NO CONDITION IS PERMANENT [Episode #375 ~ 12-16-23]

Pictured: Pere Ubu.
[Pere] Ubu’s music was never going to be accessible enough to reach an American mass market that had scorned the pop sensibilities of the Ramones and Television. Dub Housing and The Modern Dance passed largely without comment, outside the established havens of Cleveland and New York. Ubu’s primary market was England, where Rough Trade had provided the groundwork by distributing the Hearthan [label] singles, and where Ubu managed two tours in April and November of 1978, both critically acclaimed and well attended. Ironically, despite directly benefiting from the climate established by the English New Wave, Thomas has nothing but contempt for England’s punk exponents.
David Thomas: Punk to us was an alien thing. It wasn’t what we were doing. We weren’t doing loud, thrashing, anti-social, adolescent music. We saw ourselves as being more mature than that, more serious than that. We were embarrassed to be associated with the punk movement. We had done that three years earlier, four years earlier. We were doing the same thing in Rocket from the Tombs, but we had passed that stage and I hate to see things regress ’cause we were very serious about pushing music forward. You hate to see things cycle back which is what they always do.
— Clinton Heylin, From the Velvets to the Voidoids: The Birth of American Punk Rock.
LISTEN TO EPISODE 375 OF NO CONDITION IS PERMANENT:
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Here’s what we played in Ep. 375 of No Condition Is Permanent:
THE FIRST SET
First Choice — “Armed and Extremely Dangerous” — Sweet Soul Music: 23 Scorching Classics from 1973
Pat Thomas — “Yesu San Bra” — The Rough Guide to African Disco
Davie Allan & The Arrows — “Moondawg ’65” — Devil’s Rumble: The Davie Allan & The Arrows Anthology
Ersen — “Cakmagicak” — Turkish Freakout: Psych-Folk Singles 1969-1980
Bill Allen & The Backbeats — “Please Give Me Something” — The Roots of Psychobilly
The La Playa Orchestra — “Olvidate De Mi” — Boogaloo Pow Wow: Dancefloor Rendez-Vous In Young Nuyorica
Pere Ubu — “Waiting for Mary” — Cloudland
Susan Cadogan — “Dub It” — Clocktower 45rpm
IT’S MADISON TIME…

Ennio Morricone — “Twist Delle Zitelle” — I Malamondo OST
THE SECOND SET
Gene Walker And His Combo — “Empire City” — Blunderbuss: Scattershot Sleaze 58-67
Dur-Dur Band Int. — “Duurka” — The Berlin Session
The Equals — “Green Light” — Greatest Hits
Les Abranis — “Id Ed Was” — Amazigh Freedom Rock 1973–1983
The Loving Machines — “The Loving Machine” — Ho-Dad Hootenanny Too!
Joe Gibbs & The Professionals — “Bionic Encounter” — Majestic Dub
The Yardbirds — “Happenings Ten Years Time Ago” — Ultimate!
Goblin — “La Via Della Droga” — Beretta 70: Roaring Themes From Thrilling Italian Police Films 1971-80
Nolan Strong & The Diablos — “Mind Over Matter” — Dirty Boogie: The Fortune Records Story
THE THIRD SET
Los Dandy’s — “Normal Nomás” — Lindo Amorcito
Ron Nagle — “Marijuana Hell” — Bad Rice
Teresa Khoo & Her Five Notes — “You Don’t Know, Baby” — Singapore Nuggets: The Ladies
The Undecided? — “Make Her Cry” — Garage Punk Unknowns Vol.1
Shorty The President — “Control Dub” — DJ Jamaica: Inna Fine Dub Style
The Squires — “Do Be Oo Be Wop Wop” — Ai! Si! Si!: Mambo & Latin Flavoured Rhythm & Blues
Kassav’ — “Lagué Moin” — Lagué Moin
Abstracts — “The Beard” — Las Vegas Grind Vol. 7
THE FINAL SET
The Revolutionaries — “Kunta Kinte Version One” — Drum Sound: More Gems from Channel One Dub Room 1974-1980
The Necessaries — “You Can Borrow My Car” — Spy 45rpm
Afrosound — “Una Abeja En El Semáforo” — The Afrosound Of Colombia Vol. 2
Martha & The Vandellas — “(Love Is Like A) Heat Wave” — Hitsville USA: The Motown Singles Collection 1959-1971
Afida Es & the Siglap Boys — “Jangan Goda” — Pop Yeh Yeh: Psychedelic Rock from Singapore and Malaysia 1964-1970 Vol. 1
Wire — “A Question Of Degree (Single Version)” — 154
Jimmy Sabater — “Times Are Changin’” — I Gotta New Dance
Jimmy Castor Bunch — “E-Man Par-Tay” — Maximum Stimulation

LORD BUCKLEY’S WEEKLY BENEDICTION…
Brigitte Bardot & Serge Gainsbourg — “Je T’aime…Moi Non Plus [1967 Original Version]” — Brigitte Bardot: Best of BB

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