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Pictured: Mark Volman & Howard Kaylan (a.k.a. The Phlorescent Leech & Eddie).
[Former Turtles vocalists] Mark [Volman] and Howard [Kaylan] had known [Frank] Zappa for years – the Turtles had appeared on the same bill with the Mothers at the Trip and the Whisky and they saw the Mothers play the Garrick on several occasions and visited Frank at the Charles Street apartment in New York. Jim Pons, bass player with the Turtles (also shortly to join the Mothers) was a friend of [Zappa’s wife] Gail’s from her pre-Zappa days on the Strip. Not only that, but Kaylan was Herb Cohen’s cousin. Herb gave them tickets for the Zubin Mehta concert and afterwards they went backstage. Zappa told them: ‘I’m putting a new band of Mothers together. We’re going to go to Europe . . . we’re gonna play a bunch of shows and then we’re gonna make a movie. Are you interested?’ For Mark and Howard it was a brilliant solution to their problems.
Mark Volman said at the time: ‘We bring a lot of commerciality to the Mothers and Frank brings us a lot of jump-off points for heavy satire.’ Mark and Howard sang their own hits on stage and parodied them as part of Frank’s show – a remarkably unselfish contribution considering the Turtles had six US Top 20 hits between 1965 and 1969, including Dylan’s ‘It Ain’t Me Babe’ and their biggest ‘Happy Together’, while Zappa had none. Frank clearly relished the fact that on the inside sleeve of Freak Out! he had quoted the Turtles’ manager Reb Foster saying: ‘I’d like to clean you boys up a bit and mould you. I believe that I could make you as big as the Turtles.’ Now he had the Turtles in his band – no doubt a further example of what Zappa called ‘conceptual continuity.’
— Barry Miles, Frank Zappa.
Here’s what we played in Ep. 454 of No Condition Is Permanent:
Eddie Kendricks — “Chains” — He’s A Friend
Grotto — “Wait No Hurry” — Wait No Hurry
Messer Chups — “Sparking Blood” — Spook-O-Rama
Haramiler — “Çamlıca Yolunda” — Turkish Delights
The Drivers — “Smooth, Slow & Easy” — Rumba Doowop ’56
The Versatiles with Gibson’s All Stars — “Push It In” — Explosive Rock Steady
Frankie St. John & The Starfires — “She’s Long And Tall” — Boston Rockabilly Vol. 2
Ray Barretto — “Together” — El Barrio: The Ultimate Collection Of Latin Boogaloo, Disco, Funk & Soul
The Triumphs — “Burnt Biscuits” — 75 MODern Sounds
IT’S MADISON TIME…

Igo Kantor — “Cherry & Raquel” — Russ Meyer’s: Good Morning… And Goodbye! / Cherry, Harry & Raquel / Mondo Topless OST
Hamad Kalkaba — “Astadjam Dada Saré” — Hamad Kalkaba And The Golden Sounds 1974-1975
The Imps — “Uh Oh” — The Roots Of Psychobilly
Abelardo Carbonó — “Quiero a Mi Gente” — El Maravilloso Mundo de…
Nelson Riddle — “Route 66 Theme” — Route 66 & Other TV Themes
Chirai Chaiyata, Sawanee Pattana — “You Should Die By Bullets” — Thai Funk – ZudRangMa
The Who — “Mary Anne With The Shaky Hands” — The Who Sell Out [Mono Version]
Joseíto Mateo — “Ahora Sí Hay Melao” — Mambo Calypso
The Bystanders — “Yellow, Mellow Hardtop” — Savvy Sugar: The Pure Essence Of West Coast Rock & Roll
Pier’ Rosier & Gazolinn’ — “Jou Male Pani” — Déchiré
Bunker Hill — “The Girl Can’t Dance” — Lookey Dookey!
The Black Cats — “Sueno Magico” — Ayahuasca: Cumbias Psicodélicas Vol. 1
The Girlfriends — “My One and Only, Jimmy Boy” — Phil’s Spectre Vol. 3: Third Wall of Soundalikes
Sapan Jagmohan — “Sote Sote Adhi Rat” — Bollywood Bloodbath: The B-Music of the Indian Horror Film Industry
The Electric Banana — “Walking Down The Street” — Blows Your Mind
Skin, Flesh & Bones — “Skin Dub” — Dub In Blood
Speedy West & Jimmy Bryant — “Swinging’ on the Strings” — Swingin’ on the Strings: The Speedy West & Jimmy Bryant Collection Vol. 2
Afro National — “Jokenge” — African Experimentals (1972-1979)
Andre Williams & His Orchestra — “Soul Groove” — Rib Tips & Pig Snoots : Rare & Unreleased Au-Go-Go Soul, 1965-1971
Los Holy’s — “Holy’s Psicodelicos” — Back To Peru Vol. 1: The Most Complete Compilation of Peruvian Underground ’64-’74
Bappi Lahari — “Everybody Dance With Me” — Psych Funk Sa-Re-Ga!
The Phlorescent Leech & Eddie — “I Been Born Again” — The Phlorescent Leech & Eddie
Manu Dibango — “African Battle” — Africafunk: The Original Sound Of 1970’s Funky Africa
Larry Williams & Johnny Watson — “Nobody” — Two For The Price Of One
Gregory Isaacs — “Crofs” — Slum In Dub
Was (Not Was) — “Wheel Me Out” — Ze 12” 45rpm
Graham De Wilde — “Export International Jingle 1” — International Business (KPM Library)

LORD BUCKLEY’S WEEKLY BENEDICTION…
Black Sabbath — “Supertzar” — Sabotage

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Pictured: Haruomi Hosono.
[Tengo] went home, went to bed, and dreamed. He hadn’t had such a vivid dream in a very long time. He was a tiny piece in a gigantic puzzle. But instead of having one fixed shape, his shape kept changing. And so—of course—he couldn’t fit anywhere. As he tried to sort out where he belonged, he was also given a set amount of time to gather the scattered pages of the timpani section of a score. A strong wind swept the pages in all directions. He went around picking up one page at a time. He had to check the page numbers and arrange them in order as his body changed shape like an amoeba. The situation was out of control. Eventually Fuka-Eri came along and grabbed his left hand. Tengo’s shape stopped changing. The wind suddenly died and stopped scattering the pages of the score. “What a relief!” Tengo thought, but in that instant his time began to run out. “This is the end,” Fuka-Eri informed him in a whisper. One sentence, as always. Time stopped, and the world ended. The earth ground slowly to a halt, and all sound and light vanished.
When he woke up the next day, the world was still there, and things were already moving forward, like the great karmic wheel of Indian mythology that kills every living thing in its path.
— Haruki Murakami, 1Q84.
Here’s what we played in Ep. 453 of No Condition Is Permanent:
O’Jays — “Put Your Hands Together” — Love Train: The Sound of Philadelphia
Sookie — “Choco Date” — African Disco Experimentals (1974 to 1978)
The Intrepides — “Golash” — The Surf Creature
Claudio y su Combo — “Como Sea” — Edna Martinez Presents Picó: Sound System Culture From The Colombian Caribbean
Misty Bonner — “I Can’t Sit Still” — Atlanta 45rpm
Pat Kelly — “Workman Song” — Trojan Mod Reggae Box Set Vol. 2
Muvva ‘Guitar’ Hubbard — “Congo Mombo” — Dr. Boogie Presents Bear Traces: Nugget’s From Bob’s Barn
Charif Megarbane — “Chou Ostak” — Hawalat = حوالات
MC5 — “The Pledge Song” — Power Trip
IT’S MADISON TIME…

Dave Dee, Dozy, Beaky, Mick & Tich — “Hold Tight” — Fontana 45rpm
The Action 13 — “More Bread to the People” — Nigeria Rock Special: Psychedelic Afro-Rock & Fuzz Funk in 1970s Nigeria
Moe Koffman Quartet — “Koko Mamey” — Jubilee 45rpm
Farrokzhad — “Avazekhan Na Avaz” — Sedayeh Del: Funk, Psychedelia And Pop From The Iranian Pre-Revolution Generation
Cannibal & The Headhunters — “Land Of 1000 Dances” — Land Of 1000 Dances
El Combo Cienaguero — “Fiesta De Cueros” — Cumbia Cumbia Cumbia!!! Vol. 2
The Only Ones — “Trouble In The World” — Baby’s Got A Gun
Malavoi — “Ti Nain L’en Morue” — Mano Césaire Et La Formation Malavoi: La Naissance De La World Music Antillaise En 1969
The Egyptians — “Party Stomp” — Las Vegas Grind! Vol. 4
Bunny Lee & The Aggrovators — “Shalin Temple Dub” — Super Dub Disco Style
Coati Mundi — “Que Pasa / Me No Pop I (12′ Mix)” — Ze/Island 12” 45rpm
Magazine — “Shot By Both Sides” — Virgin 45rpm
Erkin Koray — “Sevdigim” — Mechul: Singles & Rarities
The Modern Lovers — “Dignified & Old” — The Modern Lovers
African Stone ( a.k.a. Dennis Bovell) — “Choose Me (12″ Mix)” — The Dubmaster: The Essential Anthology
Fleetwood Mac — “Tell Me All The Things You Do” — Kiln House
The Latin Quarters — “Mira Mira” — Red Bird 45rpm
San Remo Golden Strings — “Get Ready” — A Cellarful of Motown! Vol. 3
Jo Tongo — “Dig It Babe (Part 2)” — African Funk Experimentals (1968-1982)
Pink Floyd — “Arnold Layne” — The First 3 Singles
The Techniques — “Gambling” — Techniques In Dub
Young-Holt Unlimited — “Wack Wack” — The Definitive Young-Holt Unlimited

LORD BUCKLEY’S WEEKLY BENEDICTION…
Haruomi Hosono & Tadanori Yokoo — “Hum Ghar Sajan” — Cochin Moon

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Pictured: Les Shupa Shupa D’Haiti.
…Eighteenth-century Haiti became a hellish outpost, marked by avarice, brutality and White fear at being so outnumbered. It was also a pleasure-loving land where younger sons sent off to make their fortunes tried to recreate the château life of home. Decadence requires a soundtrack, and African musicians were pressed into service to play the English ‘country dances’ (contredanses) that were so popular with the French aristocracy. The history of popular music sparkles with styles born out of failed attempts at mimicry. Brits trying to play American rock ’n’ roll created something fresh, as did Jamaicans imitating New Orleans rhythm and blues, to name but the most obvious and recent of countless examples. In providing the music for French dances, Africans in Haiti planted the seeds of what we now call ‘Latin music’.
— Joe Boyd, And the Roots of Rhythm Remain: A Journey Through Global Music.
Here’s what we played in Ep. 452 of No Condition Is Permanent:
Terry Collins — “Action Speaks Louder (Than Words)” — Crème De La Crème Two: More Philly Soul Classics And Rarities From The Vaults Of Atlantic, Atco And Warner Bros. Records 1970-1980
Brigth Engelberts And The B.E. Movement — “Get Together” — Tolambo Funk
The Huaraches — “Three Up, Three Down” — Curl Up With The Huaraches
Atomic Forest — “Mary Long” — Psych Funk Sa-Re-Ga!
Milk ‘n’ Cookies — “Tinkertoy Tomorrow” — Milk ‘n’ Cookies
Combo Los Galleros — “Suena La Timba” — Cumbia Cumbia Cumbia!!! Vol. 1
Broncs — “TKO” — Cleveland Confidential
Emy Jackson & Blue Comets — “Namida No Go Go” — Nippon Girls 2: Japanese Pop, Beat & Rock’n’roll 1965-70
Lorrie And Larry Collins — “Whistle Bait” — Wild Streak Vol. 2
IT’S MADISON TIME…

John Cale — “Chicken Shit” — Animal Justice EP
The Ogyatanaa Show Band — “Ageisheka” — Ghana Soundz: Afro-Beat, Funk & Fusion In ’70s Ghana
The Saints — “No Time” — (I’m) Stranded
Errol Brown & The Revolutionaries — “The Gun Court Dub” — Dub Expression
Morphine — “Honey White” — Yes
Tono y sus Sicodelicos — “La Peinadora” — Mr. Boogaloo
Sonics Band — “Second Avenue” — Beehive Breaks
Les Shupa Shupa D’Haiti — “Baterie Shupa” — Disques Debs International: Volume 1
Laika & the Cosmonauts — “The Avengers” — Laika Sex Machine
Trio Select — “Qui Li Bois” — Plein Caille
Reigning Sound — “Stormy Weather” — Time Bomb High School
Los Kintos — “Linda Rosita” — Los Kintos, Vol 3
Wire — “Map Ref. 41ºN 93ºW” — Nine Sevens
Joseph Kamga — “Sie Tcheu” — Cameroon Garage Funk 1964 – 1979
Dobie Gray — “Out On The Floor” — Move On Up: The Very Best Of Northern Soul
Joe Gibbs & The Professionals — “Angolian Chant” — African Dub All-Mighty Chapter 3
The King’s Ransom — “Shame” — Teenage Shutdown, Vol. 9: Teen Jangler Blowout!
Franco & Orchestra OK Jazz (feat. Sam Mangwana) — “Où Est Le Sérieux?” — Classic Titles aka African Classics
The Feelies — “Everybody’s Got Something to Hide Except Me and My Monkey” — Rewind
Ros Serey Sothea — “Jam 10 Kai Thiet (Wait 10 More Months)” — Cambodian Rocks
Split System — “On The Edge” — Split System 45rpm
Los Megatones De Lucho — “Yo Se Que Tú” — Color de Trópico Vol. 3
Ohio Players — “Streakin’ Cheek To Cheek” — Skin Tight

LORD BUCKLEY’S WEEKLY BENEDICTION…
Bunny Wailer — “Dream Land” — DubD’sco Vol. 1

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Pictured: Cleveland’s Easter Monkeys.
“People mistakenly saw us as a punk band,” says [Easter Monkeys singer Chris] Yarmock, whose Tremont apartment is lined with the kind of voodoo masks, plastic monsters and movie paraphernalia you could see on a late-night horror host set. “But we were a psychedelic jazz band that loved all kinds of music and everything Ghoulardi.”
— John Petcovic, Cleveland Plain Dealer 4/3/10
Here’s what we played in Ep. 451 of No Condition Is Permanent:
Bobby Williams — “Anybody Can Be A Nobody (It Takes A Lot Of Heart To Be Somebody)” — Anybody Can Be A Nobody
Marijata — “Break Through” — Afro-Beat Airways: West African Shock Waves (Ghana & Togo 1972-78)
Wadadli Riders — “Hurricane Season” — Made In Antigua
The Yardbrooms — “My Desire” — Trojan Mod Reggae Box Set Vol. 2
Alma Cogan — “Snakes And Snails” — Dream Babes Vol. 1: Am I Dreaming
Cumbia Machuca — “Cumbia De Los Bee Gees” — Super Disco Pirata: De Tepito Para El Mundo 1965-1980
The Gun Club — “Black Train” — Fire of Love
Omar Khorshid — “Linda Linda” — Live In Australia 1981
IT’S MADISON TIME…

The Group — “Bummer” — Something Weird Greatest Hits
Charanjit Singh — “Manje Re” — Bollywood Steel Guitar
The Majestics — “Riding By” — Chanson 45rpm
Eric Virgal — “Stanislas” — Disques Debs International Vol. 1
Reebop Kwaku Baah — “Kye Kye Kule” — Reebop
The Pop Group — “Words Disobey Me” — Y In Dub
Sonido Gallo Negro — “Inca-A-Delic” — Sendero Mistico
The Vel-Vets — “Gotta Find Me Somebody” — Move On Up: The Very Best Of Northern Soul
Mudies All Stars — “Let Me Tell You Boy (Dub)” — Quad Star Revolution 1
Timmy Thomas — “Have Some Boogaloo” — Let’s Do The Boogaloo
Grupo Los Yoyi — “Yo, Mejor Te Doy” — Yoyi
Unnatural Funk Band — “Strange Happenings” — Cavern / Numero 45rpm
Baris Manco — “Kucuk Bir Gece Muzigi” — Dunden Bugune…
Jimmy Page — “She Just Satisfies” — Box of Pin-Ups
Aniceto Y Sus Fabulosos — “Mi Gran Noche” — Cumbia Beat Vol.1
Rhythm Machine — “Everybody’s Chippin’” — Rhythm Machine
Tappa Zukie & Prince Philip Smart — “Dub M.P.L.A.” — Tappa Zukie In Dub aka Tapper Zukie in Dub
The Pretty Things — “Honey I Need” — The EP Collection…Plus
Sangthong Seesai — “Old Karma” — Thai Funk ZudRangMa Vol. 2
Our Plastic Dream — “A Little Bit Of Shangrila” — Point Me At The Sky: 15 Flashbacks to the Golden Age of British Psych
Gabo Brown & Orchestre Poly-Rythmo — “It’s A Vanity” — African Scream Contest
Easter Monkeys — “Cheap Heroin” — Cleveland Confidential
The Aggrovators — “A Ruffer Version” — Johnny In The Echo Chamber: Dubwise Selection 1975-1976
Funkadelic — “Whole Lot Of BS” — Maggot Brain
Baligh Hamdi — “Bambah” — Instrumental Modal Pop of 1970’s Egypt

LORD BUCKLEY’S WEEKLY BENEDICTION…
Ron Geesin & Ivor Cutler — “Psychedelia” — A Raise of Eyebrows

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Pictured: Pamelo Mounk’a.
…A flight to Brussels followed by a day or two of recording became a rite of passage for Congolese groups. They’d return home with one copy of the tape (often containing as many as twenty songs) for the local pressing plant, while the Belgians went into action with another, shipping singles to every corner of Africa south of the Sahara and north of apartheid. Congolese groups weren’t just streets ahead of the rest of Africa in musical sophistication, but also in terms of business and logistics. Across the sixties and seventies, tours would follow the vinyl in wider and wider loops, eventually reaching the West Indies, Europe and Japan. Some musicians and composers would even become wealthy, controlling their own master recordings and joining Belgian or French authors’ societies. Congolese music grew into a behemoth, a paragon of the successful exploitation of a home-grown product created by a nation and its people. Music, however, was about the only thing that went well for the new Congo.
— Joe Boyd, And The Roots of Rhythm Remain: A Journey Through Global Music
Here’s what we played in Ep. 450 of No Condition Is Permanent:
Michael Jackson — “Get On The Floor” — Off The Wall
Segun Robert — “Big Race” — Brand New Wayo: Funk, Fast times, & Nigerian Boogie Badness 1979–1983
Al Casey — “Surfin’ Blues (Part 2)” — Jivin’ Around
Adnan Othman — “Mari Ka-Laut” — Bersyukor: A Retrospective of Hits by a Malaysian Pop Yeh Yeh Legend
The Aardvarks — “I’m Higher Than I’m Down” — Scream Loud!!! The Fenton Records Story
Dennis Bovell — “Smouche” — Heaven 12″ EP
Andy Fairweather Low — “Ain’t No Fun Anymore” — Be Bop ‘N’ Holla
Salma Agha — “Chumma Chumma” — Charas Babu: Inspiring, Colorful and Rare Sounds from India
IT’S MADISON TIME…

Gert Wilden — “Dirty Boy” — Schulmädchen Report: Schoolgirl Report and Other Music from Sexy German Films 1968-1972
Mongo Santamaria — “El Pussy Cat” — MOD… The New Religion: Everybody Dance Now
The A-Bones — “The Bee” — The Life Of Riley
King Tubby — “Perfidia Dub” — Explosive Dub
The Olympics — “Dance By The Light Of The Moon” — West Coast Sock Hop: The Arvee Records Story
Orchestre Poly-Rythmo de Cotonou — “Iya Me Dji Ki Bi Ni” — The Vodoun Effect: Funk And Sato From Benin’s Obscure Labels 1972-1975
Cuby And The Blizzards — “Your Body Not Your Soul” — Nuggets II: Original Artyfacts From The British Empire & Beyond 1964-1969
Koes Plus — “Pent Juri Hati (Heart Stealer)” — Dheg Dheg Plas Vols. 1 & 2
Eddie Kendricks — “Date With The Rain” — People…Hold On
Malavoi — “Ti Nain L’En Morue” — Souvenirs Créoles Celini, Vol. 2 (1964-1978)
Frank Zappa — “Peaches en Regalia (1969 Mono Single Master)” — The Hot Rats Sessions
Setha — “Dteuu” — Thai Pop Spectacular 1960s-1980s
Crabby Appleton — “Go Back” — Crabby Appleton
The Aay Jays — “The Aay Jays Theme” — Pakistan: Folk And Pop Instrumentals 1966-1976
13th Floor Elevators — “Fire Engine (QFPS Version)” — The Psychedelic Sounds of the 13th Floor Elevators [Mono]
Inner Circle & The Fatman Riddim Section — “Unemployment Rock” — Heavyweight Dub
The Stooges — “Real Cool Time” — The Stooges
Santana V. — “Totensamba” — Hồ! #1: Roady Music From Viêtnam
The Soft Boys — “The Queen Of Eyes” — Underwater Moonlight
Los Kenia — “Pal 23” — Ronda del Guaguanco
Split System — “On The Loose” — Split System 45rpm
Pamelo Mounk’a — “Mariaker” — Propulsion!
Wire — “Second Length (Our Swimmer)” — Nine Sevens
Los Reyes 73 — “Adeoey” — Revolucion! Original Cuban Funk Grooves 1967-1978
Thurston Harris — “Purple Stew” — Early Rappers Hipper than Hop the Ancestors of Rap
Ja-Man All Stars — “Half Ounce” — In The Dub Zone
Masters Of Reality — “Gimme Water” — Sunrise On The Sufferbus
Zaenal Combo — “Kaden Sadje” — Padang Moonrise: The Birth of the Modern Indonesian Recording Industry 1955-69

LORD BUCKLEY’S WEEKLY BENEDICTION…
A Band — “Lowly Worm” — Nancy 45rpm

Grab a Lee-Roy branded squeezable skull stress ball HERE.

Get your CHARMING DEVIATIONIST lapel pin (& Purple Bat Lounge membership card) HERE.


Pictured: The late David Thomas, of Pere Ubu.
Punk to [Pere Ubu] was an alien thing. It wasn’t what we were doing. We weren’t doing loud, thrashing, anti-social, adolescent music. We saw ourselves as being more mature than that, more serious than that. We were embarrassed to be associated with the punk movement. We had done that three years earlier, four years earlier. We were doing the same thing in Rocket from the Tombs, but we had passed that stage and I hate to see things regress ’cause we were very serious about pushing music forward. You hate to see things cycle back, which is what they always do.
— David Thomas, Pere Ubu lead vocalist, quoted in Clinton Heylin’s From Velvets to Voidoids: The Birth of American Punk Rock.
Here’s what we played in Ep. 449 of No Condition Is Permanent:
Clyde Brown — “You Call Me Back” — Crème de la Crème: Philly Soul Classics & Rarities
Kris Okotie — “Show Me Your Backside” — Brand New Wayo: Funk, Fast times, & Nigerian Boogie Badness 1979–1983
The Good Guys — “Collision Course” — Boss Drag ’64
Baris Manco — “Derule” — Dunden Bugune…
Pere Ubu — “Love Love Love” — Cloudland
Laurel Aitken — “Haile Selassie” — Rastafari: The Dreads Enter Babylon 1955-83
Jackie Day — “Naughty Boy” — On Top Of The World…The Stafford Story
El Chicano — “Ron Con Con” — Chicano Power! Latin Rock In The USA 1968-1976
IT’S MADISON TIME…

Ennio Morricone — “Money Orgy” — Danger: Diabolik OST
Jimmy Armstrong — “I Believe I’ll Love You” — The Northern Soul of Shrine
St. Vincent’s Latinaires — “Hot Pants I’m Comin’” — Good God! Heavy Funk Covers of James Brown From All Over The World 1968-1974
The Equals — “I Can See But You Don’t Know” — Greatest Hits
Kalyanji-Anandji — “Qurbani (Title Music)” — Bollywood Funk: 15 Funk-Fuelled Grooves From The Bollywood Classics
Roxy Music — “Pyjamarama (Island 45rpm Mix)” — Singles, B-Sides and Alternative Mixes
Grupo Bota — “Solos” — Venezuela 70 Vol. 2 Cosmic Visions Of A Latin American Earth: Venezuelan Experimental Rock In The 70S & Beyond
The Persuasions — “i Could Never Love Another” — Dangerous Doo-Wop 2
Os Bongos — “Kazucuta” — Angola Soundtrack: The Unique Sound of Luanda 1965-1978
The Excels — “Let’s Dance” — I Still Hate CD’s: Norton Records 45 RPM Singles Collection
Dengue Fever — “We Were Gonna” — Escape from Dragon House
The Monks — “Complication” — Black Monk Time
King Tubby, Tommy McCook & The Aggrovators — “King Tubby Dub” — Bunny Lee: Dreads Enter the Gates with Praise, The Mighty Striker Shoots the Hits!
Major Lance — “It’s The Beat” — The Northern Soul Story Vol.1 The Twisted Wheel
Al Massrieen — “Bahebek La” — Habibi Funk 006: Modern Music
Frank Zappa — “Peaches en Regalia (1969 Mono Single Master)” — The Hot Rats Sessions
Tito Puente — “Bien Explicado” — The Complete 78s, Volume 3
The Oddballs — “Rockin’ In The Jungle” — Bug Out Vol. 1
Les Loups Noirs D’Haiti — “Jet Biguine” — Afro Tropical Soundz Vol. 1
The Isley Brothers — “Wild As A Tiger” — R&B Humdingers 4
Joseph Kabasele — “Tika Ndeko Na Yo Te” — Le Grand Kallé: His Life, His Music – Joseph Kabasele And The Creation Of Modern Congolese Music
EW Funktionäre — “Noah” — Eccentric Soul: The Linco Label
Los Reyes 73 — “Adeoey” — Revolucion! Original Cuban Funk Grooves 1967-1978
The Velvet Underground — “I Heard Her Call My Name” — White Light/White Heat ’68 (Mono Version)
The Aggrovators — “Upful & Positive Dread” — Rockers Almighty Dub
The Real Kids — “She’s Alright” — The Real Kids
D’4 Ever — “Mungkir Janji” — Steam Kodok : 26 A-Go-Go Ultrarities from the 60’s Singapore & Southeast Asia Underground
Darlene Love — “Johnny (Please Come Home)” — Phil Spector Wall Of Sound Vol. 6: Rare Masters 2

LORD BUCKLEY’S WEEKLY BENEDICTION…
Sly And The Family Stone — “Hot Fun In The Summertime (Single Master)” — Higher!

Grab a Lee-Roy branded squeezable skull stress ball HERE.

Get your CHARMING DEVIATIONIST lapel pin (& Purple Bat Lounge membership card) HERE.


Pictured: Keith Hudson.
Although it is [King] Tubby, [Lee “Scratch”] Perry and [Augustus] Pablo who have enjoyed by far the highest profile, both at home and abroad, they were by no means the only dub masters…Keith Hudson, the youthful ghetto dentist (no kidding), whose foresight made him one of the first to be seriously interested in recording deejays and who was equally self-assured when it came to dub. His 1972 LP Furnace featured dubs of the regular tracks; then, in 1975, he came with Pick A Dub, an album of remixes of his earlier hits – plus, rather notably, a take on ‘Satta Massa Gana’ – that is up there with King Tubby’s Meets Rockers Uptown, Super Ape and African Dub Chapter Three as one of the supreme heavyweight champion dub sets.
— Lloyd Bradley, Bass Culture: When Reggae Was King.
Here’s what we played in Ep. 448 of No Condition Is Permanent:
The O’Jays — “Back Stabbers” — Back Stabbers
The Sweet Talks — “Eyi Su Ngaangaa” — Ghana Soundz: Afro-Beat, Funk & Fusion In ’70s Ghana
The Shadows — “Wonderful Land” — Shadows Are Go!
Afrosound — “La Canción del Viajero” — La Danza de los Mirlos
Dirty Filthy Mud — “Forest Of Black” — The Psychedelic Experience Vol. 2
The Upsetters — “Grooving (Take 1)” — Land of Kinks: The Jamaican Upsetter Singles 1970
Small Faces — “My Mind’s Eye” — From The Beginning
Charif Megarbane — “Al Dollarji” — Hawalat
IT’S MADISON TIME…

Funkadelic — “Loose Booty (45 Version)” — America Eats Its Young
Marcello Giombini — “Sabata” — The Ecstasy Of Gold Vol. 1: 23 Killer Bullets From The Spaghetti West
T. Rex — “Jewel” — The Peel Session
Los Belkings — “Bólido De Fuego” — Instrumental Waves
Flat Duo Jets — “Breakout” — Introducing Flat Duo Jets
The Aay Jays — “The Aay Jays Theme” — Pakistan: Folk And Pop Instrumentals 1966-1976
Crabby Appleton — “Go Back” — Crabby Appleton
Orchestre Conga Internationale — “Nakupenda Sana” — Urgent Jumping! East African Musiki Wa Dansi Classics
Billy Wade & The 3rd Degrees — “Tear It Up (Part 1)” — Absolute Funk 3
King Tubby And Friends — “Horn For I” — Dub Like Dirt 1975-1977
Kashmere Stage Band — “Thunder Soul” — Texas Thunder Soul 1968-1974
Erkin Koray — “Krallar” — Mechul: Singles & Rarities
Wire — “Ex-Lion Tamer” — Nine Sevens
Los Bambis — “Cantinela Cosechera” — También Cantan
The Soft Boys — “The Queen Of Eyes” — Underwater Moonlight
Pier’ Rosier & Gazolinn’ — “Man Dé Partance” — Gazolinn’
Chuck Rio — “Margarita” — Exotic-O-Rama: 16 Cut Exotica
Keith Hudson — “By Night Dub” — Playing It Cool & Playing It Right
The Real Kids — “All Kindsa Girls” — The Real Kids
Soki Ohale — “Come And Groove It” — On The Move
Lulu Reed — “What Makes You So Cold” — R&B Hipshakers Vol. 1: Teach Me To Monkey
Mohammed Jamal — “Hallilah” — Egypt & Lebanon: Cosmic Arabic Disco & Searing Dance Floor Bangers 1974-1985
The Invaders — “Look A Py Py” — Spacing Out
Errol Brown — “Roots Rockas” — Orthodox Dub
4″ Be 2” — “One Of The Lads (Dub Version)” — Island 12″ 45rpm

LORD BUCKLEY’S WEEKLY BENEDICTION…
The Beach Boys — “Trombone Dixie [Bonus Track] — Pet Sounds

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Pictured: Serge Gainsbourg.
Histoire De Melody Nelson is Serge’s beautifully strange and brooding concept album about the love affair between a middle-aged Frenchman and an under-age English girl, set to music that sounds like a late ’60s jukebox landed on an orchestra accompanying a reading by Samuel Taylor Coleridge. Staccato electric guitar, piano rolls, a quasi-psychedelic rock combo, strings, a 70-piece choir and an omnipresent thick, rubbery, doom-laden bass, that rumbles through the 28-minute, seven-track album like the wheels of a big, old car propelling the story to its fateful conclusion.
Muttering close to the microphone, Serge tells his story of sex, aesthetics, death, obsession and the impossible ideal of purity in a haunted, deadpan voice, like a French Ancient Mariner compelled to prop up another bar and recount the tale over again to yet another indifferent stranger. The opening track, ‘Melody’, finds Serge behind the wheel of his 1910 Rolls Royce, suddenly aware that the Spirit of Ecstasy – literally and figuratively – has led him to a dangerous, isolated spot in an insalubrious Paris suburb. Losing control – of the car and himself – he runs into a girl on a bicycle, watches her tumble into the road like a doll, her skirt flying over her head to reveal her innocent white knickers. Her name was Melody, an English girl, barely 15 years old, with red hair – “her natural colour” – he adds with a mix of poignancy and regret. The stage is set for danger and sex.
— Sylvie Simmons, Serge Gainsbourg: A Fistful of Gitanes.
Here’s what we played in Ep. 447 of No Condition Is Permanent:
The Chargers — “You Gotta Be a Lady” — Didn’t I Blow Your Mind? Thom Bell: The Sound of Philadelphia Soul 1969-1983
Houon Pierre — “Mansou Djouwi” — Ivory Coast Soul 2: Afro Soul In Abidjan From 1976 To 1981
The Trashmen — “Greensleeves” — Surfin’ The Great Lakes: Kay Bank Studio Surf Sides Of The 1960s
Hayvanlar Alemi — “Mega Lambada” — Guarana Superpower
The Wackers — “I Wonder Why” — I Walk The Lonely Night: Ballroom Beat Vol. 1
The West Indians — “Never Get Away (Take 1)” — Lee ‘Scratch’ Perry Presents Soulful I: The Jamaican Upsetter Singles, 1969-1970
The Raves — “Everything’s Fire” — Smash 45rpm
Los Kenia — “Pal 23” — Ronda del Guaguanco
The Gun Club — “She’s Like Heroin to Me” — Fire of Love
IT’S MADISON TIME…

The Politicians w. McKinley Jackson — “Funky Toes” — The Politicians Featuring McKinley Jackson
Chicha Libre — “Depresión Tropical” — Canibalismo
Roscoe Gordon — “Tummer Tee” — Jook Block Busters Vol. 2
Wallias Band — “Muziqawi Silt” — Ethiopiques 13 Ethiopian Groove: The Golden Seventies
Peter Reno — “Spaghetti Junction” — Tomorrow’s Fashions: Library Electronica 1972-1987
Tappa Zukie & Prince Philip Smart — “Jah Jah Dub” — Tappa Zukie In Dub aka Tapper Zukie in Dub
Soul Revival — “Do What You Gotta Do” — Beehive Breaks
Moha Jamin — “Raks Raks Raks” — Raks Raks Raks: 27 Golden Garage Psych Nuggets From The Iranian ‘60s Scene
New York Dolls — “Chatterbox” — Too Much Too Soon
Los Ovnis — “Voy Para Loco” — Los Nuggetz: 60’s Punk, Pop and Psychedelic from Latin America
The Fabulous Mark III — “Psycho (Parts 1 & 2)” — Texas Funk 1968-1975: Black Gold From The Lone Star State
Coupé Cloué — “Bel Ti Ange” — L’Essentiel Coupé Cloué Et l’Ensemble Select
Voices — “Fall in Love Again” — Basement Beehive: The Girl Group Underground
Charif Megarbane — “Hawalat” — Hawalat = حوالات
Flat Duo Jets — “I Went Rockin’” — Safari
The Boris Gardiner Happening — “Racking Roots” — Ultra Super Dub Vol. 1
Dennis Coffey — “Gimme That Funk (7″ Version)” — Live Wire: The Westbound Years 1975-78
Sum Svistu — “Svetelny Narez” — Best Of Šum Svistu
The Bar-Kays — “Whitehouseorgy” — Too Hot To Stop
Ferry Djimmy and His Dji-Kins — “When I Come In The Road” — Rhythm Revolution
The Four Dreamers — “Percolator” — Complete Sixties Instrumental
Winston Riley — “Old Time Days Version” — Concrete Jungle Dub
The Velvet Underground — “We’re Gonna Have a Real Good Time Together” — The Velvet Underground
Kishore Kumar / Lata Mangeshkar — “Disco ’82” — Bombay Disco 1: Disco Hits from Hindi Films 1979-1985

LORD BUCKLEY’S WEEKLY BENEDICTION…
Serge Gainsbourg — “Melody” — Histoire De Melody Nelson

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Get your CHARMING DEVIATIONIST lapel pin (& Purple Bat Lounge membership card) HERE.


Pictured: eden ahbez.
Moving to Los Angeles in the mid-1940s, Aberle became [eden] ahbez. He fell in with a group of nature mystics that included John and Vera Richter, the owners of the Eutropheon, a vegetarian cafe on Laurel Canyon Boulevard. Like the long-haired “hermit turned showman” William Pester – whom it is thought ahbez met in the late 1930s – the Richters were adherents of lebensreform (life reform), a philosophy that had begun in Switzerland and Germany in the first decade of the 20th century. Coexisting with the early Wandervogel – or wandering birds, the young, usually male, hikers who advocated a return to nature – lebensreform pioneers congregated in communities, foreswore private property, and practised vegetarianism and organic farming, in an attempt to counter the toxins of mechanised contemporary life. Visitors included Hermann Hesse, Carl Jung, Paul Klee, Rudolf Steiner and Hugo Ball.
This was one seedbed for an alternative lifestyle that would flourish during the next 50 years. ahbez was directly influenced by Pester – thought to be the inspiration for [ahbez-penned ’50s hit] “Nature Boy” – and came into contact with these ideas at the Eutropheon, where he worked. “Nature Boy” was the conduit through which vegetarian ideals, nonconformism and notions of living in harmony with nature began to filter into US culture. True to his beliefs, ahbez continued to live rough even after the song had earned him generous royalties; he camped for a short period under the then Hollywood sign.
— Jon Savage, ‘Mother Nature’s Son: The Exotic World of Songwriter eden ahbez,’ The Guardian (01/25/22)
Here’s what we played in Ep. 446 of No Condition Is Permanent:
Chic — “Rebels Are We” — Real People
Livy Ekemezie — “Delectation” — Friday Night
Alfredo Mendietta — “Chicken Run” — Strummin’ Mental! Part 2: Raw, Crude, Instrumental R & R!
Charif Megarbane — “Hanadi” — Hawalat = حوالات
Keith — “The Problem” — The Adventures Of Keith
Hayvanlar Alemi — “Yekermo Sew” — Sublime Frequencies 45rpm
Pere Ubu — “Crazy Horses” — Trouble On Big Beat Street
The Observers — “Have No Fear Version (aka ‘It Is I’)” — Tubby’s Want The Channel: Dubbing With The Observer 1976-1978
IT’S MADISON TIME…

Manfred Hübler & Siegfried Schwab — “Dedicated To Love” — Vampyros Lesbos: Sexadelic Dance Party
Dino & The Dell-Tones — “Sticks And Stones” — Eccentric Soul: The Cobra Label
Samah سماح — “Shawish Aldawriat شاويشالدورية, (Patrol Sargeant)” — Born in the City of Tanta: Lower Egyptian Urban Folklore and Bedouin Shaabi from Libya’s Bourini Records 1968-75
Public Image Ltd — “Careering” — Metal Box
Ramon Pyrmee — “An Mwe” — Mizik Maladi: Disques Debs International Vol. 3
George Clinton with Parliaments / Funkadelic — “All Your Goodies Are Gone” — The Singles 1967-1971
Charanjit Singh — “Pyar Chaiye Keh Paisa” — The Bombay Connection
Flat Duo Jets — “Wild Trip” — Go Go Harlem Baby
Linval Thompson — “Fisha Man Dub” — Strong Like Samson Dub
The Action — “Brain” — Point Me At The Sky: 15 Flashbacks to the Golden Age of British Psych
Remmy Ongala & Orchestre Super Matimila — “Living Together (Tupendane)” — Mambo
Ry Cooder — “Get Away” — Performance OST
Blackbeard — “Oohkno” — I Wah Dub
The Jynx — “Do What They Don’t Say” — I Walk The Lonely Night: Ballroom Beat Vol. 1
Sonido Gallo Negro — “Mambo Egipcio” — Mambo Cósmico
The Sonics — “He’s Waitin’” — Boom
Plearn Promdan — “Koy Yung Mai Por (I Still Don’t Have Enough)” — Luk Thung! The Roots Of Thai Funk: Zudrangma Vol. 3
The Kay‐Gees — “Get Down” — Disco 75
Buari — “Ku Ka Maria” — Buari
The Undertones — “Jimmy Jimmy” — The Undertones
Sim Sisamouth — “Don’t Let My Girlfriend Tickle Me” — Cambodian Cassette Archives: Khmer Folk and Pop Music Vol. 1
Butch Vaden & The Nite Sounds — “Harem Girl” — Rétro Oldies & Popcorn Vol. 6
The Heptones — “Play On Mr. Music (w. The Congos & Junior Murvin)” — Party Time (Deluxe Edition)
The Hollywoods — “Teardrop In The Sand” — Why Don’t You Smile Now: Lou Reed at Pickwick Records 1964-65
eden ahbez — “Mongoose” — Vampisoul: In Search Of The Cool

LORD BUCKLEY’S WEEKLY BENEDICTION…
Stories — “Love Is In Motion” — About Us

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Pictured: Dr. Buzzard’s Original Savannah Band.
At the same time, plenty of good music hit the dance floor over the summer. Arabian Nights by the Ritchie Family included the celebratory “The Best Disco in Town.” Tom Moulton released a mix of the steamily autobiographical “More, More, More” by the Andrea True Connection, featuring adult-movie actress Andrea True. Undisputed Truth came out with a radically improved eleven-minute-ten-second twelve-inch version of their song “ You + Me = Love.” And Dr. Buzzard’s Original Savannah Band eponymous album, which included the hugely popular “Sour and Sweet,” “Cherchez la Femme” and “I’ll Play the Fool,” rapidly established itself as the most important and eclectic dance release of the summer. “RCA didn’t know how big a record they had on their hands,” says [DJ-turned-executive David] Todd. “They were going to give it to adult contemporary until I passed it on to every DJ on the mailing list. I pointed out which cuts to focus on, and it went gold. That was when RCA really started to take the disco department seriously.”
— Tim Lawrence, Love Saves The Day: A History of American Dance Music Culture 1970-1979
Here’s what we played in Ep. 445 of No Condition Is Permanent:
Ben E. King — “No Danger Ahead” — Crème De La Crème Two: More Philly Soul Classics and Rarities from The Vaults of Atlantic, Atco and Warner Bros. Records 1970-1980
Question Mark — “Freaking Out” — Nigeria Rock Special: Psychedelic Afro-Rock & Fuzz Funk in 1970s Nigeria
The Supertones — “Paradise Point” — All For a Few Perfect Waves
The Fore Thoughts — “Jungee” — Pakistan: Folk And Pop Instrumentals 1966-1976
The Edgar Broughton Band — “Evil” — Middle Earth: The Soundtrack of London’s Legendary Psychedelic Club 1967-1969
Afrosound — “Chorrillo” — La Danza de los Mirlos
Don Sargent & His Buddies — “Voodoo Kiss” — Technicolor Paradise: Rhum Rhapsodies & Other Exotic Delights
The Revolutionaries — “Jamaica Colley Dub” — Negrea Love Dub
IT’S MADISON TIME…

John Barry & His Orchestra — “Swinging City” — Mood Three
Vaudou Game — “Ça ira” — Fintou
Linton Garner — “Double A Mambo” — Jukebox Mambo Vol. 3: Afro-Latin Accents In Rhythm & Blues 1947-60
Orchestre Safari Sound — “Mwanakwetu” — Zanzibara 11: Congo in Dar: Dance No Sweat 1982-1986
Flat Duo Jets — “So Long I’m Gone” — Introducing Flat Duo Jets
Iman El Bahr Barwish — “Mahsobko Endas” — Egypt & Lebanon: Cosmic Arabic Disco & Searing Dance Floor Bangers 1974-1985
Bill “Butter Ball” Crane — “Steppin’ Tall” — Ancestors Of Rap: A Collection Of Highly Underrated Prototype Rap Songs
Phirpo y Sus Caribes — “Comencemos” — Parrilla Caliente
Johnny Otis — “Jaws” — Disco 75
Jolly Mukherjee & Sridevi — “Chandni O Meri Chandni” — The Rough Guide To Bollywood Gold
Captain Beefheart & The Magic Band — “Floppy Boot Stomp” — Bat Chain Puller
Los Caballeros De Colón — “Con Los Caballeros” — Panama! Latin, Calypso and Funk on the Isthmus
Dr. Buzzard’s Original Savannah Band — “Cherchez La Femme” — Dr. Buzzard’s Original Savannah Band
The Icebreakers & The Mighty Diamonds — “Run Away” — Planet Mars Dub
The Rivingtons — “Kickapoo Joy Juice” — Papa Oom Mow Mow: Rockin’ R&B and Boss Ballads
Pamelo Mounk’a — “Mariaker” — Propulsion!
Split System — “On The Loose” — Split System 45rpm
Juaneco Y Su Combo — “El Pelejito Bailarin” — Masters Of Chicha 1
Annakonda — “Wheedle’s Groove” — Wheedle’s Groove: Seattle’s Finest in Funk & Soul ‘65-‘75

LORD BUCKLEY’S WEEKLY BENEDICTION…
The Ibrahim Khalil Shihab Quintet — “Spring” — Spring

Grab a Lee-Roy branded squeezable skull stress ball HERE.

Get your CHARMING DEVIATIONIST lapel pin (& Purple Bat Lounge membership card) HERE.









"The compensation for the loss of innocence, of simplicity, of unselfconscious energy, is the classic moment... It's there on record. You can play it any time."
- George Melly, Revolt Into Style
"Reciprovocation ees the spites of life, M'sieur"
- Mlle. Hepzibah, Pogo


