, forced himself to shiver, saying, as he listened attentively to the chattering of his teeth: “Ah, how biting this wind is! It is freezing!” Thus he had almost succeeded in convincing himself that it was cold. Unfortunately, such remedies as these had failed of their purpose ever since his sickness became vital.

With all this, he was unable to make use of laudanum: instead of allaying the pain, this sedative irritated him even to the degree of depriving him of rest. At one time he had endeavored to procure visions through opium and hashish, but these two substances had led to vomitings and intense nervous disturbances. He had instantly been forced to give up the idea of taking them, and without the aid of these coarse stimulants, demand of his brain alone to transport him into the land of dreams, far, far from life.

— J.-K. Huysmans, Against Nature.

LISTEN TO EPISODE 404 OF NO CONDITION IS PERMANENT:

DOWNLOAD EPISODE 404 OF NO CONDITION IS PERMANENT BY CLICKING ON THE THREE DOTS /\

Here’s what we played in Ep. 404 of No Condition Is Permanent:

FIRST SLICE O’SCHEIßE…

The Modulations — “Love At Last” — It’s Rough Out Here

Jo Tongo — “Jangolo” — African Funk Experimentals (1968-1982 + 2017)

The Rockin’ Continentals — “2-3-4” — Strummin’ Mental! Vol. 5

Ray Barretto — “Soul Drummers” — We Got Latin Soul

Mick Softley With The Summer Suns — “Am I The Red One (Alternative Mix)” — A Slight Disturbance In My Mind: The British Proto-Psychedelic Sounds Of 1966

Lee “Scratch” Perry & the Dub Syndicate/Soulettes — “Rub and Squeeze” — Ride Your Donkey

The Sugarplastic — “Skinny Hotrod” — Radio Jejune

IT’S MADISON TIME…

Serge Gainsbourg — “Goodbye Emmanuelle” — Le Cinéma De Serge Gainsbourg

SECOND SLICE O’SCHEIßE…

The Undertones — “Girls Don’t Like It” — The Undertones

Anandji Kalyanji — “Theme From Don” — Bombay The Hard Way: Guns, Cars & Sitars

Sandy Gaye — “Watch the Dog That Bring the Bone” — Beehive Breaks

Willie Songue et Les Showmen — “Moni Ngan” — Cameroon Garage Funk 1964-1979

The Electric Eels — “Jaguar Ride” — Die Electric Eels

Los Saicos — “Camisa de fuerza” — ¡Demolición! The Complete Recordings

Edwin Starr — “Stop Her On The Sight [S.O.S]” — Northern Soul 101 Hits

Ranking Joe — “Rent Man (feat. Black Uhuru)” — Zion High with Black Uhuru & Dennis Brown

Gene Vincent — “Temptation Baby” — The Road Is Rocky

P. Promdan — “Lung Dee Kee Mao” — Thai Pop Spectacular 1960s–1980s

THIRD SLICE O’SCHEIßE…

Maxx Traxx — “Don’t Touch It!” — Maxx Traxx / Third Rail

Gazolinn’ — “Tafia” — Tafia

Small Faces — “(Tell Me) Have You Ever Seen Me” — Small Faces [mono]

Prince Dgibs — “Ogningwe” — Ivory Coast Soul: Afro Funk from Abidjan from 1972 To 1982

The Frantics — “The Whip” — Infamous Instro-Monsters of Rock ‘n’ Roll Vol. 2

Vaudou Game — “Need a Job” — Apiafo

Marvin Gaye — “Running from Love (Version 1 / Edit)” — Funky Nation: The Detroit Instrumentals

Nino Nardini — “Catch That Man [1967]” — Barry 7’s Connectors

THE FINAL SLICE O’SCHEIßE…

Los Ovnis — “Corazón Herido” — Chicha Popular: Love & Social Political Songs From Discos Horoscopo 1977-1987

Pink Floyd — “Vegetable Man” — The Early Years: 1965-1972

Winston Riley — “Man of My Word” — Meditation Dub

The Attack — “Anymore Than I Do” — Decca UK FreakBeat Scene

Fela & Africa 70 — “Who’re You? (Original 45 Version)” — Nigeria Afrobeat Special: The New Explosive Sound in 1970’s Nigeria

Dr. Buzzard’s Original Savannah Band — “Mister Love” — …Meets King Pennett

LORD BUCKLEY’S WEEKLY BENEDICTION…

Ennio Morricone — “Profumo Della Tua Pelle (Ballata per Organo)” — L’Assoluto Naturale OST

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Pictured: Marc Bolan of Tyrannosaurus Rex.

Then came Tyrannosaurus Rex, an acoustic duo featuring [Marc] Bolan and the percussionist Steve Peregrin-Took, but with the former evidently calling all the shots. Perhaps noting that Bolan was less committed to flower power idealism than he was to becoming famous, some areas of London’s hippie counterculture regarded him with a jaundiced eye (“He was a cocky little shit,” complains one underground luminary in Jonathon Green’s definitive oral history of the era, Days in the Life), but the music Tyrannosaurus Rex made was frequently extraordinary. For an acoustic duo with a penchant for whimsy, they seldom sounded laid back: their songs charge along chaotically, fuelled by riffs and an energy closer to early rock’n’roll than folk.

— Alexis Petridis, “Why Marc Bolan Was The Perfect Pop Star,” The Guardian (09/04/20)

LISTEN TO EPISODE 403 OF NO CONDITION IS PERMANENT:

DOWNLOAD EPISODE 403 OF NO CONDITION IS PERMANENT BY CLICKING ON THE THREE DOTS /\

Here’s what we played in Ep. 403 of No Condition Is Permanent:

FIRST SLICE O’SCHEIßE…

The Sisters Love — “Give Me Your Love” — Mojo Club: Dancefloor Jazz Vol. 07 Give Me Your Love

Livy Ekemezie — “Get It Down” — Friday Night

The Velvetones — “Doheny Run” — Sleazy Surf! Vol. 2

Golden Ring — “Bar Ay Dokhtar Ha” — Raks Raks Raks: 27 Golden Garage Psych Nuggets From The Iranian 60s Scene

The Montanas — “That’s When Happiness Begins” — Paisley Pop: Pye Psych (& Other Colors) 1966-1969

The Prophets — “Concord” — Loch Ness Monster

The Paley Brothers — “Too Good To Be True” — The Paley Brothers

Juan “El Matematico” — “La Hey Del Hielo” — Classicos Del Rock & Roll Mexicano

IT’S MADISON TIME…

The Falcons — “Nightmare” — Devils, Monsters, Witches, Cobras, Zombies, Nightmares and Other Bad Luck

SECOND SLICE O’SCHEIßE…

Tono y sus Sicodelicos — “Las Hojas Secas” — Mr. Boogaloo

Three Aces & A Joker — “Booze Party” — Sin Alley Vol. 2

Unknown Artist — “Unknown Title” — Cambodian Swing Machine

Mott the Hoople — “You Really Got Me” — Mott the Hoople

Pierre Didy Tchakounte — “Ma Fou Fou” — Cameroon Garage Funk 1964-1979

The Detroit Cobras — “Laughing at You” — Life, Love and Leaving

Inner Circle & The Fatman Riddim Section — “Too Much War” — Heavyweight Dub

Sonny Steveson — “Bessie Lou” — Dangerous Doo-Wop 4

Afrosound — “Banana de Queso” — Carruseles

Gene LaMarr — “That Crazy Little House On The Hill” — Wild Streak Vol. 2

THIRD SLICE O’SCHEIßE…

Brigth Engelberts and the B.E. Movement — “Get Together” — Booniay!! A Compilation of West African Funk

Curtis Knight and The Squires — “U.F.O.” — Curtis Knight and The Squires Vol. 2: Studio

Ahmed Malek — “Un Autre Complot” — Musique Originale De Films: Deuxième Tome

Masters Of Reality — “High Noon Amsterdam” — Deep In The Hole

The Revolution of St. Vincent — “The Little You Say” — Calypsoul 70: Caribbean Soul & Calypso Crossover 1969-1979

Quartette Tres Bien — “Boss Tres Bien” — Boss Tres Bien

Les Gypsies De Pétion-Ville — “Deception” — Haiti

THE FINAL SLICE O’SCHEIßE…

Aural Exciters — “Paradise” — Spooks In Space

Pamelo Mounk’a — “Ca ne se prête pas” — No. 1 Africain

The Velvet Underground — “Andy’s Chest” — VU

Ali Hassan Kuban — “Ya Nubiyyah” — Walk Like A Nubian

Tyrannosaurus Rex — “Elemental Child” — A Beard Of Stars

LORD BUCKLEY’S WEEKLY BENEDICTION…

Prince Far-I — “Psalm 95” — Psalms For I

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Pictured: The Nite-Liters.

When Robert Beck [a.k.a. Iceberg Slim] was released from prison for the last time in April 1962, he vowed to leave the pimp game behind him forever. Most of the pimps he once knew had either died or become drunken bums. His pimp mentor of many years, Albert “Baby” Bell, had walked over to Chicago’s Washington Park one day and shot himself in the temple, leaving a note that read: “Good-bye squares! Kiss my pimping ass!”¹ Beck did not want to suffer the same fate. He was past forty now, practically a senior citizen for a pimp. He had blown his bottom woman, and he no longer possessed the necessary finery for luring young victims. “I was caught in the nightmare bind that an older pimp faces past the age of thirty-five,” Beck reflected. “He is then prone to many setbacks and disasters. Any one of them can put him on his uppers and without the basic gaudy bait, like an out-of-sight car, psychedelic wardrobe, the diamonds necessary to hook and enslave a fresh stable of humping young whores.”

— Justin Gifford, Street Poison: The Biography of Iceberg Slim

LISTEN TO EPISODE 402 OF NO CONDITION IS PERMANENT:

DOWNLOAD EPISODE 402 OF NO CONDITION IS PERMANENT BY CLICKING ON THE THREE DOTS /\

Here’s what we played in Ep. 402 of No Condition Is Permanent:

FIRST SLICE O’SCHEIßE…

Zebra — “Simple Song” — AOTN 45rpm

Ice — “Racubah” — Darkest Light: The Best Of Lafayette Afro Rock Band

The Centures — “4th Dimension” — Strummin’ Mental! Part 2: Raw, Crude, Instrumental R&R!

Adnan Othman — “Doa Ku” — Bersyukor: A Retrospective of Hits by a Malaysian Pop Yeh Yeh Legend

Richard Lloyd — “(I Thought) You Wanted to Know” — Ork Records: New York, New York

Grupo Los Yoyi — “Paco La Calle” — Yoyi

Johnny Knight — “Rock And Roll Guitar” — Sin Alley Vol. 2

The Nitty Gritty Sextet — “Papel De Bambú” — The Nitty Gritty Sextet

IT’S MADISON TIME…

The Nite-Liters — “Afro-Strut” — RCA 45rpm

SECOND SLICE O’SCHEIßE…

Orchestre Negro Succes — “Talisman” — Succes Des Orchestres Du Congo/Zaire Des Années ‘60/’70

The Tarantulas — “Tarantula” — Atlantic ‘61/’62 Gems from the Vaults: Up On The Roof

Neli — “Ki Blood” — Khana Khana: Funk, Psychedelia And Pop From The Iranian Pre-Revolution Generation

Doctor Mix And The Remix — “I Can’t Control Myself (Version)” — Rough Trade 45rpm

Bill Doggett — “Stop That Twistin’ In Here” — Walk On The Wild Side: The Jazz Side Of Mod

Eiko Shuri — “Yé-Yé” — Nippon Girls 1: Japanese Pop, Beat & Bossa Nova 1966-70

Ford Hopkins — “Ya Fine Fine Fine” — Greasy Rock ‘N’ Roll Vol. 6

Inner Circle & The Fatman Riddim Section — “Fidel At The Control” — Heavyweight Dub

The “5” Royales — “Do the Cha Cha Cherry” — Monkey Hips and Rice: The “5” Royales Anthology

THIRD SLICE O’SCHEIßE…

Willie Colon — “Che Che Cole” — Fania Records 1964-1980: The Original Sound of Latin New York

The Cramps — “Cramp Stomp” — Big Beat From Badsville

Akido — “Psychedelic Baby” — Akido

Wire — “Question Of Degree” — Chairs Missing

Harry Mudie Meets King Tubby’s — “Nineteen Love In Dub” — Dub Conference Vol. 3

The Soft Boys — “I Wanna Destroy You” — Underwater Moonlight

Mario Ortiz & His All Star Band Con Paquito Alvarez — “Tras Tres Tragos” — ¡Saoco! Vol. 2: Bomba, Plena & the Roots of Salsa in Puerto Rico 1955-1967

The Mariners — “Zindy Lou” — Cadence 45rpm

THE FINAL SLICE O’SCHEIßE…

Wganda Kenya — “Tamba” — Homenaje A Los Embajadores

Billy Mitchell — “You Know I Do” — Jay-Gee Rock & Roll Party Vol. 1

Linval Thompson — “Rastafari Dub” — Strong Like Samson Dub

The Barracudas — “Saturn” — Sleazy Surf! Vol. 1

Los Zafiros — “Cuando Yo La Conoci” — Los Zafiros Story

The Stooges — “I Wanna Be Your Dog” — The Stooges

Adnan Othman — “Kau Ku Chari” — Bersyukor: A Retrospective of Hits by a Malaysian Pop Yeh Yeh Legend

James Brown & The Famous Flames — “Good Good Lovin’” — Soul Uprising: 50 Early Soul & R&B Nuggets

LORD BUCKLEY’S WEEKLY BENEDICTION…

Wha-ha-ha — “Nojari” — Getahaitekonakucha

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