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Pictured: John Cale.
After the commercial failure of Vintage Violence and Church of Anthrax, I figured that I wouldn’t mess around with rock and roll any more, that I would do straight classical music. Yet the first thing I did when I went into the studio was put down a song called ‘King Harry’ which is sort of reggae — I love that music. Anyway, there is rock and roll on The Academy in Peril, but I don’t know where it stands. It has three rock and roll pieces: ‘King Harry’, ‘Days of Steam’, and ‘The Philosopher’. Ron Wood played slide guitar on ‘The Philosopher’. I really dove into this album and tried to approach it the same way I had approached the Nico albums, with a lot of overdubbing. This took a long time.
— John Cale & Victor Bockris, What’s Welsh for Zen
Here’s what we played in Ep. 461 of No Condition Is Permanent:
The Commodores — “Slippery When Wet” — Caught In The Act
Ephraim Uzomechina Nzeka — “Zombie” — African Disco: Deep Disco From 1970’s Africa
The Huaraches — “Breakfast of Challengers” — Curl Up With The Huaraches
Dara Puspita — “Pip Pip Yeah” — 1966-1968
Split Rivitt — “Soul Limbo” — Time! Gentlemen! Pub Rock Rhythm ‘N’ Grooves: Classic Cuts and Rarities 1974-1982
U‐Roy — “Back Stabbing” — The Lost Album — Right Time Rockers
LaVern Baker — “Voodoo Voodoo” — Mod: The Early Years Vol. 1
Grupo Atlantic — “Mi Vida Es Para Ti” — Sonideras Peruanas: Cumbias & Guarachas Limpias
IT’S MADISON TIME…

The Cramps — “God Monster” — Big Beat From Badsville
Morphine — “Test-Tube Baby / Shoot’m Down” — Good
The Law & The Sandy — “Paradise In Bangkok” — Thai Beat A Go Go Vol. 3: Groovy 60’s Sounds from the Land of Smile!
Mickey Hawks And The Night Raiders — “Screamin’ Mimi Jeanie” — Profile 45rpm
Ebo Taylor & Apagya Showband — “Tamfo Nyi Ekyir” — Life Stories: Highlife & Afrobeat Classics 1973-1980
Carl Henderson — “That Girl” — Eccentric Northern Soul
Gregory Isaacs — “Set the Captives Free” — Soon Forward
The Detroit Cobras — “Right Around the Corner” — Life, Love and Leaving
Malavoi — “A Si Paré” — Le Meilleur de Malavoi
The Yardbirds — “I Ain’t Done Wrong” — Ultimate!
The Oriental Brothers International — “Tax Drive” — Afro Psych: Journeys Into Psychedelic Africa 1972 – 1977
The Equals — “Baby Come Back” — Greatest Hits
Nisar Bazmi & Runa Laila — “Oh My Darling” — Disco Dildar
Wynonie Harris — “Sittin’ on It All the Time” — Bloodshot Eyes: King Records Best Of 1947-1955
Dennis Bovell — “Zion Dubb” — Dub 4 Daze
Marvin Gaye — “’T’ Plays It Cool” — Trouble Man: 40th Anniversary Expanded Edition
Captain Beefheart & The Magic Band — “Clear Spot” — Clear Spot
Los Kintos — “Kintos Instrumental” — Gózalo! Bugalu Tropical Vol. 4
Andre Williams — “Going Down To Tijuana” — Mr. Rhythm
Meridian Brothers — “Delirio” — Los Suicidas
The Spiders — “A-1 In My Heart” — Rumba Doowop ’56
Nyboma & Les Kamalé Dynamiques du Zaïre — “Mama Yo” — Pepe
Zu Zu Blues Band — “Zu Zu Man” — A&M 45rpm
Tommy McCook & The Agrovators — “King Tubby Dub” — King Tubby Meets The Agrovators at Dub Station

LORD BUCKLEY’S WEEKLY BENEDICTION…
John Cale — “The Philosopher” — The Academy In Peril

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Pictured: Slinger Francisco, a.k.a. The Mighty Sparrow.
He loved the flash, style, and humor of the Black players and valued them highly as “running partners” and customers. In his speech, dress, and body movements Eddie imitated the Black manner and was good enough at it to be accepted by the players as a “crazy dude,” a “bad motherfucker” who had “plenty, plenty, plenty soul.” He ran the place as he damn well pleased, which invariably led to trouble with the police.
Eddie was committed to partying and “acting crazy” as a way of life. Attempts by other club owners to get him to “clean up his place” (translation: “get rid of the niggers”) were greeted by him with total contempt. He antagonized police, other club owners, and anyone else he considered “square,” and reveled in his own defiant stance. After two in the morning, when bars are supposed to be clear of patrons, he would lock the door, draw the curtains, and party with the players, laughing, loud-talking, snorting cocaine, and serving drinks after hours. When he particularly felt like letting off steam he would take out one of two pistols he kept for the purpose and blast a few holes in the wall. After a few years, the wall panels were thoroughly perforated.
— Richard & Christina Miller, Black Players: The Secret World of Black Pimps.
Here’s what we played in Ep. 460 of No Condition Is Permanent:
Tavares — “It Only Takes A Minute” — In The City
Mad Man Jaga — “Hankuri” — Nigeria Afrobeat Special: The New Explosive Sound in 1970’s Nigeria
Link Wray And The Raymen — “Ace Of Spades (Alternate Take)” — Mr. Guitar
Kanong Krung — “Teungjai Bunpraruksa” — Thai? Dai!: The Heavier Side of the Luk Thung Underground
Peppy Prince — “Work, Man Work” — Heartattack! 1954-1965 Wild & Crazy L.A. R&B, Vol. 2
The Carltons — “Better Days” — Lee ‘Scratch’ Perry Presents Better Days: The Jamaican Upsetter Singles 1971 Chapter II
The Neon Boys — “That’s All I Know (Right Now)” — Shake To Date
IT’S MADISON TIME…

Chocolate Fudge Express — “Down the Line” — Turf 45rpm
Ricardo Marrero & the Group — “Babalonia” — Welcome to the Party
Hasil Adkins — “Let’s Slop Tonight” — Chicken Walk
U-Roy — “Rock For I” — African Roots
Small Faces — “The Journey” — Ogdens’ Nut Gone Flake
Dur-Dur Band — “Dooyo” — Volume 5
Tommy Smith Jr. Trio — “Cold Slaw” — Las Vegas Grind! Volume 6
Amor Indio — “Amor Indio” — Chicha for the Jet Set
Anita Ward — “Ring My Bell (Single Version)” — Songs of Love
Ros Sereysothea, Sinn Sisamouth And Friends — “Please Tell Me How Much You Love Me” — Cambodian Psych-Out
Damn Sam the Miracle Man and the Soul Congregation — “Smash” — Damn Sam the Miracle Man and the Soul Congregation
Tabou Combo — “Dans La Vie” — Haïti
The Para-Monts — “Come Go with Me” — Basement Beehive: The Girl Group Underground
Mighty Sparrow — “Sell The Pussy” — Volume Two
Mary Ann Fisher — “Wild As You Can Be” — Rock’n Roll Dance Party Volume Two
The Peace — “This Is The Time Now” — Black Power
The Gap Band — “Bad Girl” — Magicians Holiday
Errol Brown & The Revolutionaries — “Trinity In Dub” — Medley Dub
Flat Duo Jets — “Theme” — Introducing Flat Duo Jets
K. Frimpong & His Cubano Fiestas — “Awisa” — K. Frimpong & His Cubano Fiestas
Suicide (Alan Vega and Martin Rev) — “Fast Money Music” — Suicide (Second Album)
Jay Mitchell — “Funky Fever” — Cult Cargo: Grand Bahama Goombay
Red Prysock — “2 Point 8” — Handclappin’ Foot Stompin’ Rock N’ Roll: 30 Booting Platters from the King of the Honking Tenor Sax 54-59
Ennio Morricone — “Punto e Basta” — Ad Ogni Costo (Grand Slam) OST

LORD BUCKLEY’S WEEKLY BENEDICTION…
Flo & Eddie — “Come To My Rescue Webelos” — Columbia 45rpm

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Pictured: Fairport Convention.
…As Dave Swarbrick, fiddle player with Fairport Convention, observed in the mid-1970s: ‘If you’re singing about a bloke having his head chopped off, or a girl fucking her brother and having a baby and the brother getting pissed off and cutting her guts open and stamping on the baby and killing his sister – now that’s a fantastic story by any standards, whether told in a pub or on Broadway. Having to work with a storyline like that with acoustic instruments wouldn’t be half as powerful or potent, dramatically, as saying the same things electrically. Because when you deal with violence, when you deal with someone slashing with a sword, say, there are sounds that exist electrically – with electric bass, say – that can very explicitly suggest what the words are saying.’
— Rob Young, Electric Eden: Unearthing Britain’s Visionary Music.
Here’s what we played in Ep. 459 of No Condition Is Permanent:
Eddie Kendricks — “Hooked On Your Love” — Boogie Down
De Frank Jr. — “Chicken” — Akwaba Abidjan: Afrofunk in 1970s Ivory Coast
The Torquays — “Twitchin’” — A Date With …
Mavi Işıklar — “Aşk Çiçeği” — Turkish Delights: Ultrarities from Beyond the Sea of Marmara
The Nobletones — “Calypso Baby” — Twistin’ Rumble Vol. Ten
Afrosound — “Cachucha Bacana” — La Danza de los Mirlos
Tobi Lark — “True True Love” — Dave Hamilton’s Detroit Dancers Vol. 3
Hopeton Lewis — “Live It Up” — Soul Power ’68
Student Teachers — “Channel 13” — Ork Records: New York, New York
IT’S MADISON TIME…

Alex Puddu — “Lesbian Lovers” — The Golden Age of Danish Pornography Vol. 3
New York Dolls — “Looking For A Kiss” — New York Dolls
Ahmed Malek — “Les Vacances De L’Inspecteur Tahar” — Musique Originale De Films
The Jinx — “Come On Up” — Fort Worth Teen Scene Vol. 1
Ekambi Brillant — “Aboki (Mon Compain)” — African Funk Experimentals 1975 – 1982
The 5 Shades — “Sherlock Jones” — R&B Humdingers 10: Twenty Greasy Groovers
Errol Brown & The Revolutionaries — “Super Tracks” — Dub Expression
Amnesty — “Love Fades” — Free Your Mind: The 700 West Sessions
Mike Ibrahim & The Nite Walkers — “Senyum Selalu” — Steam Kodok : 26 A-Go-Go Ultrarities from the 60’s Singapore & Southeast Asia Underground
Ron Thompson His Rowdy Guitar And The Brougham’s — “Switchblade” — Soma 45rpm
Hemant Bhole — “Sansani Khez Koi Baat” — Bollywood Bloodbath
The Ribbons — “Ain’t Gonna Kiss Ya” — The Golden Age Of American Rock ‘N’ Roll Vol. 5
Papa Wemba — “Mukaji Wanyi” — Papa Wemba
Little Esther — “Cherry Wine” — R&B Hipshakers Vol. 4: Bossa Nova and Grits
Malavoi — “Bakoua” — Malavoi
Fairport Convention — “Time Will Show The Wiser” — Middle Earth: The Soundtrack of London’s Legendary Psychedelic Club 1967-1969
Dennis Bovell — “Dub Affair” — Dub 4 Daze
Lela Martin & The Soul Providers — “You Can’t Have Your Cake (And Eat It Too)” — Melatone 45rpm
Tono y sus Sicodelicos — “Mr. Boogaloo” — Mr. Boogaloo
Tom Verlaine — “Breakin’ In My Heart” — Tom Verlaine
Franco & Le TPOK Jazz — “Pesa Position Na Yo” — Francophonic Vol. 2: 1980-1989
The Rolling Stones — “Ride On, Baby [mono]” — Flowers
King Tubby & The Upsetter — “People From The Grass Root” — King Tubby Meets The Upsetter At The Grass Roots Of Dub

LORD BUCKLEY’S WEEKLY BENEDICTION…
Beverly Washburn — “Everybody Loves Saturday Night” — Growin’ Up Too Fast: The Girl Group Anthology

Grab a Lee-Roy branded squeezable skull stress ball HERE.

Get your CHARMING DEVIATIONIST lapel pin (& Purple Bat Lounge membership card) HERE.


Pictured: Fela Aníkúlápó Kuti.
Saturday, when Fela presented his ”Comprehensive Show” complete with the Egypt 80 dancers and an enormous, ritual conical “cigar” presumably filled with marijuana and various native herbs, was also mainly a dance night, with the most diverse audience of the week; listeners traveled from all over Lagos and beyond to enjoy the music. For some attendees, a visit to the Shrine, with its marijuana smoking, go-go dancers, and anti-government lyrics, was an act of social rebellion in itself. Others came to engage, examine, or debate Fela’s political philosophy. Still other visitors were content merely to enjoy the music, irrespective of its political sentiments. Each show concluded at dawn with Fela pausing before the shrine in the rear of the building. With intense flames leaping into the air, the “Chief Priest of Shrine” paused flanked by two young male attendants to salute his ancestors and Pan-Africanist heroes, before returning home as the rest of Lagos awakened with the dawn.
— Michael E. Veal, Fela: The Life and Times of an African Musical Icon.
Here’s what we played in Ep. 458 of No Condition Is Permanent:
First Choice — “Armed & Extremely Dangerous” — Philly Freedom: 70s Dance Floor Anthems From The City Of Brotherly Love
The Ogyatanaa Show Band — “Disco Africa” — Ghana Soundz Vol. 2: Afro-Beat, Funk and Fusion in 70’s Ghana
Laika & The Cosmonauts — “A Night In Tunisia” — Zero Gravity
Azam Shaik — “Naam Ke Nawab / Dance Music” — Early Pakistani Dance Music Vol. 1 (From Original 7″ Soundtracks 1967-1975)
The Chuck Miller Trio — “Hopahula Boogie” — Dr. Boogie Presents Bear Traces: Nugget’s From Bob’s Barn
Jackie Mittoo — “30-60-90” — Impact! Rare And Unreleased Reggae, Funk & Soul From The Vaults Of Impact! and Randy’s Records
Pace Makers — “Travelin’ Time” — Clock 45rpm
Pan Ron — “Don’t Speak” — Dengue Fever presents Electric Cambodia
IT’S MADISON TIME…

Daniele Patucchi — “Orgia Al Castello” — Library of Sound Grooves: Erotic Vibrations & Bossa Moods from the Italian Cinema (1966-1973)
Bobby Williams — “Let’s Jam” — Funky Super Fly
Los Belkings — “Let Me” — Instrumental Waves (1966 – 1973)
Morphine — “Thursday” — Cure For Pain
The Nitty Gritty Sextet — “Dixie’s Mambo” — The Nitty Gritty Sextet
Jerry Green — “I Finally Found The Love I Need” — Personal Space: Electronic Soul 1974-1984
The Agrovators — “Dunza Dub” — Kaya Dub
Silvertones — “Get It” — Mad Mike Monsters: A Tribute To Mad Mike Petrovich Vol. 1
Los Darts — “Pregunto” — Sons Of Yma: A Collection of Peruvian Garage and Instrumental Bands from the ‘60s!
Eloise Laws — “Tighten Him Up” —Backbeats: Detroit Gold – ‘70s Soul Grooves From The Motor City
Malavoi feat. Paolo Rosine — “Tout’ Je Pa Je” — Le Meilleur de Malavoi
Fleetwood Mac — “Coming Your Way” — Then Play On
Adnan Othman — “Berlenggang” — Bersyukor: A Retrospective of Hits by a Malaysian Pop Yeh Yeh Legend
Brown Bombers & Soul Partners — “Just Fun” — All Night Long: Northern Soul Floor Fillers
Dave Robinson — “My Homeland (Extended)” — Junior Byles & Friends: 129 Beat Street Ja-Man Special 1975-1978
The Selective Service — “Green Onions” — Main Line 45rpm
Swingin’ Stars Orchestra — “Jam Jam” — Sofrito 45rpm
Blue Stars — “I Can Take It” — Decca UK FreakBeat Scene
I-Roy & The Ebony Sisters — “Let Me Tell You Boy” — Quad Star Revolution 1
The Ontarios — “Lover’s Mambo” — Ai! Si! Si!: Mambo & Latin Flavoured Rhythm & Blues
Fela Kuti — “Buy Africa” — Fela’s London Scene
The Sonics — “Have Love Will Travel” — Here Are The Sonics!!!
Zia — “Kofriam” — Pomegranates: Persian Pop, Funk and Psych of the 60’s and 70’s

LORD BUCKLEY’S WEEKLY BENEDICTION…
Frank Ifield — “I Remember You” — The Best of Frank Ifield

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Pictured: The late Terry Reid.
The hall was filling and I was beginning to wonder if I’d find a place to sit when Michael Lydon came over with two tickets down front, stage left. We found our places in the press of youth, some in little pullover sweaters, some hairy mountain freaks, all seeming gentle. The Bob Dylan song on the public address system ended, a fraternity-brother voice boomed Welcome and introduced the first act, Terry Reid, one week shy of his twenty-first birthday, who looked gentler than anybody. Though he never arrived, Terry and his trio had been for the past year or so the coming thing in English blues. But his act seemed not to move this crowd, who may not have known that English blues bands were supposed to play and scream as loud as possible. Knees pressing into my back, a girl in a sorority blazer sat beside a boy with short, neat hair and a tan sports jacket. I was seated on the aisle; to my right were three pretty girls in three sizes, each with dark hair and dark eyes.
As Terry screamed “I Got a Woman,” the girls, Spanish-blooded, told me they were sisters: one fourteen, one twenty, and as Terry, with one blue spot on him and his flat-top guitar, introduced a song called “Bunch Up, Little Dogies,” the third sister, too cute to be a minute over seventeen, a little guerrilla in the battle to see who will wear a crown, came to my side, and I began to see what the tour was about. When we are young, innocent, and ignorant, and we look and smell good, all that is required is a little rhythm—what could be more revolutionary, more troublemaking, than bringing rhythm to the scent of the classroom? We looked at each other, our heads, our hair touching in the crowd, and clasped hands, her skin soft as you might expect, nearly any seventeen-year-old is soft, but not every one is so serious and quiet.
— Stanley Booth, The True Adventures of the Rolling Stones.
Here’s what we played in Ep. 457 of No Condition Is Permanent:
Love Unlimited Orchestra — “Bring It On Up” — The Best of Barry White’s Love Unlimited Orchestra
C.S. Crew — “Love Is Peace” — Funky Pack
The Surfers — “Widget” — Surf Guitars Rumble Vol. 1
Waiphot Phetsuphan — “Mia Chaa (My Darling)” — Thai Beat A Go Go Vol. 2: Groovy 60’s Sounds from the Land of Smile!
Jimmy Myers & Tex Regan — “Pretty Baby Rock” — Ultra Rare Fortune & Hi-Q
Hany Mehanna — “Less Al Thulatha” — Music for Airplanes: A Collection of Instrumental Showpieces and Scores for Egyptian Films and TV-Series 1973-1980
M. Frog ( a.k.a. Jean Yves Labat) — “We Are Crazy (Instrumental Version)” — M. Frog
IT’S MADISON TIME…

The Combinations — “ Voodoo” — Carrie 45rpm
Derrick Harriott — “Brown Baby” — Soul Jazz Records presents Disco Reggae Rockers
Eddie Bo & The Soul Finders — “Hook and Sling” — Gettin’ Soulful
Ray & His Court — “Lo Sabia” — Cookie Crumbs: A Funk Anthology
The A-Bones — “Button Nose” — The Life Of Riley
African Fiesta , Nico , Rochereau — “Bisengo Na Capitale” — Makila Eyina Nzoto
Roger Ruskin Spear — “My Goodness How (Or The Revolutionar New Concrete Mixer Show)” — Unusual
Les Vikings D’haïti — “Mariella” — Cé Pas Magie
Pere Ubu — “Moss Covered Boondoggle” — Trouble On Big Beat Street
Lloyd & Glen — “Mini-Skirt & Go Go Boots” — Work Your Soul: Jamaican 60s & Northern 1966-74
Jury — “Who Dat?” — Nuggets II: Original Artyfacts From The British Empire & Beyond 1964-1969
Combo Los Galleros — “Tabaco Mascao” — Cumbia Cumbia 2: La Epoca Dorada de Cumbias Colombianas
The Skeletons — “Crazy Country Hop” — Rockin’ Bones
Saied Khalifa — “Igd Allooli (The Pearl Necklace)” — Two Niles To Sing A Melody: The Violins & Synths Of Sudan
Brother JT — “T. Rex Blues” — The Svelteness of Boogietude
King Tubby & Augustus Pablo — “King Tubby’s Borderline Dub” — Dub Chill Out
The Express — “Wastin’ My Time” — Fuzz-Tone Shakedown
Rob — “More” — Funky Rob Way
The Rialtos — “Like Thunder” — Beat From Badsville Vol. 2
Majid Soula — “Ay Iheqqiyen” — Chant Amazigh
NRBQ — “I Want You Bad” — …At Yankee Stadium
Dr. Alimantado — “I Shall Fear No Evil” — Best Dressed Chicken In Town
Captain Beefheart & The Magic Band — “Suzy Murder Wrist” — The Spotlight Kid Outtakes
Sadistic Mika Band — “Picnic Boogie” — Sadistic Mika Band

LORD BUCKLEY’S WEEKLY BENEDICTION…
Terry Reid — “Stay With Me Baby” — Terry Reid

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Pictured: Kishore Kumar.
The Hindi film industry aspired to the dazzle and glamour of Hollywood, but its antecedents lay elsewhere, in epic Hindu pageantry, where tales of misbehaving gods would be interrupted by intervals of singing and dancing that had little to do with the story. In what came to be known as Bollywood, they’d hit the ‘pause’ button on the plot line a half-dozen times during a film and treat the audience to a lavish production number with actors lip-synching voices clearly not their own. From the start in the 1940s, Hindi film music had always been a hodge-podge: Bengali and Punjabi folk tunes backed by lush Hollywood strings with jazz (take another bow, Benny Goodman), Latin, country & western, surf guitar and the Twist all thrown in over the years and delivered with a vague nod in the direction of India’s own classical traditions. Over time, Western beats began crowding out local rhythms. On Bombay sound stages, writers, actors, directors, composers and musicians from all regions and religions collaborated in the construction of a cultural behemoth that, with its powerful blend of familiar and foreign (mostly US) styles, slowly suffocated local folk music.
— Joe Boyd, And the Roots of Rhythm Remain: A Journey Through Global Music.
Here’s what we played in Ep. 456 of No Condition Is Permanent:
Bettye Swann — “When The Game Is Played On You” — Crème De La Crème Two: More Philly Soul Classics And Rarities From The Vaults Of Atlantic, Atco And Warner Bros. Records 1970-1980
Joe Kemfa & Aura — “Jungle Magic Music” — Jungle Juice
The Original Surfaris — “Surfari” — Bombora!
Charif Megarbane — “The Invisible Cut” — Hawalat = حوالات
The Raves — “Mother Nature” — Beyond The Calico Wall
Charanjit Singh — “Yahan Nahin Kahoongi” — Instrumental Film Tunes
The Seeds — “No Escape” — Raw & Alive
Errol Brown — “Stealing Version (aka Thief in the Night Version)” — The Treasure Dub Albums Collection
IT’S MADISON TIME…

Messer Chups — “Christopher Lee vs. Bruce Lee” — Spook-O-Rama
5 Gentlemen — “LSD 25 Ou Les Métamorphoses De Margaret Steinway” — Riviera 45rpm
The Rhythm Rockers — “Teenagers’ Party” — Desperate Rock ‘N’ Roll Vol. 14
Winston Edwards — “Big Daddy Amin” — Natty Locks Dub
Buzzcocks — “Breakdown” — Spiral Scratch EP
Kalyanji & Anandji feat. Anand Prayag & Chorus — “Pretty Pretty Priya” — Bombshell Baby Of Bombay
The Undertones — “True Confessions (Keyboard Version)” — The Undertones
Fumaça Preta — “Toda Pessoa” — Fumaça Preta
The Dore Strings — “Gone With The Wind Is My Love” — Double Cookin’: Classic Northern Soul Instrumentals
Ali Hassan Kuban — “Maria-Maria” — Nubian Magic
Detroit Sex Machines — “The Funky Crawl” — Soul Fire Box Set
Mike Ibrahim & The Nite Walkers — “Chock Chock Kundong” — Steam Kodok : 26 A-Go-Go Ultrarities from the 60’s Singapore & Southeast Asia Underground
The Kinks — “You Shouldn’t Be Sad” — Kinda Kinks [mono]
The Golden Ring حلقهطلایی — “Tulips” — Iranian Styled 60’S Garage & Other Exotic Sounds
Jimmy Castor Bunch — “TR-7” — Maximum Stimulation
Ralph Robles — “Taking Over” — We Got Latin Soul
The Only Ones — “Lovers Of Today” — Vengeance 45rpm
Debra Keese & The Black Five — “Travelling” — The Black Ark Years: The Jamaican 7”s
Rosco Gordon — “Tummer Tee” — Stompin’ 29
Dennis Bovell — “Train To Dubville” — Wise Music In Dub
Talking Heads — “Found a Job” — More Songs About Buildings and Food
Pamelo Mounk’a — “Affaires de Coeur” — Propulsion!
Ike Turner & His Kings of Rhythm — “Doublemint” — Ike’s Instrumentals
Kishore Kumar — “Aaya Sanam Aaya Deewana Tera” — Charas Babu
Mike Heron — “Warm Heart Pastry” — Smiling Men With Bad Reputations

LORD BUCKLEY’S WEEKLY BENEDICTION…
Latin Playboys — “Manifold de Amour” — Latin Playboys

Grab a Lee-Roy branded squeezable skull stress ball HERE.

Get your CHARMING DEVIATIONIST lapel pin (& Purple Bat Lounge membership card) HERE.


Pictured: Wynonie Harris & band.
We know that rock ‘n’ roll was not a human invention, that it was the work of the Holy Ghost. When, in an article called “Women Won’t Leave Me Alone,” published in the October 1954 issue of Tan, Wynonie Harris bragged that he “started the present vogue of ‘rocking’ blues tunes,” he failed to mention the Holy Ghost, who had chosen Harris to serve him in his work. But Wynonie Harris was like that. Not even the Holy Ghost Hisself was safe from the unmoving sword of Harris’s arrogance.
…Eight years later, when I was trying to ascertain how old Wynonie Harris had been when he died, Ralph Bass advised, “Whatever age he was when he died, just double it. That’s the way that motherfucker lived. Every minute, every blessed minute.” Those are good closing words; but better still are those words with which Wynonie Harris closed that story he wrote on the eve of his descent into oblivion: “I don’t mix the Lord with the Devil. They are the two I’m most afraid of. As long as I’m with the Devil, I’m going to shake him down for everything, every dime I can get.”
— Nick Tosches, “Wynonie Harris: The Man Who Shook Down The Devil” from Unsung Heroes of Rock’n’Roll.
Here’s what we played in Ep. 455 of No Condition Is Permanent:
The Isley Brothers — “People Of Today” — Harvest For The World
Jo Tongo — “Stand Up Now” — Sa Discossa
The Majestics — “Big Noise At Makaha” — The Surf Creature Vol. 3
Wulomei — “Takoradi” — Edna Martinez Presents Picó: Sound System Culture From The Colombian Caribbean
The Sorrows — “Ypotron” — Looking Back: Mod, Freakbeat & Swinging London Nuggets
The Aggrovators — “Channel One Feel It” — Jackpot 45rpm
The Cocktail Cabinet — “Breathalyser” — Instro-Hipsters a Go-Go! Vol.1
IT’S MADISON TIME…

Fantastic Epic’s — “Fun & Funk Part II” — Tories 45rpm
Pedro Jairo Garces — “Fajardo’s Charanga” — The Afrosound Of Colombia Vol. 3
James Holloway — “A La Carte” — Las Vegas Grind! Vol. 1
Lloydie Slim & The Agrovators — “Dub Wise (Mr. Lee)” — Roots from the Record Smith In Dub
Public Image Ltd. — “Attack” — First Issue
Napo De Mi Amor — “Kissakpiou” — Togo Soul 2
Open Mind — “Magic Potion” — Nuggets II: Original Artyfacts From The British Empire & Beyond 1964-1969
Terry & The Bunnys — “Black Carnation” — Now It’s Eleki Time
Eddie Hazel — “Unkut Funk” — Jams From The Heart EP
Sinn Sisamouth, Ros Serey Sothea, Pan Ron & Dara Chom Chan — “Maok Pi Naok (Where Are You From?)” — Cambodian Rocks
The Aquatones — “She’s The One For Me” — Dangerous Doo-Wop 4
Los Belkings — “Séptima Patrulla” — Instrumental Waves
Captain Beefheart & the Magic Band — “Dirty Blue Gene” — Doc at the Radar Station
Judy Teng — “Looking For Love” — Taiwan & Singapore Disco
Roxy Music — “Angel Eyes” — Manifesto
The Aay Jays — “Mizra Ki Dhun” — Pakistan: Folk And Pop Instrumentals 1966-1976
Wynonie Harris — “Good Morning Judge” — Jump Mr. Blues 1945-1950
Antibalas Afrobeat Orchestra — “Che Che Cole” — Government Magic
4″ Be 2” — “Ummbaba” — Island 12” 45rpm
The Upsetters — “Tedious Dub” — Police & Thieves
Flat Duo Jets — “Torpedo” — Introducing Flat Duo Jets
Pamelo Mounk’a & les Bantous de la Capitale — “Nora Mensah D’Adjame” — Pamelo Mounk’a & les Bantous de la Capitale
The Velvet Underground — “I Heard Her Call My Name” — White Light/White Heat [Mono Version]

LORD BUCKLEY’S WEEKLY BENEDICTION…
Ennio Morricone — “L’ Assoluto Naturale” — L’ Assoluto Naturale OST

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Pictured: Mark Volman & Howard Kaylan (a.k.a. The Phlorescent Leech & Eddie).
[Former Turtles vocalists] Mark [Volman] and Howard [Kaylan] had known [Frank] Zappa for years – the Turtles had appeared on the same bill with the Mothers at the Trip and the Whisky and they saw the Mothers play the Garrick on several occasions and visited Frank at the Charles Street apartment in New York. Jim Pons, bass player with the Turtles (also shortly to join the Mothers) was a friend of [Zappa’s wife] Gail’s from her pre-Zappa days on the Strip. Not only that, but Kaylan was Herb Cohen’s cousin. Herb gave them tickets for the Zubin Mehta concert and afterwards they went backstage. Zappa told them: ‘I’m putting a new band of Mothers together. We’re going to go to Europe . . . we’re gonna play a bunch of shows and then we’re gonna make a movie. Are you interested?’ For Mark and Howard it was a brilliant solution to their problems.
Mark Volman said at the time: ‘We bring a lot of commerciality to the Mothers and Frank brings us a lot of jump-off points for heavy satire.’ Mark and Howard sang their own hits on stage and parodied them as part of Frank’s show – a remarkably unselfish contribution considering the Turtles had six US Top 20 hits between 1965 and 1969, including Dylan’s ‘It Ain’t Me Babe’ and their biggest ‘Happy Together’, while Zappa had none. Frank clearly relished the fact that on the inside sleeve of Freak Out! he had quoted the Turtles’ manager Reb Foster saying: ‘I’d like to clean you boys up a bit and mould you. I believe that I could make you as big as the Turtles.’ Now he had the Turtles in his band – no doubt a further example of what Zappa called ‘conceptual continuity.’
— Barry Miles, Frank Zappa.
Here’s what we played in Ep. 454 of No Condition Is Permanent:
Eddie Kendricks — “Chains” — He’s A Friend
Grotto — “Wait No Hurry” — Wait No Hurry
Messer Chups — “Sparking Blood” — Spook-O-Rama
Haramiler — “Çamlıca Yolunda” — Turkish Delights
The Drivers — “Smooth, Slow & Easy” — Rumba Doowop ’56
The Versatiles with Gibson’s All Stars — “Push It In” — Explosive Rock Steady
Frankie St. John & The Starfires — “She’s Long And Tall” — Boston Rockabilly Vol. 2
Ray Barretto — “Together” — El Barrio: The Ultimate Collection Of Latin Boogaloo, Disco, Funk & Soul
The Triumphs — “Burnt Biscuits” — 75 MODern Sounds
IT’S MADISON TIME…

Igo Kantor — “Cherry & Raquel” — Russ Meyer’s: Good Morning… And Goodbye! / Cherry, Harry & Raquel / Mondo Topless OST
Hamad Kalkaba — “Astadjam Dada Saré” — Hamad Kalkaba And The Golden Sounds 1974-1975
The Imps — “Uh Oh” — The Roots Of Psychobilly
Abelardo Carbonó — “Quiero a Mi Gente” — El Maravilloso Mundo de…
Nelson Riddle — “Route 66 Theme” — Route 66 & Other TV Themes
Chirai Chaiyata, Sawanee Pattana — “You Should Die By Bullets” — Thai Funk – ZudRangMa
The Who — “Mary Anne With The Shaky Hands” — The Who Sell Out [Mono Version]
Joseíto Mateo — “Ahora Sí Hay Melao” — Mambo Calypso
The Bystanders — “Yellow, Mellow Hardtop” — Savvy Sugar: The Pure Essence Of West Coast Rock & Roll
Pier’ Rosier & Gazolinn’ — “Jou Male Pani” — Déchiré
Bunker Hill — “The Girl Can’t Dance” — Lookey Dookey!
The Black Cats — “Sueno Magico” — Ayahuasca: Cumbias Psicodélicas Vol. 1
The Girlfriends — “My One and Only, Jimmy Boy” — Phil’s Spectre Vol. 3: Third Wall of Soundalikes
Sapan Jagmohan — “Sote Sote Adhi Rat” — Bollywood Bloodbath: The B-Music of the Indian Horror Film Industry
The Electric Banana — “Walking Down The Street” — Blows Your Mind
Skin, Flesh & Bones — “Skin Dub” — Dub In Blood
Speedy West & Jimmy Bryant — “Swinging’ on the Strings” — Swingin’ on the Strings: The Speedy West & Jimmy Bryant Collection Vol. 2
Afro National — “Jokenge” — African Experimentals (1972-1979)
Andre Williams & His Orchestra — “Soul Groove” — Rib Tips & Pig Snoots : Rare & Unreleased Au-Go-Go Soul, 1965-1971
Los Holy’s — “Holy’s Psicodelicos” — Back To Peru Vol. 1: The Most Complete Compilation of Peruvian Underground ’64-’74
Bappi Lahari — “Everybody Dance With Me” — Psych Funk Sa-Re-Ga!
The Phlorescent Leech & Eddie — “I Been Born Again” — The Phlorescent Leech & Eddie
Manu Dibango — “African Battle” — Africafunk: The Original Sound Of 1970’s Funky Africa
Larry Williams & Johnny Watson — “Nobody” — Two For The Price Of One
Gregory Isaacs — “Crofs” — Slum In Dub
Was (Not Was) — “Wheel Me Out” — Ze 12” 45rpm
Graham De Wilde — “Export International Jingle 1” — International Business (KPM Library)

LORD BUCKLEY’S WEEKLY BENEDICTION…
Black Sabbath — “Supertzar” — Sabotage

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Pictured: Haruomi Hosono.
[Tengo] went home, went to bed, and dreamed. He hadn’t had such a vivid dream in a very long time. He was a tiny piece in a gigantic puzzle. But instead of having one fixed shape, his shape kept changing. And so—of course—he couldn’t fit anywhere. As he tried to sort out where he belonged, he was also given a set amount of time to gather the scattered pages of the timpani section of a score. A strong wind swept the pages in all directions. He went around picking up one page at a time. He had to check the page numbers and arrange them in order as his body changed shape like an amoeba. The situation was out of control. Eventually Fuka-Eri came along and grabbed his left hand. Tengo’s shape stopped changing. The wind suddenly died and stopped scattering the pages of the score. “What a relief!” Tengo thought, but in that instant his time began to run out. “This is the end,” Fuka-Eri informed him in a whisper. One sentence, as always. Time stopped, and the world ended. The earth ground slowly to a halt, and all sound and light vanished.
When he woke up the next day, the world was still there, and things were already moving forward, like the great karmic wheel of Indian mythology that kills every living thing in its path.
— Haruki Murakami, 1Q84.
Here’s what we played in Ep. 453 of No Condition Is Permanent:
O’Jays — “Put Your Hands Together” — Love Train: The Sound of Philadelphia
Sookie — “Choco Date” — African Disco Experimentals (1974 to 1978)
The Intrepides — “Golash” — The Surf Creature
Claudio y su Combo — “Como Sea” — Edna Martinez Presents Picó: Sound System Culture From The Colombian Caribbean
Misty Bonner — “I Can’t Sit Still” — Atlanta 45rpm
Pat Kelly — “Workman Song” — Trojan Mod Reggae Box Set Vol. 2
Muvva ‘Guitar’ Hubbard — “Congo Mombo” — Dr. Boogie Presents Bear Traces: Nugget’s From Bob’s Barn
Charif Megarbane — “Chou Ostak” — Hawalat = حوالات
MC5 — “The Pledge Song” — Power Trip
IT’S MADISON TIME…

Dave Dee, Dozy, Beaky, Mick & Tich — “Hold Tight” — Fontana 45rpm
The Action 13 — “More Bread to the People” — Nigeria Rock Special: Psychedelic Afro-Rock & Fuzz Funk in 1970s Nigeria
Moe Koffman Quartet — “Koko Mamey” — Jubilee 45rpm
Farrokzhad — “Avazekhan Na Avaz” — Sedayeh Del: Funk, Psychedelia And Pop From The Iranian Pre-Revolution Generation
Cannibal & The Headhunters — “Land Of 1000 Dances” — Land Of 1000 Dances
El Combo Cienaguero — “Fiesta De Cueros” — Cumbia Cumbia Cumbia!!! Vol. 2
The Only Ones — “Trouble In The World” — Baby’s Got A Gun
Malavoi — “Ti Nain L’en Morue” — Mano Césaire Et La Formation Malavoi: La Naissance De La World Music Antillaise En 1969
The Egyptians — “Party Stomp” — Las Vegas Grind! Vol. 4
Bunny Lee & The Aggrovators — “Shalin Temple Dub” — Super Dub Disco Style
Coati Mundi — “Que Pasa / Me No Pop I (12′ Mix)” — Ze/Island 12” 45rpm
Magazine — “Shot By Both Sides” — Virgin 45rpm
Erkin Koray — “Sevdigim” — Mechul: Singles & Rarities
The Modern Lovers — “Dignified & Old” — The Modern Lovers
African Stone ( a.k.a. Dennis Bovell) — “Choose Me (12″ Mix)” — The Dubmaster: The Essential Anthology
Fleetwood Mac — “Tell Me All The Things You Do” — Kiln House
The Latin Quarters — “Mira Mira” — Red Bird 45rpm
San Remo Golden Strings — “Get Ready” — A Cellarful of Motown! Vol. 3
Jo Tongo — “Dig It Babe (Part 2)” — African Funk Experimentals (1968-1982)
Pink Floyd — “Arnold Layne” — The First 3 Singles
The Techniques — “Gambling” — Techniques In Dub
Young-Holt Unlimited — “Wack Wack” — The Definitive Young-Holt Unlimited

LORD BUCKLEY’S WEEKLY BENEDICTION…
Haruomi Hosono & Tadanori Yokoo — “Hum Ghar Sajan” — Cochin Moon

Grab a Lee-Roy branded squeezable skull stress ball HERE.

Get your CHARMING DEVIATIONIST lapel pin (& Purple Bat Lounge membership card) HERE.


Pictured: Les Shupa Shupa D’Haiti.
…Eighteenth-century Haiti became a hellish outpost, marked by avarice, brutality and White fear at being so outnumbered. It was also a pleasure-loving land where younger sons sent off to make their fortunes tried to recreate the château life of home. Decadence requires a soundtrack, and African musicians were pressed into service to play the English ‘country dances’ (contredanses) that were so popular with the French aristocracy. The history of popular music sparkles with styles born out of failed attempts at mimicry. Brits trying to play American rock ’n’ roll created something fresh, as did Jamaicans imitating New Orleans rhythm and blues, to name but the most obvious and recent of countless examples. In providing the music for French dances, Africans in Haiti planted the seeds of what we now call ‘Latin music’.
— Joe Boyd, And the Roots of Rhythm Remain: A Journey Through Global Music.
Here’s what we played in Ep. 452 of No Condition Is Permanent:
Terry Collins — “Action Speaks Louder (Than Words)” — Crème De La Crème Two: More Philly Soul Classics And Rarities From The Vaults Of Atlantic, Atco And Warner Bros. Records 1970-1980
Brigth Engelberts And The B.E. Movement — “Get Together” — Tolambo Funk
The Huaraches — “Three Up, Three Down” — Curl Up With The Huaraches
Atomic Forest — “Mary Long” — Psych Funk Sa-Re-Ga!
Milk ‘n’ Cookies — “Tinkertoy Tomorrow” — Milk ‘n’ Cookies
Combo Los Galleros — “Suena La Timba” — Cumbia Cumbia Cumbia!!! Vol. 1
Broncs — “TKO” — Cleveland Confidential
Emy Jackson & Blue Comets — “Namida No Go Go” — Nippon Girls 2: Japanese Pop, Beat & Rock’n’roll 1965-70
Lorrie And Larry Collins — “Whistle Bait” — Wild Streak Vol. 2
IT’S MADISON TIME…

John Cale — “Chicken Shit” — Animal Justice EP
The Ogyatanaa Show Band — “Ageisheka” — Ghana Soundz: Afro-Beat, Funk & Fusion In ’70s Ghana
The Saints — “No Time” — (I’m) Stranded
Errol Brown & The Revolutionaries — “The Gun Court Dub” — Dub Expression
Morphine — “Honey White” — Yes
Tono y sus Sicodelicos — “La Peinadora” — Mr. Boogaloo
Sonics Band — “Second Avenue” — Beehive Breaks
Les Shupa Shupa D’Haiti — “Baterie Shupa” — Disques Debs International: Volume 1
Laika & the Cosmonauts — “The Avengers” — Laika Sex Machine
Trio Select — “Qui Li Bois” — Plein Caille
Reigning Sound — “Stormy Weather” — Time Bomb High School
Los Kintos — “Linda Rosita” — Los Kintos, Vol 3
Wire — “Map Ref. 41ºN 93ºW” — Nine Sevens
Joseph Kamga — “Sie Tcheu” — Cameroon Garage Funk 1964 – 1979
Dobie Gray — “Out On The Floor” — Move On Up: The Very Best Of Northern Soul
Joe Gibbs & The Professionals — “Angolian Chant” — African Dub All-Mighty Chapter 3
The King’s Ransom — “Shame” — Teenage Shutdown, Vol. 9: Teen Jangler Blowout!
Franco & Orchestra OK Jazz (feat. Sam Mangwana) — “Où Est Le Sérieux?” — Classic Titles aka African Classics
The Feelies — “Everybody’s Got Something to Hide Except Me and My Monkey” — Rewind
Ros Serey Sothea — “Jam 10 Kai Thiet (Wait 10 More Months)” — Cambodian Rocks
Split System — “On The Edge” — Split System 45rpm
Los Megatones De Lucho — “Yo Se Que Tú” — Color de Trópico Vol. 3
Ohio Players — “Streakin’ Cheek To Cheek” — Skin Tight

LORD BUCKLEY’S WEEKLY BENEDICTION…
Bunny Wailer — “Dream Land” — DubD’sco Vol. 1

Grab a Lee-Roy branded squeezable skull stress ball HERE.

Get your CHARMING DEVIATIONIST lapel pin (& Purple Bat Lounge membership card) HERE.









"The compensation for the loss of innocence, of simplicity, of unselfconscious energy, is the classic moment... It's there on record. You can play it any time."
- George Melly, Revolt Into Style
"Reciprovocation ees the spites of life, M'sieur"
- Mlle. Hepzibah, Pogo


