NO CONDITION IS PERMANENT [Episode #378 ~ 01-06-24]

Pictured: Sylvain Sylvain of The New York Dolls.
The [New York] Dolls instinctively swam with the tide of excess. Their costume regularly included make-up, high heels and women’s clothes picked up in thrift stores. Arthur Kane was the most heavily into drag, sometimes dressing up in a tutu, while Sylvain pioneered the fashion for spandex, a cheap, shiny material which, when worn as trousers, revealed all. ‘The fact that the Dolls wore lipstick connotated homosexual,’ says Bob Gruen, ‘but they weren’t. Somebody asked [singer David] JoHansen if he was bisexual, and he said, “No man, I’m trisexual. I’ll try anything.” This was their attitude but behind the soft pose, they were putting on make-up because these young, beautiful girls liked it.’
The Dolls shuffled the musical deck with which they had all grown up: Rock’n’Roll, the early-sixties Girl-Group sound, the Rolling Stones and the Beatles. They learned in public and flaunted the fact. This made them unpredictable, but their insouciance about lack of musical expertise was inclusive and meant that their audience could grow with them. Although there was a distancing irony, this wasn’t Camp: the Dolls transcended ghastly bad taste through their enthusiasm and the way in which their music perfectly mirrored what they had to say.
— Jon Savage, England’s Dreaming: Anarchy, Sex Pistols, Punk Rock and Beyond.
LISTEN TO EPISODE 378 OF NO CONDITION IS PERMANENT:
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Here’s what we played in Ep. 378 of No Condition Is Permanent:
THE FIRST SET
The Ebonys — “I’m So Glad I’m Me” — The Ebonys
The Hygrades — “In the Jungle” — Nigeria Rock Special: Psychedelic Afro-Rock & Fuzz Funk in 1970s Nigeria
Roscoe & His Little Green Men — “Weird” — Strummin’ Mental! Vol. 4
Wganda Kenya — “El Abanico” — Afro Caribe Dance
The Syndicats — “Crawdaddy Simone” — The Alchemist of Pop: Home Made Hits and Rarities 1959–1966
Payom Moogda — “Tamai Dern Sae (Why Do You Walk Like A Drunkard)” — Thai Beat A Go Go Vol. 1: Groovy 60’s Sounds from the Land of Smile!
Moon Mullican — “Well Oh Well” — Gravy Train: Hillbilly Meets R&B Before Elvis 1946-1954
Yabby You & The Prophets — “Give Praises” — Beware Dub
IT’S MADISON TIME…

Keith Courvale — “Trapped Love” — Born Bad Vol. 8
THE SECOND SET
Baligh Hamdi — “Zabour” — Instrumental Modal Pop of 1970’s Egypt
Neu! — “After Eight” — Neu! 75
La Yegros — “Magnetismo” — Magnetismo
Arthur Wright & His Orchestra — “Before It’s Too Late” — Double Cookin’: Classic Northern Soul Instrumentals
Joe Gibbs & The Professionals — “Let Go Mi Hand Babylon (You Don’t Need Me)” — More Majestic Dub
The New Wing — “Melodyland Loser” — Lost Innocence: Garpax 1960s Punk & Psych
Les Bantous de la Capitale — “Mome Yombe” — Orchestre Les Bantous de la Capitale
The Cadets — “Love Bandit” — Early Rappers: Hipper Than Hop: The Ancestors Of Rap
Manzanita y su Conjunto — “Un Sábado por la Noche” — Trujillo, Perú 1971-1974
THE THIRD SET
Cannibal & The Headhunters — “Land Of 1000 Dances” — The East Side Sound 1965-1977
Sakura — “Come On To My House” — Singapore Nuggets: The Ladies
Jerry Ashley — “Come On” — Ho-Dad Hootenanny Too!
U Brown — “Baby Let Me Rock You” — Repatriation
Johnny’s Uncalled Four — “Movin’ & Groovin’” — The Lost Album
Madjzoub Ounsa — “Arraid Arraid Ya Ahal (Love, Love Family)” — Two Niles To Sing A Melody: The Violins & Synths Of Sudan
Choker Campbell — “Walkin’ On My Thin Sole Shoes” — Rock’n’Roll Dance Party Volume Three
Los Camaroes — “Mengala Maurice” — A Journey Into Cameroonian Music
THE FINAL SET
New York Dolls — “Babylon” — Too Much Too Soon
Lee ‘Scratch’ Perry & Augustus Pablo — “Vibrate On” — Scratch On The Wire
Marvin & Johnny and The Marsmen — “Mamo Mamo” — Great Googa Mooga
Sohail Rana — “The Ludee Twist” — More Early Pakistani Dance Music Vol. 2 (From Original 7″ Vinyl 1966-1978)
Flying Wedge — “I Can’t Believe” — If There’s Hell Below
The Third World — “Happy Vibes” — Aiye-Keta

LORD BUCKLEY’S WEEKLY BENEDICTION…
Procol Harum — “The Devil Came From Kansas” — A Salty Dog

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